Etiquetas: P.Adams Sitney

Contenido etiquetado

Stan Brakhage, Films (1952-2003). Catalogue raisonné
Stan Brakhage, American artist born in 1933, accomplished from 1952 to the year of his death in 2003, more than 300 films, all on film. Founder of a visionary cinema which finds its plastic and critical powers in the material itself of the film, Stan Brakhage is like a spiritual father for a whole generation of artists today.

His work, fecund and multiple, which feeds as well on his private and family universe as on nature and political events in his time, finds a fecund humus in abstraction for its visual researches. Great technician of the film tool – the camera as well as the film and the systems of printing –, Brakhage invents an unique film form, whose importance in the history of cinema sometimes made him compared with Pollock for painting.

Valoración:

Promedio: 3.3 (8 votos)
Categoría:
Libros
Editor:
Paris Expérimental
Film as Film: Theory and Practice in the Work of Gregory J. Markopoulos

By Marcos Ortega on Lun, 16/03/2015 - 18:13

Film as Film: Theory and Practice in the Work of Gregory J. Markopoulos
Symposium & Screenings
Basel, 23 & 24 April 2015

Basel University, eikones Forum and Stadkino Basel will host Film as Film: Theory and Practice in the Work of Gregory J. Markopoulos on 23 & 24 April 2015. This symposium and screening series is the first of its kind to be focused on Markopoulos, and will bring together many of the most knowledgeable individuals interested in his work. This event is open to the public.

The Greek-American filmmaker Gregory J. Markopoulos (1928–1992) was one of the key figures in the development of postwar avant-garde film, and a co-founder of the New American Cinema Group. In his exquisitely stylized and dreamlike early films, and in the stunning works of the sixties and seventies, Markopoulos formulated a maverick aesthetic characterized by incomparable formal rigor, fascinating beauty, and the penetrating representation of interior worlds that emerge from the entwinement of image and sound into an ecstatic filmic language.

Fechas:
Jueves, Abril 23, 2015 (Todo el día)
Viernes, Abril 24, 2015 (Todo el día)
Local:
Basel Stadtkino - Basel, Suiza
The Cinema of Poetry
Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.

Valoración:

Promedio: 3.3 (3 votos)
Categoría:
Libros
Editor:
Oxford University Press
Film as Film: The Collected Writings of Gregory J. Markopoulos
Film as Film: The Collected Writings of Gregory J. Markopoulos contains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos’ own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (1928-1992) is a unique figure in film history, whose life’s work stands in testament to his strength of vision and commitment to the medium.

Edited by Mark Webber, with a foreword by P. Adams Sitney

Valoración:

Promedio: 4 (2 votos)
Categoría:
Libros
Editor:
The Visible Press
A Critical Cinema 4: Interviews with Independent Filmmakers
A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.

Valoración:

Promedio: 3 (4 votos)
Categoría:
Libros
Editor:
University of California Press
Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Oxford University Press