Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership.
- Paperback - 35 USDHardcover - 105 USDE-book - 34.99 USD
Suzan Pitt’s work is like a dream. Things exist out of proportion, shapes shift, characters emerge and then disappear. But like any dream, they also exist with a backbone of reality, and in every way celebrate the things that make life such a mixed bag of joy and sorrow. They are amazing works of art, and for any fan of animation or unique cinematic experiences, they are not to be missed. -Steven Snyder - TimeOut
"Film must be free from all imitations, of which the most dangerous is the imitation of life."
In this volume, editor Suranjan Ganguly collects eight of Stan Brakhage's most important interviews in which the filmmaker describes his conceptual frameworks, his theories of vision and sound, the importance of poetry, music, and the visual arts in relation to his work, his concept of the muse, and the key influences on his art-making. In doing so, Brakhage (1933-2003) discusses some of his iconic films, such as Anticipation of the Night, Dog Star Man, Scenes from Under Childhood, Mothlight, and Text of Light.
I am happy to announce the long awaited Blu-ray release of 6 of my short films. This is a limited addition of 300 numbered and signed discs. Brand new HD scans of all the films taken from the original film negatives. This is the first vol of films, future volumes will follow. - JB
Jon Behrens is a Seattle based filmmaker, film programmer, photographer, sound designer and teacher. His films have been screened through out the world and has been active in the Experimental and avant garde film movement since the early 1980’s.
Margaret Tait – filmmaker, photographer, poet, painter, essayist and short story writer – is one of the UK’s most unique and remarkable filmmakers. She was the first female filmmaker to create a feature-length film in Scotland (Blue Black Permanent, 1992). Although for most of her career Tait remained focused on the goal of making a feature-length film, her most notable and groundbreaking work was arguably as a producer of short films.
Thirteen rare films featuring pre-computer abstraction, using a variety of techniques including early oscilloscope experiments, color organs, hand-drawn sound, animation drawn directly on film, painted scrolls, and optical printing. Films from the archive of Center for Visual Music.
This definitive volume of texts by Canadian writer and media artist Mike Cartmell includes a collection of essays written across three decades that examine reading and desire. Lacan, Blanchot, Sebald and Melville lead the charge. In his later years Mike developed a unique and unusual essay style, making ample use of quotations and multiple voices, weighing in on fringe media moments with an exuberant experimentalism.
This book offers an oral history collage of Toronto’s underground movie collective called the Funnel. Between 1977-89 they built four theatres, fought censorship, made artist’s films, published catalogues, ran an art gallery, showed and distributed movies from around the world. Here at last is the story told by people who were there.
The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with
Price:Hardcover - 39.95 USDPaperback - 32.95 USD
Ways of Worldmaking is the first comprehensive monograph on British experimental filmmaker Ben Rivers (born 1972). In recent years, Rivers has been celebrated as one of the most important experimental filmmakers of his generation. The series of exhibitions collected in this book explore the diversity and breadth of his work. Often following people who have in some way separated themselves from society, the raw film footage provides Rivers with a starting point for creating oblique narratives imagining alternative existences in marginal worlds.