The Square, The Line And The Light: Object, Line And Light
Sunday 11 April 2010, at 3pm
Tate Modern Starr Auditorium
Bankside, London, SE1 9TG
Laszlo Moholy-Nagy used light as primary factor in the creation of space and movement, much as Van Doesburg viewed film as a form of architecture with light. This screening examines games of light and form by Moholy-Nagy and other artists.
- The Connection Between Form and Sound #27 (Georg Cup & Steve Elliott, 1979, 8mm on video, 3 min)
- Calligrams (Steina & Woody Vasulka, 1970, video, 4 min)
- Filmkomposition I (Werner Graeff, 1922/77, 16mm, 2 min)
- Filmkomposition II (Werner Graeff, 1922/77, 16mm, 2 min)
- 16X (Svetlana and Igor Kopystiansky, 1979, 16mm on video, 6 min)
- Architectone (Svetlana & Igor Kopystiansky, 1979, 16mm on video, 1 min)
- Projection (Isabelle Cornaro, 2009, 16mm on video, 6 min)
- Lichtspiel schwarz-weiss-grau (Laszlo Moholy-Nagy, 1930, 16mm, 6 min)
- Gyromorphosis (Hy Hirsh, 1956, 16mm, 7 min)
- #11, Marey <-> Moire (Joost Rekveld, 1999, 35mm, 21 min)