Eventos

  • MassArt Film Society: Urban Forest / Human Jungle

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    Yes? Oui? Ja? (Thomas Draschan & Ulrich Wiesner, 2002)MassArt Film Society: Urban Forest / Human Jungle
    Experimental Short Films from Germany
    Wednesday, September 22th, 20h, 4$
    Massachusetts College of Art, Film Department
    Screening room 1. 621 Huntington Ave. Boston, Massachusetts 02115, USA

    Fechas: 

    De Miércoles, Septiembre 22, 2010 - 20:00 hasta Jueves, Septiembre 23, 2010 - 19:55

    Local: 

    MassArt Film Society - Boston, Estados Unidos

  • Independence

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    Independence
    Inaugural Exhibition
    Curated by Elle Burchill and Andrea Monti
    September 18th – October 18th
    Opening Reception: Sept 18th 6-9pm
    Live performances at 6pm

    Featuring works by: Peggy Ahwesh, Michel Auder, Agnes Bolt, Martha Colburn, Bradley Eros, Raul Vincent Enriquez, Glen Fogel, Takahiko Iimura, Tom Jarmusch, Jonas Mekas, Anton Perich. And a special installation by Jonas and Sebastian Mekas.

    Fechas: 

    De Sábado, Septiembre 18, 2010 - 18:00 hasta Martes, Octubre 19, 2010 - 20:55

    Local: 

    MICROSCOPE GALLERY (previous) - Nueva York, Estados Unidos

  • Independence

    By on

    Independence
    Inaugural Exhibition
    Curated by Elle Burchill and Andrea Monti
    September 18th – October 18th
    Opening Reception: Sept 18th 6-9pm
    Live performances at 6pm

    Featuring works by: Peggy Ahwesh, Michel Auder, Agnes Bolt, Martha Colburn, Bradley Eros, Raul Vincent Enriquez, Glen Fogel, Takahiko Iimura, Tom Jarmusch, Jonas Mekas, Anton Perich. And a special installation by Jonas and Sebastian Mekas.

    Fechas: 

    De Sábado, Septiembre 18, 2010 - 18:00 hasta Lunes, Octubre 18, 2010 - 20:55

    Local: 

    MICROSCOPE GALLERY (previous) - Nueva York, Estados Unidos

  • MassArt Film Society: Urban Forest / Human Jungle

    By on

    Yes? Oui? Ja? (Thomas Draschan & Ulrich Wiesner, 2002)MassArt Film Society: Urban Forest / Human Jungle
    Experimental Short Films from Germany
    Wednesday, September 22th, 20h, 4$
    Massachusetts College of Art, Film Department
    Screening room 1. 621 Huntington Ave. Boston, Massachusetts 02115, USA

    When I started making films in the 1980s I was part of a thriving artist community in Frankfurt/Main. There was a lot of controversy about Peter Kubelka, the influential and eccentric teacher of film and cooking at the “Städel”, Frankfurt’s art academy. We had excellent programmers at the Filmmuseum and a regular “Avantgarde & Experiment” series. Our discussions reached beyond Kluge and Adorno and for many the American avantgarde was existential.

    This program collects some highlights from that period and later years. The first part spins around urban topics, extended into outer space and rooted back to the woods. The second part diversifies the use of found footage, respectively found clothes and sounds.

    All films (originally 16mm/35mm) are shown on DVD and have never been presented in the US (very few exceptions), despite awards and glory at the homebase.

    Dagmar Kamlah / Curator

    Categoría: 

  • Directors lounge: The Destructive Power of Happiness

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    Directors lounge: The Destructive Power of HappinessDirectors lounge: The Destructive Power of Happiness
    Video and Film Works by Riccardo Iacono
    Thursday, 23 September 2010, 21h
    Z-Bar, Bergstraße 2, 10115 Berlin-Mitte

    Riccardo Iacono, London-based artist and filmmaker, presents a selection of films and video from three different bodies of work: abstract videos, hand-painted films and performance tapes (produced between 1993-2007).

    “The title of the programme has nothing to do with the works that will be screening, I just found it interesting” — his statement already shows a quality also to be found in his work; with a gentle sarcasm, he likes to confront prejudices with opposing strategies. The trained painter (Glasgow School of Art) found his way to 16mm film through video collaborations with musicians both in contemporary Musique Concr ète and rave events. ”A major influence on my early work was William Burroughs' Electronic Revolution (1970), which discusses the use of recording, looping and feedback to stimulate and escalate riots.”… “I began making abstract hand-painted films in 1993, following a screening of Stan Brakhage and Pat O'Neil films on Television. I started to read books by Brakhage, but there were limited resources for seeing artists' moving image works in Glasgow back in the late 80's.”

    Categoría: 

  • Muestra itinerante de cine Playtime - Programa La Realidad

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    Playtime - La realidadMuestra itinerante de cine Playtime - Programa La Realidad
    Tuesday, September 16, 21h
    Off Limits, C/ Escuadra, 11, Madrid

    Playtime Audiovisuales premieres its touring programme La realidad (Reality), about recent Spanish documentary films.

    Fechas: 

    De Jueves, Septiembre 16, 2010 - 21:00 hasta Viernes, Septiembre 17, 2010 - 20:55

    Local: 

    Off Limits - Madrid , España

  • UBS 12 x 12 Artist Talk: Ben Russell

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    This Is My Land (Ben Rivers, 2006)UBS 12 x 12 Artist Talk: Ben Russell
    Tuesday, September 14, 2010, 18h
    MCA Theater, Free
    220 East Chicago Avenue, Chicago, IL 60611, USA

    As part of his UBS 12 x 12 artist's talk, Ben Russell presents films from his past curated programs in order to expand on themes that lie within his newest work, Trypps #7 (Badlands). "From early cinema to psychedelic mind-melt, ethnographic study to hand-processed portrait, and occult attraction to aquatic flicker film, this is a media map of analog influence that locates curatorial practice as a critical component to art-making today." - Ben Russell

    Categoría: 

  • eluparcettecrapule: Paul Clipson & Nozal Cube

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    Lightmaze (collage) (Paul Clipson, 2010)eluparcettecrapule: Paul Clipson + Nozal Cube
    Friday September 24, 20:30h, 5€
    PiedNu, Fort de Tourneville, 55 rue du 329e RI 76620 Le Havre

    Paul Clipson (San Francisco) - Super 8 & 16mm films
    Nozal Cube (Le Havre / Paris) - Electroacoustic trio

    1st part - screening
    - Sphinx on the Seine (Paul Clipson, 2008-9, 7.5 min., 16mm, color/b&w, sound by Jefre Cantu-Ledesma)
    - Chorus (Paul Clipson, 2009, 7 min., Super 8mm, color/b&w, sound by Gregg Kowalsky)
    - Union (Paul Clipson, 2010, 15 min., 16mm, color/b&w, sound by Jefre Cantu-Ledesma)

    2nd part - Lightmaze / performance
    During his performances, Paul Clipson is accompanied by live musicians who improvise on the projections. On the occasion of his visit to Le Havre (in the course of an European tour) the Nozal Cube electro-acoustic trio (Le Havre / Paris) will give his own interpretation of Lightmaze, composed of recent super8 shots by the artist.

    Produced by eluparcettecrapule in collaboration with PiedNu with the help of l’Atelier de Musique du Havre and studio Honolulu and the support of DRAC Haute-Normandie, the Haute-Normandie Region and the City of Havre

    Categoría: 

  • Light Industry: Anthony Ramos - About Media

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    About Media (Anthony Ramos, 1977)Light Industry: Anthony Ramos - About Media
    Tuesday, September 14, 2010, 19:30h, 7$
    177 Livingston Street, Brooklyn, NY, USA

    Presented with Electronic Arts Intermix

    EAI is pleased to present a special screening and conversation with pioneering media artist Anthony Ramos at Light Industry.

    Ramos belonged to the first generation of artists who used video as a tool to critique mass media, give voice to marginalized individuals and communities, and produce radically new forms of cultural documentation, combining art and activism in a series of potent but now rarely seen works.

    His 1977 video About Media is an astute deconstruction of television news, focusing on the media coverage of President Jimmy Carter's declaration of amnesty for Vietnam War draft evaders as well as an interview conducted by New York reporter Gabe Pressman about Ramos's own eighteen-month prison term for conscientious objection. Through repetition and juxtaposition, he contrasts the unedited interview footage—and patronizing comments of the news crew—with Pressman's final televised report. In his ironic manipulation of the material, Ramos exposes the illusion of "objective" television news.

    Categoría: 

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