Eventos

  • The Rearview Mirror

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    “I then took another look into the rearview mirror, on my own. And I discovered, somewhat to my surprise, that when you look in the rearview mirror you do not see what has gone passed. You see what is coming. And the rearview mirror is the foreseeable future. It is not the past at all. The title, the phrase “rearview mirror” appears to distort the situation. Most people think of it instinctively from the sound of the phrase, “It must be the past.” In terms of media, of course, the thing that is occupying the foreground in terms of the rearview mirror is nostalgia. Nostalgia is the name of the game in every part of our world today. Nostalgia is not, well it’s a kind of rearview mirror if you like, but it’s also the shape of things to come.” – Marshall McLuhan

    Fechas: 

    Sábado, Mayo 7, 2016 - De 19:00 hasta 20:30

    Local: 

    The Nightingale - Chicago, Estados Unidos
  • ACRE TV LIVE at The MCA

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    ACRE TV presents a live performance, with playwrights, actors, artists, and a studio audience collaboratively producing and broadcasting LIVE television on ACRETV.org. An hour and a half of living cinema—like a play in which actors meet in the edit.

    Featuring performances by Kelly Lloyd and Jesse Malmed, live music by Ryan Sullivan, acting by Monette McLin and David Lawrence Hamilton, and a new scene written by Calamity West and Nate Whelden. Produced by Kate BowenKera MacKenzie, and Andrew Mausert-Mooney.

    Fechas: 

    Martes, Abril 26, 2016 - De 18:00 hasta 19:30

    Local: 

    ACRE TV - Chicago, Estados Unidos
  • Balagan presents... APPARITIONS: a double 16mm projection performance by Alex MacKenzie

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    Inspired by early stereo imaging and the clash and collusion of socioeconomic forces, this suite of works seeks to dismantle cinematic codes while foregrounding projector and light as sculpture: a conscious corruption and interference of the apparatus to evoke the unexpected, reshaping representation into the realm of material and space. Using colour gels, masking, lens interference and projector movement in tandem with an exploration of binocular disparity, perspective, patterning and the film surface itself, APPARITIONS explores the transitional space between image and abstraction, nature and culture.

    Fechas: 

    De Jueves, Abril 21, 2016 - 20:00 hasta Viernes, Abril 22, 2016 - 19:55

    Local: 

    Carpenter Center for the Visual Arts - Cambridge, Estados Unidos
  • Xcèntric: El enigma de lo fotográfico

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    A través de tres películas de géneros y planteamientos muy distantes, este programa refleja la fascinación que ha producido desde sus orígenes la capacidad que tiene la fotografía de hacer visible lo invisible, que ha llevado incluso a asignarle atributos sobrenaturales.

    Teniendo en cuenta los fundamentos de una ontología basada en una creencia inmutable en las imágenes, y en el poder de conversar con lo invisible, el cine extrajo del registro de la fotografía espiritista los elementos de una gramática formal cuyos fenómenos de apariciones y desapariciones en pantalla constituyen los marcadores esenciales de su naturaleza mágica.

    Fechas: 

    De Jueves, Abril 7, 2016 - 20:00 hasta Viernes, Abril 8, 2016 - 19:55

    Local: 

  • Art of the Real 2016

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    The Film Society of Lincoln Center's annual nonfiction showcase, founded on the most expansive possible view of documentary film, returns with new work from around the world and in a variety of genres. This year’s festival includes a retrospective of a titan of the avant-garde film world, Bruce Baillie; New York premieres of new films by Roberto Minervini, Ben Rivers, José Luis Guerín, and Thom Andersen; as well as the usual eclectic, globe-spanning host of discoveries by artists who are reenvisioning the relationship between cinema and reality. With many filmmakers appearing in-person with their work, Art of the Real continues to be one of the essential showcases for boundary-pushing nonfiction film.

    Fechas: 

    De Viernes, Abril 8, 2016 (Todo el día) hasta Jueves, Abril 21, 2016 (Todo el día)

    Local: 

    The Film Society of Lincoln Center - Nueva York, Estados Unidos
  • OFFoff Cinema: Selfieland

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    Visual rhetoric in a post-feminist era.

    The use of selfies on the internet as an answer to the exploitation, sexualisation en objectification of the female body in today's consumer society manifests itself as a new tendency within (post-)feminism. This tendency is situated mainly on the internet and floods social media and blogs with snapshots of self aware teenagers in provocative poses and/or with eccentric looks. However, there is a thin line between the random selfie and the selfie as an activist tool for a feminist discourse, which has caused a lot of criticism and rejection from within the movement itself. Artists such as Katie Cercone, Amalia Ulman, Juno Calypso and Ann Hirsh make the distinction between cheap selfies and the intentional politicized self-recording in an artistic oeuvre.

    Fechas: 

    De Lunes, Abril 25, 2016 - 20:00 hasta Martes, Abril 26, 2016 - 19:55

    Local: 

    OFFoff Cinema - Ghent, Bélgica
  • Light Movement 13: Colour Spaces

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    Light Movement returns to Spektrum this month, and in more ways than one! Colour Spaces presents a collection of films in which colour is a key factor, either in forming the works concept, its formal structure, its depiction of space, or simply an atmosphere. This screening groups together a wide range of works by some incredible filmmakers and artists, all using colour in ways unique to their respective practices.

    Fechas: 

    De Domingo, Abril 10, 2016 - 20:00 hasta Lunes, Abril 11, 2016 - 19:55

    Local: 

    SPEKTRUM - Berlin, Alemania
  • Xcèntric: El cine de Marjorie Keller

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    Esta sesión presenta dos de las películas más importantes de Marjorie Keller, Misconception y Daughters of Chaos, meditaciones personales sobre la experiencia femenina, lo íntimo y lo cotidiano, construidas a partir de filmaciones domésticas sobre las que se aplican complejas experimentaciones en el montaje y la correspondencia entre la imagen y el sonido.

    Marjorie Keller falleció prematuramente en 1994 a los 43 años, dejando tras de sí más de 25 películas en 8 mm y 16 mm y una serie de textos críticos sobre el cine que le interesaba, como un libro sobre la infancia en la obra de Brakhage, Cocteau y Cornell y una investigación inacabada sobre el cine experimental hecho por mujeres, desde pioneras como Germaine Dulac, Maya Deren y Carolee Schneemann hasta la joven generación de sus contemporáneas representada por Peggy Ahwesh, Su Friedrich o Leslie Thornton.

    Fechas: 

    Domingo, Abril 3, 2016 - 18:30

    Local: 

  • Turbidus Film #12: Dragonflies with Birds and Snake

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    Wolfgang Lehmann's Dragonflies with Birds and Snake is a powerfully vibrant film based on zoological and educational footage of insects, birds, and amphibians. The structural montage of the film, with small repititive variations and flicker effects, creating its own spatial and temporal essence.

    ”A menagerie of semiotic editing techniques employed during this exercise allows the marshy world of the dragonfly to unfold before us: dragonfly larvae hatch, whilst mere frames later, a bird slowly devours an adult specimen. We see bird and prey gradually merge forms, holding a constant value of image as all other areas of the frame flicker between positive and negative image, blue sky or green grass.”

    Fechas: 

    De Viernes, Abril 8, 2016 - 19:00 hasta Sábado, Abril 9, 2016 - 18:55

    Local: 

    Fylkingen - Stockholm, Suecia
  • VISIONS | 05+06.04.16 | JP SNIADECKI

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    In collaboration with the Cinémathèque québécoise and the Global Emergent Media Lab, VISIONS presents Yumen and People's Park by JP Sniadecki.

    The films are part of CHINA NOW: INDEPENDENT VISIONS, a touring programme initiated by Cinema on the Edge. From March 11 to April 6 Montreal will have access to a collection of illuminating documentaries, brilliant shorts, and spellbinding fiction features from the last four years of Chinese independent cinema.

    Fechas: 

    De Martes, Abril 5, 2016 - 19:00 hasta Jueves, Abril 7, 2016 - 22:55

    Local: 

    Cinémathèque québécoise - Montréal, Canadá

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