Catalogue

  • Experiments in Cinema 12.3 DVD Collection

    The artists included on these discs have donated their work to EIC. Experiments in Cinema is a volunteer-run festival so all proceeds from sales go directly into ensuring the continuation of EIC. Be the first on your block to collect the whole set of DVDs!

    Disc 1:

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    50 USD

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  • Stan Brakhage the realm buster

    Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception.

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    26,48 GBP

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  • Resonancias Fílmicas. El sonido en el cine estructural (1960-1981)

    Explorar los intersticios estéticos e ideológicos de la dimensión sonora en el cine experimental es el motivo principal de esta investigación. En estas páginas se estudia el sonido desde una posición analítica que enfatiza la idiosincrasia de los procesos de creación acústicos de los cineastas, las rupturas sónicas que formulan sus películas y los desafíos auditivos que suscitan a la audiencia.

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    Average: 3.7 (3 votes)

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    24 EUR

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  • Dietmar Brehm - Praxis Selection

    Dietmar Brehm's Praxis series is driven by a spirit of enterprise that is clearly palpable: Since 1974 Brehm has been sensuously modulating his private iconography in ever new variations, ceaselessly engaged with his ever growing image and sound archive, withdrawn into the interior of an infernal fantasy. There is no posturing behind his cool treatment of the disquieting signs in his work, but rather ennui, a loner life, solipsism. Dietmar Brehm orchestrates implosions and idling states. He could be seen as the representative of a telephone-game art movement: His work is post avant-garde, post-narrative, post-surreal, post-pornographic and post-psychoanalytic; it appears like an extra entry in the annals of a long since shelved cultural history, like a last ditch effort of art after the end of time. - (Stefan Grissemann)

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    Average: 5 (1 vote)

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    28,80 EUR

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  • El cine como arte subversivo

    Film as a Subversive Art, del curador y crítico de cine Amos Vogel. Originalmente publicada en 1974, se trata de una obra fundamental en la historia del cine, donde el autor lleva a cabo una revisión histórica del séptimo arte a la luz del concepto de subversión.

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    300 MXN

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  • Futurist Cinema. Studies on Italian Avant-garde Film

    Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world.

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    Average: 4 (1 vote)

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    89 EUR

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  • I had nowhere to go

    Jonas Mekas has worked together with Andy Warhol, George Maciunas, John Lennon, and many others. In New York he was an influential figure in the New American Cinema, although he came to film-making relatively late. In 1944 Mekas and his younger brother Adolfas had to flee from the Nazis for copying leaflets. They were interned for eight months in a labour camp in Elmshorn.

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    22 EUR

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  • Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics

    Glitch Art in Theory and Practice: Critical Failures and Post-Internet Art explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.

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    Hardback - 70 USD
    Ebook - 49 USD

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  • At Peter’s. Vienna, June 20th, 2016 (7:04 pm – 10:46 pm)

    This book is a document. It’s an account via images of the evening of June 20, 2016, spent in Vienna in the company of the artist, Peter Kubelka. With his wife Luise, Kubelka had invited some friends: the photographer Heinz Cibulka and the filmmaker Jonas Mekas who had come with his son, Sebastian, specifically to film the party.

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    35 EUR

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  • After Uniqueness: A History of Film and Video Art in Circulation

    Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership.

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    Average: 5 (2 votes)

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    Paperback - 35 USD
    Hardcover - 105 USD
    E-book - 34.99 USD

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