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All of the films collected on this DVD have in common a focused and precise observation of spatial structures. Whether interiors, spaces that have to do with the material or cinematic spaces, whether the city of Calcutta or specific places in Vienna: Sche
Before David Attenborough and Jacques Cousteau - there was Jean Painlevé. Poetic pioneer of science films, Painlevé explored a twilight realm of vampire bats, seahorses, octopi, and liquid crystals. In collaboration with his life-partner, Genevive Hamon,
This 3-volume set brings together for the first time the complete film works of Jack Chambers (1931-78), largely regarded as one of Canada’s most important visual artists. With a well-established career as a painter, he embarked on a short-lived but significant career as a filmmaker in the mid-1960s. Chambers’ artistic practice was described as “perceptual realism” and stood in counterpoint to the dominant abstract styles of his day. He completed five films in his lifetime.
The films of Josephine Massarella cover a vast territory, from durational, performance-focused films that bridge everyday experiences with ritual and symbol, to aesthetic transformations of landscape and wilderness through the eye of the camera.
The actor Clémenti is an anxious Christ, the singer Zouzou is Mary, mother Jesus, Mary the Saint, and Mary-Madeline. A complex movie, ambigous and Cult.
In a career spanning five decades, Robert Beavers has distinguished himself as one of the most important American avant-garde filmmakers. From My Hand Outstretched to the Winged Distance and Sightless Measure, his cycle of 18 films made across Europe since 1967, to Pitcher of Colored Light (2007) and The Suppliant (2010), intimate portraits shot in the U.S., Beavers has produced a deeply original film language framed by his use of colored filters and mattes.
Experiencias: vivir, inventar, escribir. Para Hélio Oiticica no eran tres palabras sino manifestaciones de un mismo gesto, de una realidad única. Y así fue desde el principio, cuando comenzó con el Grupo Frente y participó en la Exposición Nacional de Arte Concreta de 1957, hasta el final de su vida, cuando no dejaba de llenar sus cuadernos con proyectos ni de transformar el espacio urbano con sus obras y su cuerpo en lo que llamó “delirios ambulatorios”.
Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since
Jaimz Asmundson has been experimenting with film, video and electronic music since 1998. Since then he has continued to produce a body of work that has been screened internationally. His films have become known for their subversive content and he has been
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