Produced on the occasion of Leslie Thornton’s major solo exhibition at the MIT List Visual Arts Center as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume is the first monograph on this important artist and filmmaker, offering essential, foundational scholarship on Thornton’s influential work in film and video.
Libros
Emotional Materials/Personal Processes - Six Interviews with Experimental Filmmakers
“This handful of interviews originated at A Coruña’s (S8) Mostra de Cinema Periférico.
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17 EURCategoría:
Maya Deren: Choreographed for Camera
Drama and myth frame the life and death of Maya Deren. Born in Kiev in 1917, at the start of the Russian Revolution, she died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. With its dreamy circular narrative and enigmatic imagery, her first film, Meshes of the Afternoon (1943), has inspired generations of artists, filmmakers, and poets.
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35 USDCategoría:
Hollis Frampton (October Files 27)
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work.
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29,95 USDCategoría:
Feminist Worldmaking and the Moving Image
This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.
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34 EURCategoría:
Landscape and the Moving Image
New exploration of how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists’ film and video and draws on work from the 1970s to the present day. An informed, personal view from a high profile author considering if appreciation of nature’s aesthetics undermines commitment to ecology.
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Paperback - 28 GBPHardback - 95 GBPEbook - 24 GBPCategoría:
Bcubico's book
In activity in Recife between 2011 and 2015, the Bcubico was configured as an important field of exhibition and sharing of different contemporary art forms, also interested for the image in movement related to the experimental cinema, videoart and other expressions.
“This book is a echo manifest of the dynamics of space as a field of experience, but also a place of excellence of presentations through texts, testimonials, stories, and photos” as Barrus points out.
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FreeCategoría:
The Afterimage Reader
The independent British film journal Afterimage published thirteen issues between 1970 and 1987. International in scope, it surveyed the many forms of radical cinema during an extraordinary period of film history. Having emerged in the wake of post-1968 cultural and political change, Afterimage charted contemporary developments with special issues on themes such as the avant-garde, Latin American cinema and visionary animation, and also looked back at early film pioneers.
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25 GBPCategoría:
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