Eventos

  • UBS 12 x 12 Artist Talk: Ben Russell

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    This Is My Land (Ben Rivers, 2006)UBS 12 x 12 Artist Talk: Ben Russell
    Tuesday, September 14, 2010, 18h
    MCA Theater, Free
    220 East Chicago Avenue, Chicago, IL 60611, USA

    As part of his UBS 12 x 12 artist's talk, Ben Russell presents films from his past curated programs in order to expand on themes that lie within his newest work, Trypps #7 (Badlands). "From early cinema to psychedelic mind-melt, ethnographic study to hand-processed portrait, and occult attraction to aquatic flicker film, this is a media map of analog influence that locates curatorial practice as a critical component to art-making today." - Ben Russell

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  • eluparcettecrapule: Paul Clipson & Nozal Cube

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    Lightmaze (collage) (Paul Clipson, 2010)eluparcettecrapule: Paul Clipson + Nozal Cube
    Friday September 24, 20:30h, 5€
    PiedNu, Fort de Tourneville, 55 rue du 329e RI 76620 Le Havre

    Paul Clipson (San Francisco) - Super 8 & 16mm films
    Nozal Cube (Le Havre / Paris) - Electroacoustic trio

    1st part - screening
    - Sphinx on the Seine (Paul Clipson, 2008-9, 7.5 min., 16mm, color/b&w, sound by Jefre Cantu-Ledesma)
    - Chorus (Paul Clipson, 2009, 7 min., Super 8mm, color/b&w, sound by Gregg Kowalsky)
    - Union (Paul Clipson, 2010, 15 min., 16mm, color/b&w, sound by Jefre Cantu-Ledesma)

    2nd part - Lightmaze / performance
    During his performances, Paul Clipson is accompanied by live musicians who improvise on the projections. On the occasion of his visit to Le Havre (in the course of an European tour) the Nozal Cube electro-acoustic trio (Le Havre / Paris) will give his own interpretation of Lightmaze, composed of recent super8 shots by the artist.

    Produced by eluparcettecrapule in collaboration with PiedNu with the help of l’Atelier de Musique du Havre and studio Honolulu and the support of DRAC Haute-Normandie, the Haute-Normandie Region and the City of Havre

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  • Light Industry: Anthony Ramos - About Media

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    About Media (Anthony Ramos, 1977)Light Industry: Anthony Ramos - About Media
    Tuesday, September 14, 2010, 19:30h, 7$
    177 Livingston Street, Brooklyn, NY, USA

    Presented with Electronic Arts Intermix

    EAI is pleased to present a special screening and conversation with pioneering media artist Anthony Ramos at Light Industry.

    Ramos belonged to the first generation of artists who used video as a tool to critique mass media, give voice to marginalized individuals and communities, and produce radically new forms of cultural documentation, combining art and activism in a series of potent but now rarely seen works.

    His 1977 video About Media is an astute deconstruction of television news, focusing on the media coverage of President Jimmy Carter's declaration of amnesty for Vietnam War draft evaders as well as an interview conducted by New York reporter Gabe Pressman about Ramos's own eighteen-month prison term for conscientious objection. Through repetition and juxtaposition, he contrasts the unedited interview footage—and patronizing comments of the news crew—with Pressman's final televised report. In his ironic manipulation of the material, Ramos exposes the illusion of "objective" television news.

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  • Light Industry: David Gatten's Secret History of the Dividing Line

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    Light Industry: David Gatten's Secret History of the Dividing Line
    Friday, September 10, 2010, 19:30h, 7$
    177 Livingston Street, Brooklyn, NY, USA
    Friday, September 10, 2010 at 7:30pm

    Secret History of the Dividing Line, A True Account in Nine Parts (Parts I-IV)
    David Gatten, 16mm, 1999-2004, 97 mins

    Presented with Triple Canopy as part of the Brooklyn Book Festival.

    Fechas: 

    Viernes, Septiembre 10, 2010 - 19:30

    Local: 

    Light Industry - Nueva York, Estados Unidos

  • Tate Modern: To Be Is To Be Perceived

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    Island Race (William Raban, 1996)Tate Modern: To Be Is To Be Perceived
    17-26 September 2010
    Tate Modern Starr Auditorum
    Bankside, London, SE1 9TG, UK

    In conjunction with Tate Modern’s exhibition Exposed: voyeurism, surveillance and the camera (until 3 October 2010), this film programme explores ways in which artists have used the camera to draw attention to a society mediated by permanent observation. It looks at how the camera has been used as a weapon, as a tool to reveal moments of privacy, and as a means of creating cultural icons.

    Featuring the premiere of William Raban’s About now MMX, as well as work by Javier Aguirre, Peggy Ahwesh, Fikret Atay, Michel Auder, Samuel Beckett, Bureau of Inverse Technology, Jean Colom, Harun Farocki, Coco Fusco, William E Jones, Helen Levitt, Yoko Ono, Chris Petit, Nicolas Provost, Julia Scher and Andy Warhol.

    Curated by Cristina Camara and Stuart Comer.

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  • Microscope Gallery: Independence

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    Independence
    Inaugural Exhibition
    September 18th – October 18th
    Opening Reception: Sept 18th 6-9pm
    Live performances at 6pm
    Microscope Gallery
    4 Charles Place, Brooklyn 11221, New York USA

    Curated by Elle Burchill and Andrea Monti

    Featuring works by: Peggy Ahwesh, Michel Auder, Agnes Bolt, Martha Colburn, Bradley Eros, Raul Vincent Enriquez, Glen Fogel, Takahiko Iimura, Tom Jarmusch, Jonas Mekas, Anton Perich. And a special installation by Jonas and Sebastian Mekas.

    MICROSCOPE Gallery opens its doors in an old carburetor shop near Freedom Triangle in Bushwick on September 18th. One of the only galleries in the world dedicated to film, video, sound and other time-based art MICROSCOPE launches its inaugural exhibition Indepedence, with a group show of emerging and established artists including the pioneers and heroes of the New York underground. Independent – from theory, accepted technique, prevailing politics, economic considerations, or even equipment; working with film, video, or sound; and based in New York, this describes the 11 very different artists we present in our inaugural month-long exhibition.

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  • The Horse Hospital - Kerry Laitala: Mercurial Cinema

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    Hallowed (Kerry Laitala, 2002)The Horse Hospital - Kerry Laitala: Mercurial Cinema
    Friday September 24, doors 19:30h, £5
    The Horse Hospital
    Colonnade, Bloomsbury, London WC1N 1JD, UK

    San Francisco filmmaker Kerry Laitala is a gem of the cinematic underworld. Her long engagement with the avant garde processes of cinema position her as one of the most informed process-based artists workingwithin the medium. Harnessing glimmering, fluorescing light, macabre artefacts and an array of abandoned filmic devices and conventions, her films are a deep transgression into the al/chemical side of cinema. The films of Kerry Laitala evoke a glowing world in which spirits, memories and mouldering and artefacts swirl into feverish dreams recalling gothic conditions of poetry and decay. Seeming to hover on the borders of life and death, madness and sanity, these haunting alchemical films raise the dead from long slumbers to become luminous phantoms of flickering cinema.– Steve Polta, SF Cinematheque “Kerry Laitala takes eye-popping visual phenomena and turns it into refined artistry, in a body of work that is playful, visually articulate and a loving homage to the fundamental magic of cinema.”

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  • The Experimenta Film Society is here!

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    Sex Without Glasses (Ross McLaren, 1983)The Experimenta Film Society is here!
    Saturday 11th September, 18-23h
    Jaaga Creative Common Ground, Bangalore, India

    Please join us for the launch of the Experimenta Film Society on September 11, 2010, 6.15pm onwards at Jagaa Creative Common Ground, Bangalore where Ross Mclaren, the founder of the underground Funnel Experimental Film Theatre (1977-1989) in Toronto, will treat us to his "awkward, jarring, disjunctive, and, of course, ironic" films. Also, our friends from the Images festival, Toronto Canada, Scott Miller B...erry and Pablo De Ocampo, will showcase new experimental work and discuss recent developments in contemporary moving image culture.

    The Experimenta Film Society is for all those interested in deep watching, deep listening and deep hanging out. We are open to all those who are open to all things experimental. We will host screenings and performances as and when the weather demands. Attendance is FREE but contributions to keep the society going are welcome.

    Please do come and please spread the word

    For more information on Ross Mclaren, read the TimeOut Bengaluru issue of September 3-16 or send your queries to Experimenta India

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  • Light Industry: David Gatten's Secret History of the Dividing Line

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    Light Industry: David Gatten's Secret History of the Dividing Line
    Friday, September 10, 2010, 19:30h, 7$
    177 Livingston Street, Brooklyn, NY, USA
    Friday, September 10, 2010 at 7:30pm

    Secret History of the Dividing Line, A True Account in Nine Parts (Parts I-IV)
    David Gatten, 16mm, 1999-2004, 97 mins

    Presented with Triple Canopy as part of the Brooklyn Book Festival.

    David Gatten's ambitious 16mm cycle Secret History of the Dividing Line attempts a rare feat, an investigation of the borders between word and image influenced equally by Stan Brakhage and Ludwig Wittgenstein (both veterans of related pursuits). The results are formidable: Of a planned nine, Parts I through IV currently run 97 minutes, yet indeed feel like the finely constructed beginnings of a grander architecture still to come. Gatten draws from the massive library of colonial Virginia gentleman William Byrd II, with occasional dips into his daughter Evelyn's journals, producing artfully composed typographies that suss out an invisible web of connections and epiphanies. But Gatten also expresses the indigestible bulk of history's verbiage through a mobile concrete poetry. Not all his quotes allow for reading; some words flutter past too quickly to serve as more than compositional elements, while others appear in negative, close-up and grainy, like luminous alphabetic windows. Attempting to glimpse a lost world recorded through texts, Gatten offers the paper-thin screen between past and present as just one of his project's ultimately ineffable dividing lines.

    - Secret History of the Dividing Line (16mm, 24fps, 20 mins, 2002)
    - The Great Art of Knowing (16mm, 24fps, 37 mins, 2004)
    - Moxon’s Mechanick Exercises or The Doctrine of Handy-Works Applied to the Art of Printing (16mm, 18fps, 26 mins, 1999)
    - The Enjoyment of Reading (16mm, 18fps, 16 mins, 2001)

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