Proyecciones

  • AD HOC #17: Richard Kerr in person

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    Richard Kerr is a visual artist-media maker known for his expansive body of work, which has explored a multiplicity of genres and mediums since the 1970’s. In the 1990’s Richard expanded his practice to encompass meta-cinema installation work and most notably the conceptualization of the Motion Picture Weaving Project. Richard is a teacher/artist, as such his studio informs his teaching and his teaching inspires his studio work.

    Fechas: 

    Domingo, Marzo 31, 2019 - 19:00

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  • Directors Lounge Screening: Maria Korporal - Lines in Between the Maze

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    Metaphors combine beauty with a call for a better life. The Berlin artist Maria Korporal studied in the Netherlands and was working and living in Italy until 2013. Her videos, installations and performances show a strong technical affinity, while at the same time, the content of her works often criticizes the Western and economically oriented civilization. Her films are hybrid combinations of recorded video footage, animated text and digital animations from drawings and photographs. Often inspired by lyrics, they could be read as visual poetry or video aphorisms.

    Fechas: 

    Jueves, Marzo 28, 2019 - 21:00

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  • SFAI x Canyon: Scott Stark

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    Filmmaker Scott Stark will show a selection of his Super-8mm and Regular 8mm films from the 1980s, screened here as newly-scanned high resolution digital versions that offer scale and detail not always seen in the celluloid originals. These early small-gauge works are experiments in the magical capabilities of the 8mm film camera, and are comprised of images and sounds derived from the commonplace: garish elements surgically extracted from the patina of popular culture. Sometimes shot in public spaces with a wry element of performance, the artifice of the films’ constructions is laid bare, the camera being a participant as much as an observer, making each film a record of its own process of production.

    Fechas: 

    Lunes, Marzo 25, 2019 - 19:30

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  • Kunstmuseum Basel: Robert Beavers

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    Robert Beavers (born 1949) is considered one of the most important representatives of American experimental film. The themes of his films crystallize from his study of literature, philosophy, visual arts, music and architecture; But they also come from spontaneous visual experiences or are inspired by ideas that occupy the filmmaker for long periods of time.

    Fechas: 

    Miércoles, Marzo 20, 2019 - 18:30

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  • Disassemblies 9: Guts / Gusts (gestations)

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    Initiated by members of Knowledge Is A Does (KIAD) and with special contributions by Rory Pilgrim, Brendan Curtis and Sarah Browne, we present a selection of videos, performance- and sound based works. Disassemblies 9, a reading group and evening programme, explores Vanessa Agard-Jones’ theory on bodies in systems, which she defines as a movement directing us from the innards of embodiment to the space of global capital.

    Fechas: 

    Viernes, Marzo 22, 2019 (Todo el día)

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  • Imaging the Avant-Garde: Taiwan's Experimental Films of the 1960s

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    Tonight’s program derives from a five-part series curated by Taiwan International Documentary Festival (TIDF), with support from the Taiwan Film Institute. In 2016, curators at TIDF conducted an exhaustive search for Taiwan’s experimental films of the 1960s, unearthing a striking body of largely forgotten works.

    Fechas: 

    Jueves, Marzo 28, 2019 - 19:30

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  • Pugnant Film Series: Psychedelic Is The New Childhood

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    ~~~~~~~~~~PSYCHEDELIC  IS  THE  NEW  CHILDHOOD~~~~~~~~~~
    Video Installation || Sound Installation || Live Music || Live Visuals || Dancing

    Program
    |||19.00 Video Installation with Two Screens (Selected by Pugnant Film Series + Trashxploitation)
    ~Screen 1(Curated by Pugnant Film Series)
    \\Accident de personne  || Katagami || Anarchy in China  || Without A Soul || Houndsoflove || Sans Titre || The heat cognition || EL Diezmo //

    Fechas: 

    Jueves, Marzo 28, 2019 - 19:00

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  • DIM Cinema: Automated Camera Motion

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    Vancouver artist Judy Radul presents Michael Snow’s Standard Time (1967) and La région centrale (1971), along with a recorded discussion between her and Snow, as part of the launch of the new location of Catriona Jeffries Gallery. Its inaugural exhibition on Cordova Street is structured as an Unexplained Parade, with each gallery artist inviting a companion artist to exhibit work. Radul’s invitation was to Snow, who has worked for decades at the leading edge of experimental film and visual art.

    Fechas: 

    Miércoles, Marzo 27, 2019 - 19:00

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  • Close-Up: Larry Gottheim and Friends

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    In 1967, Larry Gottheim started the Cinema Department at Binghamton University which was the first regular undergraduate program that dealt with cinema as a personal art. Considering the theme of nature in art and functions of racial, cultural and personal identity, Gottheim’s practice explores the ways in which time, movement, and becoming are bound up in a complex relation between formal cinematic patterns and pro-filmic subjects.

    Fechas: 

    De Jueves, Marzo 14, 2019 (Todo el día) hasta Sábado, Marzo 16, 2019 (Todo el día)

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  • Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

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    The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture. In contrast to similar co-operative endeavours, the LFMC's activity was not limited to distribution – within a few years it was also running a regular program in its own cinema and, most notably, it democratized the means of production by establishing a film workshop that enabled filmmakers to control every stage of the creative process.

    Fechas: 

    De Jueves, Marzo 14, 2019 (Todo el día) hasta Domingo, Marzo 17, 2019 (Todo el día)

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