A crucial figure in 1960s-70s avant-garde film, Paul Sharits was a pioneer of structuralist cinema, an approach to filmmaking that emphasizes and explores the formal dimensions and physical properties specific to the medium. A deeply committed and visionary artist, Sharits began exploring the potential of the single frame and the flicker effect in the mid-1960s, and continued to make many films that took as their subject the filmstrip itself.
- 19,90 EUR
A film by Jonas Mekas shot between 1969 and 1985. Contains a 60-pages booklet
"The film consists of 124 brief sketches, each half-a-minute to about two minutes long. Portraits of people I have spent time with,places, seasons of the year, weather (storms, snow, blizzards etc...)many of my film-maker friends- streets and parks of New-York- brief escape in nature, out of town- nothing spectacular, unimportant celebrations of life that has gone, by now, and remains only as a record in these personal, brief sketches." Jonas Mekas
Sandy Ding is an experimental filmmaker who lives and works in Beijing, China. He graduated from CalArts Film School USA in 2007 and started teaching in China Central Academy of Fine Arts since 2008. He produced several psycho-active films with the idea of combining ritual process in projection and sound. His work is energy patterns, telling mysteries with abstractions or powerful symbolic elements. He is equally interested in live performance of theater projections, untypical gallery projections, installations and live noise music to extend the idea of experimental film.
In 1990, as a student, Karel Doing decided to create Studio één. Many artistic, avant-garde, underground movements and counterculture movements seemed to be over. The rise of video and its academic use began to compete with Super8. To work against the decline of the Super 8 format and techniques, Karel Doing and two of his friends (Saskia Fransen and Djana Mileta) from the art school in Arnham, started to think about creating a new space and promoting the invention of DIY techniques for filming and processing Super8 films.
A cinematic essay set against a contemplative backdrop of 16mm urban California landscapes, The Royal Road offers up intimate reflections on nostalgia, the pursuit of unavailable women, butch identity and Alfred Hitchcock's Vertigo alongside a primer on Junipero Serra's Spanish colonization of California and the Mexican American War. Featuring a voiceover cameo by Tony Kushner.
Precio:DVD - 24,95 USDStreaming - 3,99 USDDownload - 9,99 USD
Taking photos and making films are two ways of touching people. People have become the main subject of my collections. Collecting is much like an act of faith. It is a creative act, a chance to discover oneself, while at the same time participating in other's passions.
My photographs -and my films- seek out human contact, and they find it.
Colour Box: 19 Films by Len Lye is the largest and most complete collection of work by the New Zealand-born master of ‘direct’ animation and as Time magazine put it, “England’s answer to Walt Disney”.
This DVD is an essential resource for cinephiles and fans of Lye’s work, presenting masterpieces across Lye’s pioneering career in film, made between 1929 to 1979. It includes his first film Tusalava (1929) through to the masterpiece ‘scratch’ films Free Radicals (1958) and Particles in Space (1979).
1448, by Emmanuelle Nègre
35 mm Found Footage Digitized
Sound: Paul Blackburn & Emmanuelle Nègre
This film is a short animation made from 1448 found photograms.
Over the past half-century, two tendencies have dominated independent, artisanal filmmaking. One of these is the fascination with the material artifacts of cinema´s history: it is often called »found-footage filmmaking« and sometimes »recycled cinema«. Filmmakers working in this vein are often archeologists of cinema, aesthetically and/or ideologically engaging with the work of earlier generations of filmmakers of all kinds.
VARIATIONS includes twelve Canadian moving image and sound artists interpreting Poem (1957) by Michael Snow. The artists selected for this project approached the work from a number of different angles, perspectives and emotions.
Snow's poem provided an anchor for the contributing artists’ work to be fastened to, while giving them the freedom to allow their subjectivity to influence the result.
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