Últimas noticias

  • DIM Cinema: Leslie Thornton - So Much Much

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    DIM Cinema presents a selection of archival work by New York artist Leslie Thornton in parallel with her exhibition at Vancouver’s Unit 17. A pioneer of contemporary media aesthetics, Thornton works at the limits of cinema, video, and digital media. Films such as X-TRACTS and Peggy and Fred in Hell: The Prologue, both screening here, have coloured the development of her oeuvre over subsequent decades.

    Fechas: 

    Miércoles, Marzo 28, 2018 - 19:30

    Local: 

  • EIVV International Meeting on Videodance and Videoperformance, call for works

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    The EIVV (Encontre Internacional de Videodansa i Videoperformance) is held annually in the city of Valencia (Spain), and includes a festival with artist presentations, panel discussions, debates with the audience and academic papers. The Meeting is open to works of videodance/screendance, video-performance and video-art that uses corporal expression or choreographic techniques

    For the 5th Meeting (2018), the theme is EVOLUTION: the general and historical evolution of screendance, and the personal evolution of artists. 

    Fecha límite: 

    Sábado, Mayo 12, 2018 (Todo el día)
  • anOther: installation, performance and concert

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    The 24 television screens collected by the artist form the backdrop of anOther, part installation, part performance and concert. Bodies, images and sound create living sculptures, generating both dialogue and tension.

    Fechas: 

    De Miércoles, Abril 4, 2018 (Todo el día) hasta Viernes, Abril 6, 2018 (Todo el día)
    De Miércoles, Abril 11, 2018 (Todo el día) hasta Viernes, Abril 13, 2018 (Todo el día)
    De Sábado, Abril 14, 2018 (Todo el día) hasta Lunes, Abril 16, 2018 (Todo el día)

    Local: 

  • Cinema Parenthèse #1: James Edmonds

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    Cinema Parenthèse #1 presents James Edmonds (UK/DE) in person at Greylight Projects

    James Edmonds is an artist / filmmaker from the UK living in Berlin. His practice centres on a personal poetics in which the nature of recording, particularly when approached from the materiality of a medium, offers a tangible yet ultimately paradoxical surface for what is intangible and fleeting - our personal experience, inner worlds, thoughts and reflections.

    Fechas: 

    Martes, Abril 3, 2018 - 19:30

    Local: 

  • Xcèntric: Viajes y canciones

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    La carta filmada puede adoptar la forma de la dedicatoria, la canción, la ofrenda, la celebración, la postal. «Correspondencias: películas como cartas», el ciclo de Punto de Vista 2018, parte de la idea de que, en el cine, el intercambio epistolar no tiene por qué ser enviado, sino que, además, admite que el material de la película-carta se filme sin un destinatario en mente.

    Fechas: 

    Jueves, Marzo 22, 2018 - 19:30

    Local: 

  • CRANC #13: Eugeni Bonet

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    Eugeni Bonet (Barcelona, 1954) es especialista en cine de vanguardia, videocreación y artes electrónicas. Desde mediados de los años setenta trabaja estas disciplinas tanto desde una dimensión teórica com una óptica práctica. A lo largo de su dilatada trayectoria ha intercalado la programación, el comisariado y la escritura –cinema experimental español, inicios del videoarte, cine calculado, (des)montaje fílmico, cine letrista, etc.– con la realización de films y vídeos propios.

    Fechas: 

    Viernes, Marzo 23, 2018 - 20:30

    Local: 

  • Light Movement 28: Sylvia Schedelbauer

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    Born in Tokyo Sylvia Schedelbauer first moved to Berlin in 1993, where she has been based since. She studied at the University of Arts Berlin (with Katharina Sieverding). Her films negotiate the space between broader historical narratives and personal, psychological realms mainly through poetic manipulations of found and archival footage.

    "Schedelbauer’s films reveal the world in a perpetually unsettled state of flux and traverses into liminal zones where time and space collapse." (James Hansen, Women to Watch, Cleo - Journal of Film and Feminism)

    Fechas: 

    Domingo, Marzo 25, 2018 - 20:00

    Local: 

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