As part of its ongoing commitment to contemporary cinematographic creation, Light Cone proposes a program featuring films that have recently entered the collection, all made between 2022 and 2024.
Four festival days challenge the horizon of the domesticated gaze: with the filmmaker in focus, the experimental animator Gudrun Krebitz, we will explore the polyphonic layering of intimate cinematic landscapes; we will get to know the blazing Pan-American experimental production through two programmes selected by the guest curator Jean-Jacques Martinod, while this year’s new section Vistas brings together what the programme team has gleaned from the wide field of current practices.
Fechas:
De Jueves, Mayo 11, 2023 (Todo el día) hasta Domingo, Mayo 14, 2023 (Todo el día)
Jean-Jacques Martinod is an Ecuadorian filmmaker, radio DJ & media artist. His works endeavor to interrogate sensory cognition in relation to the natural world, potential planes and parapoetic territories, by interlacing abyssology and ethnofiction with artisanal experimental film techniques... Bretta C. Walker’s work is that of a deeply personal practice grounded in healing, drawing cues from the resilience and sublimity of Nature and its intrinsic relation to the female condition and form.
The new season of VideoGarden (VideoDvorišče) events is starting with a guest programme by the Ecuadorian experimental filmmaker Jean-Jacques Martinod. Together with co-director and cinematographer Bretta C. Walker, they will present a selection of short films and the background behind their creation. A selection of poetic, meditative films addresses liminal emotional and spatial personal experiences and reflections on the coexistence of human and nature.
Primer Festival de procesos analógicos y afines de Crater-Lab en Hangar Un evento anual con proyecciones, instalaciones, performance y un taller de de la mano de Esther Urlus (Filmwerkplaats, NL) 5 de marzo de 2022. 18:30 a 23:00 hrs.
The PHI Foundation presents Severing the Impact on Memory, an online video program in conjunction with the exhibition Lee Bae: UNION.
Through processes of reimagination, preservation and transformation, memory allows us to narrate reality and a fictionalized memory, to look into the past, the feeling of belonging, and death. This video program explores the memory of what makes life tangible, and considers how both the body and nature experience, measure and translate the impact of change. This program includes videos by Patricia Domínguez, Jean-Jacques Martinod, and Lynne Sachs and Barbara Hammer.
Fechas:
De Miércoles, Mayo 19, 2021 (Todo el día) hasta Miércoles, Mayo 26, 2021 (Todo el día)
Their approaches to found footage, at once likeminded and singular, have served Christoph Girardet and Matthias Müller well since 1999, during which time the two of them have collaborated on nearly thirty films and photographic works. Varied metaphors and modes of inquiry have been used to analyze their oeuvre: to some, Girardet and Müller provide a “suggestive continuum,” exposing the patterns of light and darkness, absence and presence, by which cinema operates; to others, the filmmakers dissect the body of film history and of the cinematic apparatus, suggesting the moving image as a corporeal grouping of skin, guts, brains, and bones to pick apart.
Notes For An Aleatory Flame is a personal manifesto of cinematic self expression flipped into speculative entryway for possibilities of communion with fresh & unforeseen personal methodologies. Through inquisitive poetics, this essay functions as a call for the self as image-making-instrument to slice through the media manure by engaging in the necromantic act of reinvigorating cinematic ruin. Martinod’s words beckon us to traverse new realms through the creation of portals and to witness reality through our personal relations with images.
