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Perhaps America’s most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer and the ‘William Blake of film’. His utopian ideals, artistic processes and bejeweled
The process leading to the making of the film-installation Les Avatars de Vénus goes back thirty years to the thousands of images I began picking up - from news stands, bookshops, libraries, museums, flea markets as I travelled around the world. Finallly,
Framework: The Journal of Cinema and Media vol.56 issue 1 is devoted entirely to the writings of avant-garde artist Warren Sonbert. The journal features reproductions of Sonbert's original typed, handwritten and published documents. The issue is guest edited by Jon Gartenberg and is organized into sections related to Sonbert's interests in art, music, poetry, travel and film.
Contents:
Drake Stutesman
Editorial
Acknowledgments and Accreditations
Ascension Serrano
Preface
In Oliver Ressler´s works art becomes a political position.
(Ursula Maria Probst)
Part cinematic manifesto, part invoked sorcery, SOLARES serves as volcanic manifestation of what viewing, inhabiting, and reflecting images is in our existence. Meant to accompany their masterpiece The Sun Quartet, SOLARES stands as a beautiful testament to the power of poetry and its relationship to cinema and life
This new DVD compiles eight short films made by Peter Tscherkassky, including multi-awarded breathtaking Instructions for a Light and Sound Machine and his most recent film Coming Attractions. Along "Films from a Dark Room" (INDEX008) featuring internationally celebrated Tscherkassky's found footage trilogy - L'arrivée, Outer Space, Dream Work - this new release on INDEX offers an exhilarating excursion in Peter Tscherkassky's radical cinema.
Each of Michael Snow's works, spanning across painting, sculpture, video, film, photography, holography, drawing, publishing and music, invites us to experience, question and contemplate the representation, its process and material. Rameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen illustrates his research both in the visual arts and in sound: "For me, it is an authentic 'talking picture,' built from the true units of the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities; the experience of seeing/hearing this film. 'Speech,' 'Language,' 'Culture' - their sources, their nature... recorded, imaged, prove (?) that in this case a word is worth 1000 pictures.
John Woodman works with landscape as an experimental film/video maker and photographer and has exhibited work internationally over a period of 38 years. The collection of films selected for this DVD focus on his early landscape work in 16mm and Super 8 film made between 1977 to 1982. Exploring time-space and light his work concerns ways in which, through landscape, visual transformation, change and transience are represented and perceived in film. Particular emphasis is given to the way in which through time, changes in light, weather and season affect our perception of space and place.
The 16mm films on this DVD reflect Hamlyn's early formation in painting and drawing, where intense observation was central to the effort to realise images of a visible world that is anything but straightforwardly apprehensible. All the work stems from the way the film medium lends itself to a particular way of structuring temporal images. In the case of film, as opposed to video, the characteristics and constraints of the technology push one towards a way of working with the frame as the basic spatio-temporal unit of construction.
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