Kate McCabe will be showcasing a decade’s worth of her moving image work combining humor in experimental film and premiering her latest 16mm work, You and I Remain. A film inspired by the Anthropocene, You and I Remain is an apocalyptic lullaby, a landscape film mediating on the end of the world. Shot in Big Sur, the Salton Sea and in McCabe’s own neighborhood of Joshua Tree, the film shows us a portrait of the world askew with subtle and moving sound design by Jason Payne of Nitzer Ebb.
If you are younger than 15 years old and you have already made or wish to make a film, the Collectif Jeune Cinéma gives you the opportunity to participate in an international experimental film festival. The films submitted must be at least one minute long, up to less than one hour. There is no imposed theme and you are not obliged to tell a story.
On Film is excited to present the Spring 2017 program “Immigration and displacement,” featuring the works of Emily Hong, Miasarah Lai and Mariangela Mihai as well as Yervant Gianikian and Angela Ricci-Lucchi.
Utilizing salvaged archival footage and first-person testimony, these works reorient movement and proximity in transforming their visual and aural documents to access the living memories of historical experience. By resurrecting immigration stories from the distant and recent past of humanity and freedom of movement under threat, the urgent cinematic works in this program redefine our understandings of displacement in times of ongoing crisis.
Screening and Live performance in the presence of the artists.
This month we are very lucky to present two filmmakers, both from Japan, and both making work which could be seen as a hybrid form between video and celluloid. The films and performances of Makino Takashi are closely related to a specific form of musical energy or sonic environment, evoking a vast cosmos in space, diffusing particles of light across the screen, and even in the space between screen and audience.
The film as exhibition site is at the centre of this experimental project, both curatorial and cinematographic, by French curator Mathieu Copeland. The exhibition of a film brings together visual artists, filmmakers, musicians, performers, choreographers, and writers around the question “Can an exhibition take place in a film rather than a gallery space?” While working the constraints intrinsic to feature-length film, it aims at being something other than a structuralist “epic”, or a suite of artist’s short films one after the other.
The Uinversity of Rochester Film and Media Studies Program and the Dryden Theatre welcome filmmaker Deborah Stratman to Rochester, April 13-14th. Thin Places includes nine works by Chicago-based filmmaker Deborah Stratman focused on epistemological questions embedded in the relationships between humans and their envirnonments.
Please join us on April 28, 2017 for the exciting premiere debut of the In Time Film Festival. A showcase of experimentation in moving image and audio based mediums. Placing a spotlight on avant-garde, art-house, independent and no/low budget student filmmaking that goes beyond expectations and genres. Student run, the In Time Film Festival is aiming to bring together the work and talent of the School of Visuals Arts’ MFA Photography, Video and New Media, MFA Art Practice and MFA Fine Arts programs. The program is open to the public.