Etiquetas: yann beauvais

Contenido etiquetado

Scratch Projection: Empower Cinema

By Marcos Ortega on Lun, 29/11/2021 - 07:57

To mark the publication of Agir le cinéma - Écrits sur le cinéma expérimental (1979-2020) [Empower Cinema - Writings on Experimental Cinema (1979-2020)], the most complete anthology to date of the writings of yann beauvais, Light Cone presents a double screening that places side by side his work as a filmmaker with his work as a film critic and programmer.

Fechas:
Martes, Diciembre 7, 2021 - 19:30
Local:
Cinéma Luminor - Paris, Francia
Agir le cinéma: Écrits sur le cinéma expérimental (1979-2020)
An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

Yann Beauvais (born 1953 in France), as a teacher in United States, became conscious of the need to lead a "cultural battle".
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Les presses du réel
40 Años de Light Cone: Activando el Cine

By Marcos Ortega on Lun, 25/10/2021 - 12:31

En 2022 se cumplen cuarenta años de la organización responsable de que el cine experimental, en sus formatos originales, llegue a todos los rincones de Europa: se trata de Light Cone, que alberga en su sede en París (auténtica cripta de los tesoros) 5.000 películas, desde 1900 hasta hoy, y de todas partes del mundo.
Fechas:
De Martes, Noviembre 9, 2021 (Todo el día) hasta Viernes, Noviembre 12, 2021 (Todo el día)
Local:
MK2 Cinesur Nervión Plaza - Sevilla, España
Dobra Festival: pre-launch of the book Bcubico

By Ж (kk) . on Mar, 21/09/2021 - 05:02

In activity in Recife between 2011 and 2015, the Bcubico if configured as important field of exhibition and sharing of art forms contemporary, also interested for the image in movement, in regards to the experimental cinema, videoarte and other expressions.

"This book is a manifest echo of the dynamics of space as a field of experience, but also a place of excellence in presentations through texts, testimonials, stories, and photos,” as Barrus points out.
Fechas:
Miércoles, Septiembre 22, 2021 - 16:00
Local:
Cinemateca do MAM - Rio de Janeiro, Brasil
L'émulsion Fantastique: Le Cinéma Selon Cécile Fontaine
"I like working with film's materiality - the object becomes a material that I transform with non-filmic tools. Like an explorer, I have a go at the surfaces of film prints that I find or that are given to me: films of all genres, formats and origins. I transform their textures, colors and images by subjecting them to chemical reactions caused by various household products, creating new hybrid film objects through collage and recomposition, following motifs inspired by the original sources."
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Editions Light Cone
Migrant Thoughts: Cinematographic Intersections
As a publishing act, Migrant Thoughts argues that the image is inevitably nomadic and inexorably migrant and, as Henri Bergson reminds us, is everywhere. Everything is image. We are images among images, and in this respect film is no more than one of the media through which images move. Images become a gesture of resistance, as by being just an image and not a just image, as Jean-Luc Godard said, they are worthy and can never be subdued by power, despotism or an all-too human will corrupted by the idea of ownership.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Hambre | espacio cine experimental
Blitz #27: Economía/Ecología

By Ж (kk) . on Lun, 16/09/2019 - 10:57

El chamán yanomami David Kopenawa nos enseña en su libro ”A Queda do Céu” que el cielo se ya cayó una vez y que si no bailamos para los xapiri, el cielo volverá a caer. Su “manifiesto cosmopolítico” nos anuncia otro tipo de complejidad para pensar una política con todos los seres, humanos y no humanos.Se trata de un programa de films que intenta pensar los (des)equilibrios en las relaciones entre economía y ecología a partir de las preguntas;
Fechas:
De Domingo, Septiembre 22, 2019 - 19:00 hasta Lunes, Septiembre 23, 2019 - 18:55
Local:
Zumzeig Cinema - Barcelona, España
Nakba - 70 years - film screening

By Ж (kk) . on Mié, 16/05/2018 - 16:47

Solidarity event about the Nakba's 70 years

// Film screening //

War on Gaza - yann beauvais

2009/ digital/ cor/ som/ / 07:05

In 2009, Israel was already justifying a war : casting lead. The name change in 2012 Pillar of defense to become in 2014 Operation Protective Edge. In 2009 and 2014 the amount of deaths for the Palestinian are by thousands. this tape made in 2009 seems always relevant.

basta- yann beauvais

2018 / digital / cor/ mudo / 1'25
Fechas:
De Miércoles, Mayo 16, 2018 (Todo el día) hasta Jueves, Mayo 17, 2018 (Todo el día)
Local:
Al Janiah - São Paulo, Brasil
Scratch: Homage to Werner Nekes

By Marcos Ortega on Lun, 08/05/2017 - 05:03

With the death of Werner Nekes on January 22, 2017, the world of experimental cinema loses one of its great figures whose films have been shown in numerous international festivals and museums.

A tireless activist, Werner Nekes has been involved in a number of activities throughout his career: the production of a considerable number of films, the creation of the Hamburg Film Cooperative, the Filmbüro NW, the International Center for New Cinema, teaching in different universities and art schools, and the creation of one of the world's largest collections of objects related to pre-cinema and optical phenomena.

Fechas:
Martes, Mayo 9, 2017 - 20:30
Local:
Studio des Ursulines - Paris, Francia
François Miron - Paul Sharits
A crucial figure in 1960s-70s avant-garde film, Paul Sharits was a pioneer of structuralist cinema, an approach to filmmaking that emphasizes and explores the formal dimensions and physical properties specific to the medium. A deeply committed and visionary artist, Sharits began exploring the potential of the single frame and the flicker effect in the mid-1960s, and continued to make many films that took as their subject the filmstrip itself.
Valoración:

Promedio: 5 (1 voto)
Categoría:
DVD
Editor:
Re:voir