Otros

  • Symposium: Fluxus and Film

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    This symposium will expand the defining attributes of Fluxus film by addressing the problematic role of documentation within Fluxus practices, the documentation of performances as material film objects and the performativity of media, and the politics of presence in Fluxus film and performance. Includes screening of film and video works by Wolf Vostell, Eric Andersen, Nam June Paik, Ludwig Schönherr, Paul Sharits, and Carolee Schneemann, among others.

    Fechas: 

    De Viernes, Mayo 5, 2017 (Todo el día) hasta Sábado, Mayo 6, 2017 (Todo el día)

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  • BUNGALOW by Alex MacKenzie

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    Iris Film Collective is pleased to present the inaugural installation of IN HOUSE, a year-long series of film and light installation at the Falaise Fieldhouse (3434 Falaise Avenue, Vancouver BC, Canada) by Collective members.

    BUNGALOW is a site-specific installation by Alex MacKenzie on view every evening from 6-9pm at the Fieldhouse from February 13 through the 26th, 2017.

    Fechas: 

    De Lunes, Febrero 13, 2017 (Todo el día) hasta Domingo, Febrero 26, 2017 (Todo el día)

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  • Perdiendo y encontrando cines experimentales en Latinoamérica

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    Taller impartido por Federico Windhausen
    Sábado 21 y domingo 22 de 4 a 7PM en el Museo Tamayo
    Lunes 23 de enero de 5 a 7PM en la sala 9 de Cineteca Nacional

    Rutas para encontrarse con el cine experimental latinoamericano: festivales, archivos y autores.

    Imparte: Federico Windhausen. Programador e investigador independiente de cine experimental

    Fechas: 

    De Sábado, Enero 21, 2017 (Todo el día) hasta Lunes, Enero 23, 2017 (Todo el día)
  • Edges: an Animation Seminar

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    This seminar – part of the Edge of Frame Weekend – will address the questions of where experimental animation practice sits – at the ‘edges’ – in relation to independent animation, visual arts, histories, institutions. The seminar will do this not through the usual presentation of papers, but by asking artists, curators and academics to offer propositions and provocations, citing up to three works that illustrate their case.

    Fechas: 

    Viernes, Diciembre 9, 2016 - 14:00

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  • RE/NIGHT/LIVE/MARE

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    RE/NIGHT/LIVE/MARE re- considers your nightmares; re- examines your daydreams; re- contextualizes pre-existing (video art? videotaped performance work? found footage?) through re- presenting, re- editing, re -mixing. Featuring works that re- search, re- consider, re- examine, re- contextualize nightmares, daydreams, flying-fancies, hyper-realities. Also included: live re- mixing pre- existing work with new live footage to re- consider it in under the cold, hard, clinical (or soft warm fuzzy *wicked grin ) light of the telematic screen.

    Fechas: 

    De Martes, Noviembre 1, 2016 (Todo el día) hasta Sábado, Diciembre 31, 2016 (Todo el día)

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  • Soft Floor, Hard Film: Celebrating 50 Years of the London Film-Makers’ Co-op

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    Frieze Video and LUX present Soft Floor, Hard Film: 50 Years of the London Film-Makers’ Co-op.

    Formed on October 13th 1968, the London Film-Makers’ Co-operative (LFMC) grew out of a series of screenings in the basement of counter-culture book store, Better Books, on Charing Cross road to become a pioneering organisation incorporating a film workshop, cinema space and distribution office. Radical in its early ideals, the Co-op played a crucial role in establishing moving image as an art form in the UK and internationally.

    Fechas: 

    Jueves, Octubre 13, 2016 - 19:00

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  • Máster LAV III edición

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    Abierta la inscripción para la III edición del Máster LAV (Laboratorio Audiovisual de Creación y Práctica Contemporánea). LAV es un espacio para pensar el cine. Un laboratorio de creación de nuevas formas e investigación del lenguaje audiovisual contemporáneo

    Más info sobre el programa aqui: http://goo.gl/G4z5KC

    Fechas: 

    Lunes, Octubre 10, 2016 (Todo el día)
  • VICO, videoclub of expanded operation

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    VICO is a dynamic device, a portable mini-archive of video that has been activated through different tasks and in different environments. As it was launched, it was articulated over a nomadic chassis that traveled to different places for its exhibition and operation. It then became an interpersonal hub, linking institutions and individuals, with the aim of researching current artistic audiovisual practices, the conformation of local identities, media-based political expressions and other sociocultural configurations of the mediasphere. Its objective has been to study and affect in different forms the cultural inertias of a collective visual memory in Mexico.

    Fechas: 

    De Viernes, Julio 1, 2016 (Todo el día) hasta Domingo, Julio 31, 2016 (Todo el día)

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  • Bruce Conner: It’s All True

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    Bruce Conner: It’s All True is the first monographic museum exhibition in New York of the artist Bruce Conner, the first large survey of his work in 16 years, and the first comprehensive retrospective. The exhibition brings together over 250 objects in mediums including film and video, painting, assemblage, drawing, prints, photography, photograms, and performance.

    Bruce Conner: It’s All True presents a lifetime of work by Conner (1933–2008), one of the foremost American artists of the 20th century, whose transformative work defies straightforward categorization. An early practitioner of found-object assemblage and a pioneer of found-footage film, Conner was a singular member of both the underground film community and the flourishing San Francisco art world, achieving international standing early in his career. His work across a broad range of mediums touches pointedly on various themes of postwar American society, from the excesses of a burgeoning consumer culture to the dread of nuclear apocalypse. Conner’s diverse practice also anticipated the fluidity between mediums that is a hallmark of 21st-century art making. In addition to moving images and assemblages, he produced paintings, drawings, sculptures, prints, photographs, installations, and conceptual interventions.

    Fechas: 

    De Domingo, Julio 3, 2016 (Todo el día) hasta Domingo, Octubre 2, 2016 (Todo el día)

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  • Indefinite Visions

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    This two-day event brings together academics, film-makers and artists for presentations, conversations, and screenings to explore the indefinite and the illegible in experimental film, artists’ film and video, and commercial cinema.

    Light, motion, definition, compression: the conditions of recording, storing and screening moving image are subject to constant variations that pull them away from perfect visibility. Film-makers and artists often seek out and work with the resulting visual uncertainty, from the warping of space to the melding of senses; speed to slowness; darkness to glare; and blur to glitch. Indefinite Visions explores the possibility that an important function of moving image is not to show but to obscure, and that – like the photographer in Michelangelo Antonioni’s Blow Up – the closer and deeper we look at an image, the less clear it becomes.

    Fechas: 

    De Viernes, Junio 24, 2016 (Todo el día) hasta Sábado, Junio 25, 2016 (Todo el día)

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