Events

  • Mono no aware V

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    Mono no aware VMono no aware reaches its fifth edition next Decemebr 3 with an evening filled of film-only expanded cinema performances. Promoting the cinematic experience, the events include one part of live film projection and another part of live performance elements such as musical performances, dance, poetry, installations, multiple-projections and audience participation. The participating artists include, by participating order, Lindsay Mcintyre, Edward Merton Casey, Monica Baptista, Robert Aiki Aubrey Lowe aka Lichens, Joey Huertas aka Jane Public, Patricia Ordoñez, Morgan Nance, Luke Munn, Eric Ostrowski, Jodie Mack, Jasa Baka, Julia Thomas, Tyr Jami, Alex Mallis, Hunter Simpson, Theodore Rex King, Jordan Stone, Alex Cunningham and Amanda Long.

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  • Close-Up: Air Cries "Empty Water" + Decasia

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    Air Cries, "Empty Water" (Carl Brown)Close-Up: Air Cries "Empty Water" + Decasia
    Tuesday December 6th & 13th, 20h
    Bethnal Green Working Men's Club
    42-44 Pollard Row London E2 6NB

    Close-Up presents three films which use decaying and intensively altered footage to haunting effect, Carl E.Brown's Air Cries "Empty water" and Bill Morrison's Decasia. Using archival, found and original footage, each film produces an uncanny feeling that echoes dreamlike moods and textures, not only through the images depicted but also by the transformation of their vehicle: the surface of the film itself.

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  • Exploring Jeff Keen

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    Jeff KeenExploring Jeff Keen
    Saturday 19 November 2011
    Old Courtroom, 118 Church Street, Brighton
    Presentations and discussion 11:00-15:30h

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    Saturday, November 19, 2011 - 11:00 to Sunday, November 20, 2011 - 10:55
  • American Originals Now: Fred Worden

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    Possessed (Fred Worden, 2010)American Originals Now: Fred Worden
    December 11 & 17, 16:30h
    National Gallery of Art
    Fourth Street and Constitution Ave., NW, 20565 Washington DC

    Since the 1970s, Fred Worden has been making experimental films primarily to examine "how a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism." With wholehearted revelry in cinematic illusion and a commitment to kinetic abstractions, he produces short films and digital videos that draw attention to subjective perceptual play through the manipulation of visual phenomena. Assistant professor of art at the University of Maryland, Baltimore County, Worden has produced work exhibited at festivals and venues in Paris, Hong Kong, Rotterdam, London, New York, and Toronto.

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  • Oporto apresenta #26: Bleu Shut

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    Oporto apresenta #26: Bleu ShutOporto apresenta #26: Bleu Shut
    Friday, November 18, 2011, 22:30h
    Oporto, Salvador Correia de Sá, 42, 2 frente, 1200-399 Lisboa

    "Bleu Shut" by Robert Nelson
    16mm film, color, sound, 33', 1970

    Robert Nelson is a celebrated film-maker that turned down the glories of the avant-garde for the joys of backyard projectionism. His films are ironic constructions, open questions made for the pleasures of gathering. “Bleu Shut” fits right in the so-called tradition of participatory-film. The film is an experiment built around a guessing game, where the act of “seeing is forgetting the name of the thing one sees”. *

    On the cognitive mechanisms of boat-naming and its effect on the uncertainties of the real.” - Alexandre Estrela

    *title of book by Robert Irwin

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  • The Night and the Day: Italian Experimental Cinema 1905–2010

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    Secondo il mio occhio di vetro (Paolo Gioli, 1971)Is there is a tradition of experimenting in Italian cinema? That is the question that the Austrian Filmmuseum's eleven-programme, eighty-film retrospective "Die Nacht und der Tag: Italien Experimental 1905–2010" (November 23-30) tries to answer. Curated by Giulio Bursi and Federico Rossin, this retrospective deals with the concept of 'experimental' in its widest sense: from artists' films like Carmelo Bene's Hermitage or Michelangelo Antonioni's Vertigine, Baruchello & Grifi's seminal 'La verifica incerta', experimental works by Pierfrancesco Bargellini, Yervant Gianikian & Angela Ricci Lucchi, Paolo Gioli, Alfredo Leonardi and Aldo Tambellini to documentaries, home movies, commercials, slapstick comedy, found-footage films... Each programme, centered around a common theme, presents a cross-time and genre selection of films, many of them recently restored or rediscovered.

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