Independent Frames: Introspection

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​American animators in the 1970s and 1980s often turned their attention inward, producing personal films that corresponded to the deeply introspective diary filmmakers that formed a key part of the New American Cinema in the previous decade. Representing oneself in a mediated fashion – not only through the moving image but graphically through animation – became particularly important during this period in which more women were active in the field of animation than ever before. From spoken autobiography to allegorical fantasy, artists such as Frank Mouris, Ayoka Chenzira, Sky David and Kathy Rose found ways to intertwine their lives and personalities between the frames of their animated films.

Programme

  • Frank and Caroline Mouris, Frank Film (USA 1973, 35mm, colour, sound, 10 min). Print preserved by the Academy Film Archive, courtesy the artists 
  • Ayoka Chenzira, Hair Piece: A Film for Nappy-Headed People (USA 1985, 16mm, colour, sound, 10 min). Print courtesy Cinenova 
  • Lisze Bechtold, Moon Breath Beat (USA 1981, 35mm, colour, sound, 5 min). Print courtesy the Academy Film Archive and the artist 
  • Lisa Crafts, Glass Gardens (USA 1982, 16mm, black and white, sound, 5 min). Print courtesy the artist 
  • Sky David (formerly Dennis Pies) Ace of Light (USA 1984, 35mm, colour, sound, 8 min). Print preserved by the Academy Film Archive, courtesy the artist 
  • Karen Aqua, Vis-á-Vis (USA 1982, 16mm, colour, sound, 12 min). Print courtesy Harvard Film Archive 
  • Kathy Rose, Pencil Booklings (USA 1978, 16mm, colour, sound, 14 min). Print preserved by the Academy Film Archive 
  • Joanna Priestley, Voices (USA 1985, 16mm, colour, sound, 4 min). Print courtesy the Academy Film Archive and the artist 
  • Gary Beydler, Hand Held Day (USA 1975, 16mm, colour, sound, 6 min). Print courtesy Canyon Cinema

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Domingo, Febrero 19, 2017 - De 14:30 hasta 16:30

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