Cinema Parenthèse and Dagvorm are very pleased to present Colours & Collaborations by Deborah S. Phillips (Germany) together with Tobias Schmücking (Germany) at the new venue Dagvorm in Brussels! Phillips has been working on celluloid since the early nineties. Her work includes a diversity of visual disciplines and media including collage, film slides, 35mm and 16mm film, drawing, handmade books, etc.
After a celebrated solo presentation of his work for the cinema at Tate Modern in London in 2017, an expansive career overview at Harvard Film Archive in 2018, and a major retrospective of his films at Centre Pompidou in Paris in March this year as part of the festival Cinéma du réel, the influential US artist Kevin Jerome Everson arrives at the peak of his wildly successful career to the Museum of Contemporary Art Vojvodina in Novi Sad for a unique solo exhibition of his work. This gallery exhibition offers a selection of his short works on 16mm, installed as digital projections, as well as his eight-hour magnum opus Park Lanes (2015).
De Viernes, Mayo 24, 2019 (Todo el día) hasta Lunes, Junio 24, 2019 (Todo el día)
Cámara Lúcida tiene el objetivo de ser el lugar de convergencia de cinematografías atravesadas por lo poético, lo sensible y lo político, como aspectos transversales en su desarrollo estético y narrativo; propósitos que merecen ser preservados en una sociedad que poco a poco intenta apagar la luz crítica y meditativa mediante el abrumante paso de la homogenización.
This film program brings together two very prominent people within the American and Canadian alternative art and film communities. Eminent film critic, underground actress and performance artist Amy Taubin made a few forays into the world of filmmaking, and her most well known work is In the Bag, from 1981. In the words of film scholar and theorist Noël Carroll: «Roughly twenty minutes long, the film records a search through a tattered, patchwork-quilt shoulder bag for something – we know not what.