Brussels based artist Els van Riel  (b 1965) is a member of the analogue film-lab Labo Bxl and Cinema Parenthèse. Her films, videos and installations examine the impact of detailed changes in moment, movement, matter, light and perception. Her works relate to a tradition of minimal and structural filmmaking (Paul Sharits, Ernie Gehr), she processes the basic elements of film - time and light, silence and sound - and develops a form for expanded aesthetic saturation based on phenomenological observation within a sensitive and personal horizon that bypasses symbolism and narrativity.

Cinema Parenthèse presents Land/Scapes, a series in three programs with films by Claes Söderquist (Sweden), Els van Riel (Belgium), and Werner Nekes (Germany), that seeks to explore the encounter of film and the expanse of landscape. The encounter stages the possibility on the one hand of the investigation of historical and dimensional aspects of space, and on the other, a reflective reconnaissance of the film medium.

Fylkingen presents Turbidus Film #19: Michèle Bokanowski (sound) and Patrick Bokanowski (film) in person for the first time in Sweden.

Turbidus Film and Fylkingen present, as a part of Kortfilmsdagen, three films by Jerome Hiler. The films by Hiler blend a beauteous celebration of the sensual world with a deep sense of introspection and solitude. They are occasions for reflection and meditation, on light, landscape, time and the motions of consciousness. For example, In the Stone House literally compiles physically fragile and intensely poignant footage shot during the same period chronicled in Nathaniel Dorsky's Hours for Jerome (1967-1971).