Eventos

  • Turbidus Film #14: Landscapes and Abandoned places

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    Fylkingen and Turbidus Film present Landscapes and abandoned places, a second program with five experimental film makers that focused on landscapes, architecture, abandoned places, strata, glimpses of gardens, light patterns, and elements as earth, water, fire and wind...

    Films by: Julie Murray (IRL), Giovanna Puggioni (IT), Adèle Friedman (US), and Arthur & Corinne Cantrill (AUS). All films on 16mm.

    Fechas: 

    De Jueves, Mayo 26, 2016 - 19:00 hasta Viernes, Mayo 27, 2016 - 18:55

    Local: 

    Fylkingen - Stockholm, Suecia
  • Indefinite Visions

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    This two-day event brings together academics, film-makers and artists for presentations, conversations, and screenings to explore the indefinite and the illegible in experimental film, artists’ film and video, and commercial cinema.

    Light, motion, definition, compression: the conditions of recording, storing and screening moving image are subject to constant variations that pull them away from perfect visibility. Film-makers and artists often seek out and work with the resulting visual uncertainty, from the warping of space to the melding of senses; speed to slowness; darkness to glare; and blur to glitch. Indefinite Visions explores the possibility that an important function of moving image is not to show but to obscure, and that – like the photographer in Michelangelo Antonioni’s Blow Up – the closer and deeper we look at an image, the less clear it becomes.

    Fechas: 

    De Viernes, Junio 24, 2016 (Todo el día) hasta Sábado, Junio 25, 2016 (Todo el día)

    Local: 

    Whitechapel Gallery - London, Reino Unido
  • Montreal Underground Film Festival 2016

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    The 11th edition of the Montréal Underground Film Festival (MUFF) hits the screens over a four-day period from May 19 to 22, 2016. This year, the MUFF collective has selected the 95 finest and most innovative shorts by local and international artists. A celebration of subversive and experimental moving image works!

    Programme:

    OPENING NIGHT
    Thursday, May 19th, 8:00pm – 90 minutes (screenings at 9pm)
    La Sala Rossa (4848 Boulevard St-Laurent, Montréal)
    Programmers: MUFF Collective

    Fechas: 

    De Jueves, Mayo 19, 2016 - 20:00 hasta Lunes, Mayo 23, 2016 - 03:55

    Local: 

    Microcinéma être - Montreal, Canadá
  • Peephole Cinema: Kaleidaeye

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    The Peephole Cinema is pleased to present Kaleidaeye –reflections on infinite systems. Work by Benjamin Popp, Jodie Mack and Sabrina Schmid will be on view 24 hours a day from May 24th through July 4th, 2016. The show is curated by Sarah Klein.

    Fechas: 

    De Martes, Mayo 24, 2016 (Todo el día) hasta Lunes, Julio 4, 2016 (Todo el día)

    Local: 

    Peephole Cinema San Francisco - San Francisco, Estados Unidos
  • Balagan presents... the films of Will Hindle

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    From that late fifties until his death in 1987, Will Hindle was a major figure in the American Avant-Garde and what has been called the Personal Film Movement, as defined by a conscious move away from the industrial methods of production toward a more individualistic and idiosyncratic cinema. Incredibly technically adept as well as emotionally astute, Hindle utilized complex optical effects to craft beautiful, evocative and densely-layered short films that play out vividly like dreams and resonate long after. Being neither wholly abstract nor rooted to narrative form, the fictive elements within the films tend to forgo exposition, instead working with the images, colors, and sound to create a strong sensorial experience that channels a deep empathetic response within the viewer.

    Fechas: 

    De Jueves, Mayo 19, 2016 - 19:00 hasta Viernes, Mayo 20, 2016 - 18:55

    Local: 

    Coolidge Corner Theatre - Brookline, Estados Unidos
  • MuMaBoX #48: The Intelligence of the Signal

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    The signal is the essence of sound and digital image: from the invisible material information to the naked eye, codified and flowing through the filmic technologies of the age of the Web. Its access, of paramount importance, is in protected mode (Friedrich Kittler). On one side digital tools are built as black boxes in the middle of which the signal processing is carefully rendered opaque and inaccessible. On the other, private companies and governments of the intelligence services have unlimited technological power of interception and investigation of signals to conduct their surveillance and profiling globally. Rejecting this paradox, some artists like Pierre-Yves Cruaud, HC Gilje, Paolo Gioli, Benjamin Muzzin, Jacques Perconte, Leighton Pierce, Joost Rekveld, Sadia Sadia, Jerome Schlomoff, develop signal intelligence: they thus pass its regulated treatment according to the standards of audiovisual experimentation to release the untapped plastic resources and express all the strata of the artist's sensibility.

    Fechas: 

    De Miércoles, Mayo 18, 2016 - 18:00 hasta Jueves, Mayo 19, 2016 - 17:55

    Local: 

  • Kurt Kren: Structural Films - Screening and Book Launch

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    Kurt Kren was a vital figure in Austrian avant-garde cinema of the post-war period. His structural films, often shot frame-by-frame following elaborately pre-scored charts and diagrams, have influenced filmmakers for decades, even as Kren himself has remained a nomadic and obscure public figure. Kurt Kren: Structural Films, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic out-of-print essays alongside the reflections of contemporary academics and filmmakers, to add much-needed critical discussion of Kren’s legacy. Taken together, the collection challenges the canonical view of Kren that ignores his underground lineage and powerful, lyrical imagery.

    Fechas: 

    De Lunes, Mayo 30, 2016 - 19:00 hasta Martes, Mayo 31, 2016 - 18:55

    Local: 

    Close-Up Cinema - London, Reino Unido
  • Sally Golding: Your Double My Double Our Ghost

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    Australian-British artist Sally Golding presents two new audiovisual installations which conclude her year-long Embedded residency, delivered in partnership with Sound and Music and the South London Gallery (SLG).

    The installations explore Golding’s interest in perception and phenomenology, and consider audiovisual art as a participatory experience. Golding’s work questions states of reality, challenging notions of narrative and the act of perceiving through the deployment of sonic and visual fragments, and the reworking of the bare components of audiovisual media such as light, substrate, and amplification.

    Fechas: 

    De Miércoles, Mayo 25, 2016 (Todo el día) hasta Domingo, Mayo 29, 2016 (Todo el día)

    Local: 

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