Events

  • MuMaBoX #45: Mirror images

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    In an experimental approach to film, the mirror as a reflective device is used more in its concrete dimension that in the metaphorical: the mirror surface denounces the cinematographic transparency, the famous "window to the world" dear to André Bazin and manifests its power of illusion, infinitely poetic.

    This programme will give rise to various speculations about the self-portrait, memory, landscape, but also on the presence of mirrors in Hollywood movies that reveals a double or the narcissistic staging full of doubts and anguish.

    Dates: 

    Wednesday, February 24, 2016 - 18:00 to Thursday, February 25, 2016 - 17:55

    Venue: 

  • Alchemy Film And Moving Image Festival 2016: Artists’ Filmmaking Symposium

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    The 2016 Alchemy Film and Moving Image Festival, Scotland’s international festival dedicated to experimental film and artists’ moving image, will open on Thursday 14th April with the Filmmaking Symposium; an unique event that in its past 3 years has proven to be immensely successful. Open to all, and aimed at both aspiring and established filmmakers or artists working within moving image, the Symposium features talks and presentations by revered filmmakers and leading industry figures.  It provides a rare opportunity to meet and mingle with a range of experts closely involved the making, funding, and distribution of experimental films and artists’ moving image, along with students and fans of the arts.

    Dates: 

    Thursday, April 14, 2016 (All day)

    Venue: 

    Heart of Hawick - Hawick, United Kingdom
  • Workshop: Projector as an instrument, by Floris Vanhoof

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    "An immediate form of creating image and sound, a play on the possibilities offered by the film projectors, a use of mechanical machines in performance, discover what you can do with multiple projectors running simultaneously.

    Performances with multiple projectors offer artist-filmmakers the opportunity to expand their spectrum of lumino-pictorical techniques. With modified 16mm projectors, conventional tools become personal instruments for transforming images loops of pure black and white into immersive perceptual phenomenons. Abstract forms and strobe pulsing on the screen slowly transform when adding additional projectors, overlays creating strange halos, bizarre 3D expansions and contractions. When more projectors are added, there occurs an intense sensory overload of light, sound and color."

    Dates: 

    Saturday, February 20, 2016 - 10:00 to Sunday, February 21, 2016 - 16:55
    Sunday, February 21, 2016 - 10:00 to Monday, February 22, 2016 - 16:55

    Venue: 

    Mire - Nantes, France
  • Xcèntric: Noise and soundscape in structural film

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    Sound in cinema is a key element to understanding the authors' artistic conception. This is a session specially designed to learn a bit more about the different roles of the soundtrack in the structural film.

    The filmmakers who practise the technical and aesthetic considerations of structural film work with sound from disruptive stances. Graphic manipulations on the optical soundtrack of the celluloid and alterations to ambient sound offer acoustic dialogues about noise and soundscape.

    Dates: 

    Thursday, February 18, 2016 - 20:00 to Friday, February 19, 2016 - 19:55

    Venue: 

  • 25 FPS Festival 2016

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    25 FPS Festival is inviting new films to apply for the International Competition programme of the 2016 edition from 29th of September to 2nd of October.

    We're searching for innovative explorations of cinematic language, narration and the medium itself. Film types and genres that cross and broaden the notion of film as art. Expressive original concepts, progresses in terms of theme, idea and aesthetics, as well as works that perpetuate the tradition of avant-garde and experimental film.

    Dates: 

    Tuesday, May 31, 2016 (All day)
  • OFFoff Cinema: Auguste Orts

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    In 2006 Herman Asselberghs, Sven Augustijnen, Manon de Boer and Anouk De Clerq joined forces and founded Auguste Orts. What started as a reaction to the lack of a production and distribution platform which served their works sufficiently, soon grew to be a leading collective whose works have earned international acclaim. Not only the individual works of the artists will be highlighted in this show, but also the concept of 'artist-run-production/distribution center' will be discussed extensively. 

    Dates: 

    Monday, February 22, 2016 - 20:00 to Tuesday, February 23, 2016 - 19:55

    Venue: 

    OFFoff Cinema - Ghent, Bélgica
  • Carving the Ball of Sound: Film and Video with Leighton Pierce

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    For more than 30 years, Leighton Pierce has explored memory and perception in a series of stunningly shot, impressionistic short films and videos that exploit cinematic space and time and expand the interplay between sound and image. Pierce executes all aspects of his works himself including the conception, cinematography, editing, and sound design and composition. Tonight he will screen old and new works, including Glass (1998), Wood (2000), White Ash (2014), and new works in progress.

    Dates: 

    Friday, February 19, 2016 - 19:00 to Saturday, February 20, 2016 - 18:55

    Venue: 

    Logan Center for the Arts - Chicago, United States
  • Voicing On Film

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    OnFilm is excited to present the Spring 2016 program “Voicing,” featuring the works of Chantal Akerman, Mounira Al Solh, Jayce Salloum and Mónica Savirón. Formally, these works are organized around the possibilities of spoken or textual narration enlivening an otherwise minimal soundtrack. However together, they elaborate an idiosyncratic critique of the authority of the voiceover as material and political conquest, problematizing the narration of identity (or imperatives to do so) in politically fraught art markets, and restating the performative faculties of the camera in playfully inventive and wildly affecting ways.

    Dates: 

    Thursday, February 18, 2016 - 19:30 to Friday, February 19, 2016 - 20:55

    Venue: 

    Hoyt Auditorium - Rochester, United States
  • Day Is Done

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    MY HOUSE curator, Tobin Gibson, introduces this special event — only the third time Mike Kelley's "fractured feature-length musical" has been screened in a cinema. Extending the artist's subversive, multifaceted examination of trauma, abuse and repressed memories, refracted through the prism of personal and mass-cultural experience, Day Is Done is composed of live-action recreations of high-school yearbook photographs of extracurricular activities, or, as the late artist himself termed them, "socially accepted rituals of deviance." These carnivalesque disruptions of the normal school schedule, in the form of pageants, recitals, variety shows, hazings, slave auctions and dress-up days, mirror events in the broader cultural arena.

    Dates: 

    Wednesday, February 10, 2016 - 19:00 to Thursday, February 11, 2016 - 18:55

    Venue: 

    DIM Cinema - Vancouver, Canadá
  • 35mm: Standard gauge of memory

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    On the occasion of the arrival in Paris of the filmmaker Daïchi Saïto, who just won the Tiger Award at the Rotterdam International Film Festival with his new film Engram of Returning, we invite you to an experimental movie night Thursday, February 11, 2016 at 20h at the Finnish Institute.

    The 35mm format is the most used of the silver film cinema. Considered the "standard format", it measures 35 millimeters wide and has in its edges rectangular perforations to ensure its traction by the various mechanisms of shooting and projection.

    Dates: 

    Thursday, February 11, 2016 - 20:00 to Friday, February 12, 2016 - 19:55

    Venue: 

    Institut Finlandais - Paris, France

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