Events

  • 35mm: Standard gauge of memory

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    On the occasion of the arrival in Paris of the filmmaker Daïchi Saïto, who just won the Tiger Award at the Rotterdam International Film Festival with his new film Engram of Returning, we invite you to an experimental movie night Thursday, February 11, 2016 at 20h at the Finnish Institute.

    The 35mm format is the most used of the silver film cinema. Considered the "standard format", it measures 35 millimeters wide and has in its edges rectangular perforations to ensure its traction by the various mechanisms of shooting and projection.

    Dates: 

    Thursday, February 11, 2016 - 20:00 to Friday, February 12, 2016 - 19:55

    Venue: 

    Institut Finlandais - Paris, France
  • Xcèntric: Robert Beavers - The Hand Outstreched

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    My Hand Outstretched to the Winged Distance and Sightless Measure is the title of the cycle that brings together 18 films by Robert Beavers, produced between 1967 and 2001. This session presents three films from each of the three parts that make up the cycle, in which the filmmaker works manually, impressing his gestures on both the filming and the editing.

    In Early Monthly Segments, Beavers portrays himself and shows his working method by focusing on the cinematographic device. In Work Done he uses metaphor and visual allusion to generate correspondences between filmic procedures and the archetypal forms of artisan work. In AMOR he presents tailoring as a metaphor of the emotions surrounding love, separation and the metonymic twinning of objects.

    Dates: 

    Thursday, February 11, 2016 - 20:00 to Friday, February 12, 2016 - 19:55

    Venue: 

  • Street Sets

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     The Peephole Cinema is pleased to present Street Sets - compositions made from the visual rhythms of urban settings. Work by Eric Dyer, Johan Rijpma and Caleb Wood will be on view 24 hours a day from February 15th through March 27th, 2016. Curated by Sarah Klein.

    Dates: 

    Monday, February 15, 2016 (All day) to Sunday, March 27, 2016 (All day)

    Venue: 

    Peephole Cinema San Francisco - San Francisco, United States
  • OFFoff Cinema: Courtisane Festival preview

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    This screening fits into our running programme and the theme of essayism, and it is an announcement to the programme In Between Lines of the forthcoming Courtisane Festival in which Offoff and Courtisane present The Song of the Shirt, a unique and influential film by Sue Clayton and Jonathan Curling (1979). It is a study of the position of working women in the 1840's, the effects of protectionist 'philanthropy' and the resistance to it.

    Dates: 

    Monday, February 15, 2016 - 20:00 to Tuesday, February 16, 2016 - 19:55

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • Between the Frames - Japanese experimental film on 16mm: prolific years 1975-1980

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    The Japanese experimental cinema movement became strong in the late 60’s, having it’s peak in the late 70’s. Toshio Matsumoto, who started making avant-garde documentaries and artistic feature film, and other predecessors, had a big influence on a new generation of film makers. Many of them were fascinated in exploring the mechanism of the moving image. This program highlights the peak period of Japanese experimental film, putting Atman (1975) by Toshio Matsumoto, which creates an extraordinary spatiotemporal sensation, and Spacy, by Takashi Ito, seriously influenced by Atman, as two merkmals. The films in this program, except Matsumoto’s and Ito’s film, have not been digitized, and their importance is underestimated both inside and outside Japan. For this reason it is a rare opportunity to watch these films in the original format.

    Dates: 

    Monday, February 8, 2016 - 15:00 to Tuesday, February 9, 2016 - 14:55

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • Xcèntric: The voluptuousness of the gaze. James Herbert

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    James Herbert, filmmaker and painter, was to become well-known for his video clips for R.E.M., but his films are rarely seen. Somewhere between voyeuristic attraction and reflection, they demonstrate the filmmaker’s sensibility for reinterpreting the body by means of photography: figures of naked couples in a visual setting, reflections of the impression of touch or loneliness, while the film intensifies with the grain, the texture and the light

    Dates: 

    Thursday, February 4, 2016 - 20:00 to Friday, February 5, 2016 - 19:55

    Venue: 

  • Light Movement 11

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    Light Movement 11 brings together a selection of filmmakers, most of whom have had screenings in the series over 2015. This is a great chance to see a selection of films which convey the general dirrection of the series so far, all shown in their original formats. We also welcome several of these filmmakers to the screening in person.

    Plus some music in the bar from DJ mfx (reboot fm)

    Dates: 

    Friday, January 29, 2016 - 19:30

    Venue: 

    SPEKTRUM - Berlin, Germany
  • The Festival of (In)appropriation #8

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    Los Angeles Filmforum presents The Festival of (In)appropriation #8

    Curators Jaimie Baron and Greg Cohen in person!

    Whether you call it collage, compilation, found footage, détournement, or recycled cinema, the incorporation of already existing media into new artworks is a practice that generates novel juxtapositions and new meanings and ideas, often in ways entirely unrelated to the intentions of the original makers. Such new works are, in other words, “inappropriate.” This act of (in)appropriation may even produce revelations about the relationship between past and present, here and there, intention and subversion, artist and critic, not to mention the "producer" and "consumer" of visual culture itself. Fortunately for our purposes, the past decade has witnessed the emergence of a wealth of new audiovisual elements available for appropriation into new works. In addition to official state and commercial archives, resources like vernacular collections, home movie repositories, and digital archives now also provide fascinating material to repurpose in ways that lend it new meaning and resonance.

    Dates: 

    Sunday, February 21, 2016 - 19:30

    Venue: 

    Spielberg Theatre at the Egyptian - Los Angeles, United States
  • Xcèntric: Streets were happy when they lit up their ghosts. The films of Ernie Gehr

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    We screen three of the most representative works from the first period of American filmmaker Ernie Gehr. Framed within the so-called structural film, his film discourse trascends this classification, placing him in the category of a classic of the avant-garde.

    A shot can be a film; a film, an arrangement of snapshots exposed for fractions of a second or endless minutes. With each beat—or intermittent projection of the stills—the light, which depends on the reflections, the lens or the emulsion, communicates with our nerves and reveals the true action.

    Dates: 

    Thursday, January 28, 2016 - 20:00 to Friday, January 29, 2016 - 19:55

    Venue: 

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