Sixteen experimental short films created 1965-2017 that provide a vivid account of creative processes used in the recycling of images in experimental moving image art.
Cinema Parenthèse and iMAL invites the British artist SIMON PAYNE to talk about and show his works. Payne has been making abstract cinema for over twenty years. His videos are predominantly orientated around bold graphic forms and highly structured sequences that produce unexpected color combinations and conflicting planes. Sometimes there are contingent elements in his work, which correspond with incidental indications of the artist’s hand.
Celebrating its 20th Annual Season, Sans Souci Festival seeks film/video works featuring the integration of dance and cinematography for exhibition at in-person and virtual screenings in 2023.We encourage submissions from all artists regardless of credentials and affiliations.
Early Deadline: Feb 28, 2023 Regular Deadline: Apr 9, 2023 Late Deadline: May 7, 2023 Submission fees vary by category.
Thursday, March 2nd, artist/software engineer Eric Theise will perform A Synesthete’s Atlas, an improvised cartographic salon piece using projected maps based on OpenStreetMap data. Since the premiere performance in Lisbon, April 2022, Theise has collaborated with improvising musicians across the US; this will be his first solo performance, with maps being manipulated to a soundscape inspired by the Library's cartographic and geographic holdings.
non-syntax Experimental Image begins by focusing on the experimental nature of images in the contemporary, linking practices across countries, reorganizing existing media and genres, and bringing different images into dialogue with each other to consider the possibilities of the image.
Co-founded by Golden Bear winning director Adina Pintilie in 2010, Bucharest International Experimental Film Festival is an annual event dedicated to experimental films and visual arts. BIEFF aims to promote highly innovative films and filmmakers with strong personal views on contemporary reality, which also daringly explore the boundaries of cinematic language.
Los protagonistas de estas películas-trance, soñadores y visionarios, inician sus búsquedas eróticas mientras atraviesan diferentes estados mentales y anímicos. Mediante símbolos o metáforas visuales, narraciones elípticas y diferentes estrategias de montaje, Markopoulos aborda los temas de la revelación de la identidad sexual (Flowers of Asphalt), el rechazo del rol heterosexual masculino (Swain) o el deseo sexual no consumado (The Mysteries).
