At a time when feminism is enjoying a mainstream resurgence but must be reclaimed from a neoliberal emphasis on individual success, and when the hybridization of documentary and artists’ film occupies a vital place in the landscape of contemporary practices, the exhibition No Master Territories makes a strategic return to the past. By revisiting the period of the 1970s to 1990s, it aims both to pay homage to the important work that has come before and to respond to the urgencies of the present.