Responsive Eye is a multimedia exhibition in three parts by Brooklyn artist, Peter Burr, which examines the ways we endure contemporary life in the grid. Drawing upon the history of minimalist painting and op-art, the works in this show explore the limits of human perception by staging a series of optical illusions, which highlight the visceral intensities and distorting occlusions that puncture our awareness. Through the dissonant juxtaposition of artificial human bodies and technologically driven abstractions, a portrait emerges of an anxious, divided society, pushing at the boundaries of our teetering attention.
Fechas:
De Viernes, Enero 15, 2021 - 10:00 hasta Domingo, Marzo 28, 2021 - 19:55
Microscope is very pleased to present an online screening of selected works by Spanish artist and filmmaker Antoni Pinent. The screening will begin on Monday January 25th at 7:30pm ET and remain available for viewing until Thursday 28th at 10:30pm PT.
Fechas:
De Lunes, Enero 25, 2021 (Todo el día) hasta Jueves, Enero 28, 2021 (Todo el día)
Join us on Sat 6th Feb for a special online edition of theMoving Image Salon, with featured guest artists Tereza Stehlíková and Adonia Bouchehri.
Presented by artist Daniel & Clara, the Moving Image Salon is a regular gathering event for artists working with moving image and experimental filmmaking – a relaxed and open space for conversation and exchange about contemporary moving image practices, a networking event and critical forum.
Fechas:
De Sábado, Febrero 6, 2021 - 14:00 hasta Domingo, Febrero 7, 2021 - 15:55
For issue no. 6 of Missing Observer Studies we have a special interview with George Griffin, a focus on his short film "Block Print" (1977), and an essay/ introduction by Huner Francis/ MOS co-runner Micah Weber.
Artist and filmmaker Kerry Laitala (San Francisco) and cinema scholar Jonathan Walley (Columbus, OH) engage in an illustrated conversation about expanded cinema, including Laitala’s recent 16mm film projection performance Fire Fly EYE (hand-processed 16mm Ektachrome and B&W film, dual projection) and the iconic paracinematic work Retrospectroscope (1996; pictured above). Walley will also discuss his book Cinema Expanded: Avant-Garde Film in the Age of Intermedia, published last year by Oxford University Press, the first comprehensive historical and theoretical account of expanded cinema published since Gene Youngblood’s landmark book Expanded Cinema (1970).
Fechas:
De Domingo, Enero 31, 2021 - 19:00 hasta Lunes, Febrero 1, 2021 - 18:55
Proyección con unidades de proyección y espectadores móviles / sala y pantalla variables 90’ / varias localizaciones dentro del Espacio Santa Clara
Programa: “Les Anges du péché”, Robert Bresson, 1943 / 16mm, 1.37, 18 imágenes por segundo, 600m, copia reducida y muda con intertítulos en francés / Interiores inspirados en un convento de la hermanas Dominicas de Betania. Rodaje en los estudios Radio-Cinéma en Courbevoie que en 1968 pasaron a ser los estudios Hauts-de-Seine “kino~okno 7 y 11”, 2020 / super 8, 18 imágenes por segundo, 30m
Fechas:
De Viernes, Enero 22, 2021 - 16:00 hasta Sábado, Enero 23, 2021 - 15:55
Registration for The Liaison of Independent Filmmakers of TorontoWinter 2021 Workshops is now open. Online workshops covering film, digital and interactive art begin February 6 and run until April 29. All classes will be offered via ZOOM with a roster of experienced industry instructors. To browse the offerings and to sign up online visit lift.ca.
![QR CODE / FILM [#2] (Antoni Pinent, 2017-2018)](https://expcinema.org/site/sites/default/files/Pinent_QR-CODE-FILM2.jpg "QR CODE / FILM [#2] (Antoni Pinent, 2017-2018)")
