Events

  • Red Over the Right Eye: A Performance with Found Footage and Flicker Film

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    Crater CollectiveRed Over the Right Eye: A Performance with Found Footage and Flicker Film
    Thursday, December 13, 20h
    Millennium Film Workshop, 66 E 4th Street, Basement, New York, NY

    Crater (Luis Macías and Adriana Vila) with Optipus

    Dates: 

    Thursday, December 13, 2012 - 20:00 to Friday, December 14, 2012 - 19:55

    Venue: 

    Millennium Film Workshop - New York, Estados Unidos

  • Xcèntric: Scenes in the life of Mary Shelley

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    A Shape of Error (Abigail Child,2012)Xcèntric: Scenes in the life of Mary Shelley
    Sunday, December 16 2012, 18:30h
    Xcèntric CCCB, Montalegre, 5, 08001 Barcelona

    Filmed in Italy with amateur actors, A Shape of Error is an experimental feature film based on the diaries of Mary Shelley, author of Frankenstein, and her stepsister Claire, two emancipated women for their time. In the form of an imaginary home movie, Abigail Child tells her story, centring particularly on the passionate affair of Mary with Percy Shelley, employing formal strategies developed in earlier works (The Future Is Behind You, Covert Action), such as the shared screen and split images.

    - A Shape of Error (Abigail Child, United States, 2012, 72 min, 16 mm/digital).

    Category: 

  • Witness: Palestine

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    Witness: PalestineWitness: Palestine, a film performance by Barbara Hammer
    Sunday, December 16, approximately mid-afternoon
    Performance Tent, Courtyard PS1 MoMA
    22-25 Jackson Ave., Long Island City, New York 11101

    In her most recent project Witness: Palestine the established artist and filmmaker Barbara Hammer integrates film practices into social spaces sharing the voices of men and women she met on the first LGBTQ Solidarity Tour of Palestine in January, 2012. How could she allow others a similar experience?  This is one of the most important questions the artist raises with this work. Upon seeing Intellettuale, 1975, by Fabio Mauri who projected the Pasolini film (The Gospel According to Saint Matthew, 1964) on Pasolini himself, she found her clue. By inviting the reader/audience into the work to produce it, instead of enforcing a predetermined reading, Hammer privileges the intelligence and integrity of the participant.

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  • Projektionen: [Chrono]Skopie

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    Hus (Inger Lise Hansen, 1998)Projektionen: [Chrono]Skopie
    Thursday, December 13 2012, 19:30h
    kunstraum t27/Kunstverein Neukölln
    Thomasstrasse 27, 12053 Berlin

    Curated by D. Phillips, A. Dornieden & J. D. González Monroy

    The Kunstverein Neukölln hosts a new show in the series PROJEKTIONEN, with rarely seen films, slides, and other forms of projected performance art.

    Can Time be rendered perceptible, such as through a microscope, telescope, endoscope or even  a scopescope?

    - Open system (Audiovisual performance) (Jutojo, Overhead projector, 15 min, 2012)
    An experiment in visual chemistry, which is exacerbated by an overhead projector.

    - Rallye (Romeo Grünfelder, 16mm, 4 min, 2004)
    An accident will occur, occurs, has occured; but just as well it happens at the same time that it will take place, already took place and is just about to have taken place it will not have taken place, so that it, before it takes place, did not take place, and as soon as it takes place, it never will have taken place.

    - Hus (Inger Lise Hansen, 16mm, 7 Min, 1998)
    Hus is a film which attempts to reveal the private and hidden layers of our habitation. It is a live animation film shot on location which incorporates both pixilation (stop motion) and time-lapse photography.

    - Sternenschleife – Stars on a Stripe (Dagie Brundert, Super8, 1 Min, 2012)
    A short film loop - a homemade Sternoskop - Glitter stars directly onto the film strip!

    - Quelques minutes de soleil apres minuit (Audiovisual Performance) (Xavier Quérel, 16mm, 20 Min)
    A few minutes after midnight sun.

    Category: 

  • Xcèntric: Found footage / re-enactment

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    Rose Hobart (Joseph Cornell, 1937)Xcèntric: Found footage / re-enactment
    Museum's films: the Pompidou Collection
    Thursday December 13, 2012, 20h
    Xcèntric CCCB, Montalegre, 5, 08001 Barcelona

    Programme two in the selection from the film collection of the Centre Georges Pompidou, with three high priests of the experimental sharing the screen in a session not to be missed.

    - Rose Hobart (Joseph Cornell, 1937, 17 min)
    - Opening the Nineteenth Century: 1896 (Ken Jacobs, 1990, 9 min)
    - Flaming Creatures (Jack Smith, 1963, 42 min)

    Category: 

  • Red Over the Right Eye: A Performance with Found Footage and Flicker Film

    By on

    Crater CollectiveRed Over the Right Eye: A Performance with Found Footage and Flicker Film
    Thursday, December 13, 20h
    Millennium Film Workshop, 66 E 4th Street, Basement, New York, NY

    Crater (Luis Macías and Adriana Vila) with Optipus

    - Red Over the Right Eye (Performance) – Didactically informing about the origins of 3D with a super 8 and 16 mm intervention of different abstract yet simple forms, executing space in a twiddling and anxious doubt of retina’s capacities. Other dimensions are invoked…

    - completely out of their elements (Peformance) – Optipus, a New York film/music/performance will join Crater

    Category: 

  • Xcèntric: The hieroglyphic of movement

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    Watermotor (Babette Mangolte, 1978)Xcèntric: The hieroglyphic of movement
    Museum's films: the Pompidou Collection
    Sunday December 9, 2012, 18:30h
    Xcèntric CCCB, Montalegre, 5, 08001 Barcelona

    At the request of Xcèntric, this season the heads of film collections of the principal international art museums will present a selection, at once personal and representative, of their constituent works. We start this series with a programme from the collection of the Centre Georges Pompidou, put together and presented by Philippe-Alain Michaud, featuring seminal creators such as Duchamp, Kubelka and Conner.

    - Danse serpentine (Luca Comerio, 1897, 30 s [35 mm transferred to video])
    - [Eclosion rapide] (anonymous, silent, c. 1920, 16 mm, 5 min)
    - Les vers marins (anonymous, 1912, 35 mm, 7 min)
    - Anémic cinéma (Marcel Duchamp, 1925, 35 mm, 7 min)
    - Adebar (Peter Kubelka, 1956, 35 mm, 2 min)
    - Breakaway (Bruce Conner, 1966, 16 mm, 5 min)
    - Andy Warhol’s Exploding Plastic Inevitable (Ronald Nameth, 1967, 16 mm, 14 min)
    - Watermotor (Babette Mangolte, 1978, 16 mm, 8 min)
    - Free Radicals (Len Lye, 1979, 16 mm, 4 min)
    - Jewel (Hassan Khan, 2010, 6 min 30 s [35 mm transferred to video])

    Category: 

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