Events

  • Personal Space: Films by Aurand and Beavers

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    The filmmakers Robert Beavers (b. 1949) and Ute Aurand (b. 1957) are internationally known for their evocative portraits of people and places: Beavers has been making films since 1966 and retrospectives of his work have been organized for the Whitney Museum and the Tate Modern, among others. Aurand’s work explores space and human relations through astute, small gestures and purposeful sound. Her films, sometimes likened to the film diaries of Marie Menken and Jonas Mekas, have recently been featured at Tate Modern and the Harvard Film Archive.

    Dates: 

    Saturday, October 10, 2015 (All day)
    Sunday, October 11, 2015 (All day)

    Venue: 

    National Gallery of Art - Washington, United States
  • Nicky Hamlyn - Brownian Motion

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    Nicky Hamlyn's recent 16mm films at The Film Gallery, Paris
    28. September - November 2015
    Vernissage 25. September 2015, 18-21h

    The Film Gallery is delighted to present Brownian Motion, an exhibition of 16mm film works by experimental filmmaker Nicky Hamlyn, both produced in 2015. Nicky Hamlyn has been active in the British experimental film scene, most notably the London Filmmaker’s Coop, since the mid 1970s. He is mainly known for his precisely structuredobservational 16mm films and video works dealing with light, time and space. Hamlyn traces brief, transitional moments, studying the changes of surface structure, materiality and patterns of movement in our everyday environment. His films are compositions of brief transitional and ephemeral moments in time and space, bringing to light the overlooked or the soon to be extinct. This is achieved by deploying mechanisms such as time-lapse filming, single-frame shooting and superimposed fades in and out (dissolves). The show Brownian Motion at The Film Gallery brings his diverse film and video work for the first time to a French gallery. 

    Dates: 

    Monday, September 28, 2015 (All day) to Saturday, October 31, 2015 (All day)

    Venue: 

    The Film Gallery - Paris, France
  • The Owl of Minerva & other works by Optipus

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    The Owl of Minerva & other works by the expanded cinema group Optipus
    with live soundtracks by Underworld Oscillator Corporation

    The Owl of Minerva is dedicated to the Death of Kodachrome film and other obsolete technologies of analog media: glass slides, regular, super 8 & 16mm film, 35mm slides, vinyl, foley, and modular synths. The evening also includes a new trilogy of astronomical video works by Eros, Sylvarnes & UOC called "Ex-nombreux films de l'éspace extra-atmosphèrique" (innumerable outer space films) with Ultraviolet Catastrophe

    Dates: 

    Sunday, September 20, 2015 - 19:30

    Venue: 

    Theatre 80 - New York, United States
  • AXWFF: Fragments From the Garden of Dreams

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    Fragments From the Garden of Dreams (90 minutes)
    Curated by Lili White

    Filmmaker Sasha Waters Freyer will join us in person on September 30 for a discussion about her films.
    Catch Sasha Again Next Month: After an internet flaming episode in the film community, Sasha was invited to be AXW’s guest curator. Sasha’s group show entitled Try A Little Tenderness will run next month in October!

    Dates: 

    Wednesday, September 30, 2015 - 18:00 to Thursday, October 1, 2015 - 17:55

    Venue: 

    Anthology Film Archives - New York, Estados Unidos
  • Sonic Circuits Presents Elektro Moskva + New Experimental Films by Lynn, Rorison, Cain, Forsberg and Klacsmann

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    Elektro Moskva tells the strange but true story of the evolution of electronic music against a backdrop of revolutionary politics, social upheaval, and totalitarian control. From the invention of the world’s first electronic instrument by Leon Theremin in 1928, to avant-garde musicians of the 1970s scavenging contraband parts from KGB spying equipment, to modern day circuit-benders in cramped Moscow flats turning discarded toys into bizarre instruments, ELEKTRO MOSKVA chronicles almost a century of freethinking musicians, ar

    Dates: 

    Saturday, September 12, 2015 - 19:30

    Venue: 

    AFI Silver Theatre and Cultural Center - Silver Spring, United States
  • Saul Levine, Part I: 1966-77

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    I tried to film what was going on around me and value it as much as the heroics of the big screen.”—Saul Levine

    With a monumental filmography that dates back almost fifty years and seems to grow monthly (if not weekly), Saul Levine (b. 1943) long ago established himself as a central figure in American experimental cinema. He is also a key member of the filmmaking community in Boston and Cambridge, not only because of his own work but also for his passionate, tireless and inspiring roles as both a professor at the Massachusetts College of Art and Design and the programmer of the MassArt Film Society, one of the foremost venues for experimental cinema in the area. The Harvard Film Archive is extremely excited to present the first in a number of programs designed to help local audiences acquaint, or re-acquaint, themselves with Levine’s impressive body of work, from the beginnings to the present day.

    Dates: 

    Friday, September 11, 2015 - 19:00 to Saturday, September 12, 2015 - 18:55
    Sunday, September 13, 2015 - 19:00 to Monday, September 14, 2015 - 18:55
    Monday, September 14, 2015 - 19:00 to Tuesday, September 15, 2015 - 18:55

    Venue: 

    Harvard Film Archive - Cambridge, United States
  • The Situated Cinema Project; in camera

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    The Situated Cinema Project; in-camera is a portable micro-cinema commissioned by Toronto-based media arts exhibition group Pleasure Dome to celebrate their 25th anniversary. Created by Halifax-based filmmaker Solomon Nagler with architects Thomas Evans and Jonathan Mandeville of passage studio, the structure features “pilgrimage”—an experimental 16mm film loop created by Nagler and his artistic collaborator Alexandre Larose. From September 10-20, the Situated Cinema will travel to three Toronto locations, hosted by the Toronto International Film Festival®, 8-11 Gallery and Artscape Youngplace. As it travels, the architectural structure of the cinema will intervene in the city, creating unexpected situations where chance encounters and dislocated spaces forge new relationships between the spectatorial body and the urban landscape. Inseparable from its context, the Situated Cinema Project; in-camera explores intersections of film and architecture through a rejection of conventional cinematic representation, reinventing the cinema space as temporary and mobile.

    Dates: 

    Thursday, September 10, 2015 (All day)
    Friday, September 11, 2015 (All day)
    Saturday, September 12, 2015 (All day)
    Sunday, September 13, 2015 (All day)
    Monday, September 14, 2015 (All day)
    Tuesday, September 15, 2015 (All day)
    Wednesday, September 16, 2015 (All day)
    Thursday, September 17, 2015 (All day)
    Friday, September 18, 2015 (All day)
    Saturday, September 19, 2015 (All day)
    Sunday, September 20, 2015 (All day)
  • NO NEW YORK: Selections from a Decade of FLEXFest

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    Microscope welcomes Roger Beebe back to the gallery for the last Event of our 2014-15 Season. For the evening, Beebe has curated a night of selections from a decade of FLEXFest by filmmakers working outside of the tradition epicenters of experimental film New York City, San Francisco, and Chicago.

    With works by Drew Christie, Lauren Cook, Christopher Harris, Jason LaRay Keener and J. LedbetterJesse McLean, Jodie Mack, Kristin Reeves, Kelly Sears, Brendan and Jeremy Smyth, Scott Stark, Robert Todd.

    Dates: 

    Friday, September 4, 2015 - 19:30

    Venue: 

    Microscope Gallery - New York, Estados Unidos
  • ACRE TV: Tele-novela

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    Curated by Robyn Farrell

    Tele-novela is a genre of limited-run drama series popular on Latin American, Portuguese, and Spanish television networks. The term combines tele, short for televisión or televisão (Spanish and Portuguese words for television), and novela, a Spanish and Portuguese word for “novel”. Symbolic, social, or technological, Tele-novela mimics the serial and structural nature of the pop cultural programs, but moves from linear story to abstracted narrative, and experimental play by electronic means. Arranged in three-part acts and ranging in media–video, sound, animated GIFs–and durational formats, the sequential productions on ACRE TV present a departure from their operatic tradition in favor of abstracted realities and dispersed fictions that simultaneously explore and avoid the notion of formal narrative on screen.

    Dates: 

    Tuesday, September 1, 2015 (All day) to Saturday, October 31, 2015 (All day)

    Venue: 

    ACRE TV - Chicago, Estados Unidos

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