Bibliography

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A
Abrahams A, Graveland M, van Hoof P, van ‘t Hart E.  2004.  mm2: Experimental Film in the Netherlands since 1960. :286pp.
Abrahams A, Opdam C, Graveland M.  2010.  film³ [‘kju:bIk fIlm]: New Cubic Films from the Netherlands. :392pp.
Andjel J, Tile V, Capek K, Capek J, Langer F, Mukaržovski J, Jakobson R, Vajngart M, Burijan EFrantišek, Vancura V et al..  1987.  Teorija česke avangarde 1908-1937. :86pp.
B
Bonet E.  1978.  There is an Independent Cinema in Spain, but.... Millenium Film Journal. (2, Spring/Summer 1978):18pp.
Bonet E, Wees WC, Wyver J, Elwes C, Katz J, Beauvais Y, Jacobs K.  1993.  Desmontaje: film, vídeo, apropiación, reciclaje. :205pp.
Brakhage S.  1989.  Film at Wit's End: Eight Avant-garde Filmmakers. :183pp.
Brakhage S, Brakhage J, Sitney P.A.  1963.  Film Culture 30: Metaphors on Vision. Metaphors on Vision. (30)
Brenez N, Lebrat C.  2000.  Jeune, dure et pure! Une histoire du cinéma d'avant-garde et expérimental en France. :591pp.
Brenez N, Lebrat C.  2000.  Jeune, dure et pure! Une histoire du cinéma d’avant-garde et expérimental en France.
C
Cammaer G, Phillips P, Day D, Labreque M, Cockburn D, Josephson G, Toews I, Landon P, Yaroshevsky M, Sternberg B et al..  2003.  Placing spaces, spacing places : Canadian experimental films & videos since 1990. :35pp.
Brakhage S, Mekas J, Cage J, VanDerBeek S.  1968.  Cinema now 1: Perspectives on American underground film: Stan Brakhage, John Cage, Jonas Mekas, Stan Vanderbeek. :28pp.
Hein B, Rees A.L, Dusinberre D, Christie I, Le Grice M, Weibel P, Drummond P, Moritz W, Herzogenrath W.  1979.  Film as Film: Formal Experiment in Film 1910-1975. :152pp.
Curtis D.  1971.  Experimental Cinema: A Fifty Year Evolution. :168pp.
D
de Mol P, Voorhuis N, Driessen H.  1985.  Het Experiment in de Nederlandse Film. :36pp.
Deren M.  2004.  Écrits sur l'art et le cinéma. :120pp.
Deren M.  1946.  An Anagram of Ideas on Art, Form and Film. Outcast. 9:52pp.
Di Marino B, Meneguzzo M, La Porta A, Annunziata G, Censi R, Costa A, Fragapane GDaniele, Licciardello A, Lischi S, Palmerino D et al..  2012.  Lo sguardo espanso. Cinema d'artista italiano 1912-2012. :312pp.
Dwoskin S.  1975.  Film is ...: The International Free Cinema. :268pp.
E
Escoffet E, Bonet E.  2005.  Próximamente en esta pantalla: el cine letrista, entre la discrepancia y la sublevación. :341pp.
F
Ferreira J.  1986.  Cinema de Invenção. CINEMAX. :304pp.
Frampton H.  1983.  Circles of Confusion: Film/Photography/Video Texts 1968-1981. :200pp.
G
Gidal P, Le Grice M, Snow M, Frampton H, Dunford M, Sharits P, Mekas J, Hein B, Eatherley G, Landow G et al..  1976.  Structural Film Anthology. :144pp.
[Anónimo].  1980.  The German Experimental Film of the Seventies. :48pp.
H
Poole S, Evans G, Littman S, Weinbren G, Gidal P, Welsby C, Hamlyn N, Parker J, Gawthrop R, McCall A et al..  2006.  Experimental Film and Video: An Anthology. :302pp.
Hedges I.  1983.  Languages of Revolt: Dada and Surrealist Literature and Film. :166pp.

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