A silent monologue on the simultaneous perception of space and time. The film was constructed without a camera by writing directly on clear celluloid, and then "translated" by refilming the resulting strips on a light table so that they appear as "subtitles" beneath the original inscription. The film functions as both process and object-an interactive experiment in reading, writing, and seeing. SpiritMatters has won prizes at the Baltimore, Ann Arbor, and Experimental Film Festivals and is distributed by Canyon Cinema. Complete work available at: http://www.ubu.com/film/rose_spirit.html