Events

  • NW Film Center: An Evening with George Kuchar

    By on

    An Evening with George Kuchar
    Tuesday February 2nd, 2010, 19h
    NW Film Center
    Whitsell Auditorium
    1219 SW Park Avenue, Portland, OR 97205

    San Francisco film and video maker George Kuchar is one of the most interesting and prolific (over 200 works) media makers working today. With his homemade Super-8 and 16mm potboilers and melodramas of the 1950s, ’60s, and ’70s, he became legendary as one of the most distinctive and outrageous American underground filmmakers. In the 1980s he transitioned to video, making dozens of subversive, witty, often diaristic works employing friends, students (at the San Francisco Art Institute), and whatever might be creatively (“no-budget”) at hand. Tonight’s sampling of recent works includes, along with other surprises, The Hairy Horror (2009), a short meditation on a tall terror in the trees that shade shadowy giants from the glare of sanity; Burrito Bay (2009), a video diary about the making of another of his films, Tropical Vulture, which “blends Hollywood glamour and drama with an all-too-real-life approach”; Portrait Of Genie (2008)—"An ex-student of mine opens up in the privacy of her home and shows me her etchings (watercolors) as we talk of art and things that slip under the fabric of daily attire"; and X Mass (2008)—“A California winter turns the left coast into a brew of foaming festivities while landlubbers leap for joy in the spray of salty slurping.” "[Kuchar’s films] were my first inspiration…the pivotal films of my youth, bigger influences than Warhol, Kenneth Anger, even THE WIZARD OF OZ."—John Waters.

    Co-presented by QDoc: Portland Queer Documentary Film Festival. Kuchar also visits the School of Film for conversations with filmmakers.

    Category: 

  • Punto de Vista 2010

    By on

    Punto de Vista 2010This year's edition of Punto de Vista, one of the most dynamic and interesting documentary film festivals, will be held next February 5-13 in Pamplona, Spain. Among the many highligths of its programme, a near-complete retrospective of the film career of Jem Cohen from his early 1980s films up to his latest works; partial retrospectives of Chick Strand and Lynne Sachs; the latest works of James Benning (Ruhr), Ben Rusell (Let each one go where he may) and the experimental films strand 'La región Central'.

    Category: 

  • Shirley Clarke Tribute

    By on

    Bridges-Go-Round (Shirley Clarke, 1958)Shirley Clarke Tribute
    Saturday, January 30 - 7:30pm
    322 Union Avenue, Brooklyn, NY 11211
    Suggested donation $7

    Discussion with filmmakers Donna Cameron, Jonas Mekas (founder of Anthology Film Archives and founding member of The Filmmakers' Coop), and film critic-programmer Cullen Gallagher.

    Dates: 

    Saturday, January 30, 2010 - 19:30

    Venue: 

    UnionDocs - New York, United States
  • Dan Graham's Rock My Religion (An Expanded Screening)

    By on

    Dan Graham’s Rock My ReligionDan Graham’s Rock My Religion
    (An Expanded Screening)

    Sunday, 7 Feb 2010, 4.30pm
    Auto Italia South East
    1 Glengall Road, SE15 6NJ, London

    Dan Graham’s artistic practice has been influenced by music from early on and this interest becomes more explicit in the late 1960s through some of his first writings such as Live Kinks, 1969 a review of a concert by the Kinks. During the 70s and 80s, Graham developed close working relationships with composer Glenn Branca and musician and Sonic Youth founder Kim Gordon, who supposedly started her music career by taking part in one of Graham’s performance pieces, which didn’t quite go according to plan and turned into a fully fledged concert. Through “a shift towards the documentary” as described by LA MOCA’s Bennett Simpson who recently curated a Graham retrospective, the 1980s saw the release of two video works by the artist which explicitly deal with the subject of popular music: Minor Threat from 1983 on a concert of the American punk band of the same name and the more complex Rock My Religion (1982-84), developed in discussions with Branca, Gordon and Sonic Youth’s Thurston Moore, all of whom contributing to the soundtrack of the work.

    Category: 

  • Alteridad y ficción

    By on

    Estas muy recientes obras en cine y video se mueven entre la indexicalidad de la imagen y la abstracción. El celuloide enterrado en el mar de MacLean, el orientalismo al revés de y transcendencias de ciencia ficción de Ahwesh, música ruidista llevada a Malobi de Russel, los vestigios del pasado de Klahr y las composiciones marinas de Maria Helena Clark son el material de imagen y sonido de esta sesión de alto voltaje.

     

    Fore-and-Aft, Sara MacLean. Canadá, 2008, 35 mm, 6 min.

    Dates: 

    Thursday, January 28, 2010 - 20:00 to Friday, January 29, 2010 - 19:55

Pages