Eventos

  • Another Experiment By Women Film Festival's 3rd Festival Show

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    Curious light (Charlotte Pryce, 2011)Another Experiment By Women Film Festival's 3rd Festival Show
    Tuesday March 13, 2012, 19:15h
    Anthology Film Archives 32 Second Avenue, New York 10003

    Curated by Lili White
    Featuring 16mm films by Charlotte Pryce & Caryn Cline

    Filmmakers attending: Maria Niro, Caryn Cline, Noe Kidder, Courtney Krantz

    Other works to be screened by: Mercedes Sader (Uraguay), Matoula Eolou Gekko (France/Greece), Muriel Montini (France), Kyja Kristjana-Nelson (USA/Iceland), Nandita Kumar (India/New Zealand), and from the USA: Maria Niro, Charmaine Ortiz, Yana (Ioanna) Sakellion, Noe Kidder, Charlotte Pryce, Courtney Krantz, & Caryn Cline

    This year AXWFF presented Three different Festival Screenings, a Panel Discussion with Eight International Filmmakers, and several filmmakers were screened in Uruguay's Roman Partes Experimental Film Festival and at the Mirror/Lens conference in Cambridge, England

    AXWFF will continue to present shows thru New Filmmakers’ Women's Night at Anthology Film Archives in 2012.

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  • Hommage to Marcel Mazé - Living Memory

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    Le Rituel de Fontainebleau (Stéphane Marti, 2001)Hommage to Marcel Mazé - Living Memory
    Thursday March 15th 2012, 20h
    Cinéma La Clef, 34 rue Daubenton, 75005 Paris

    The ones that have met Marcel Mazé were immediaiatly seduced by his personality, his enthusiasm and magnetised by his militant energy. He enjoyed sharing his passion for the so called experimental and, more broadly, different cinema. One was very quickly invited to rally the Collectif Jeune Cinéma. It did not matter whether you were a film maker or not. You were always an “experimental one”, in the making, or a “different” person as  he liked to designate CJC’s members. His federative presence as a cooperator was annihilating all elitist aspirations from film makers. Everyone could take part and invest oneself at CJC’s life. To rally such collective was and always is rethinking another way of making cinema and to reinvest it from its own practice. Such implications were necessarily personal and brought with them constantly evolving colorations  within infitnite possibilities. Theoretical debates and polymorphous creations were collapsing together to give rise to a permanent emergence of critical gestures  (critical in the romantic and libertarian sense). This collective was born in the legacy of May 68 when we liked to think that the collective would contribute to the ongoing renewal of that time. Thanks to Marcel Mazé, the CJC always kept such exponential desire for enabling emancipation. There must be something unreasonable to promote minor and disturbing forms of  cinematography but affects and sensations are inevitably mixing up with reason.

    Marcel Mazé was commited to search, gather and nourish a young cinema at Hyères in the 70’s and until today in Paris . He was doing so with a rebellious spirit both optimistic and curious. Such eternal “young cinema” keeps regenerating itself at the margins of industrial cinema. Similar to a giant rhizome, it questions and influences the most dominant forms of cinema since its origins.

    His acute dedication was key to discover and transmit for more than 40 years such an ongoing renewal of young cinematorgraphies calling into questions prejudices and assumptions. He was the figure that operated at the heart of CJC and that relentlessly shared his singular discoveries with others. He was fully inhabiting the film coop he founded with his art of uniting a large range of filmakers’ independent practices. His unifying presence enabled experimental and different cinema to radiate above any historiacal or dogmatic limits and to be still defended and animated by its own makers.

    Marcel Mazé was a photographer, a director and an actor all together and performed for filmmakers such as Stéphane Marti. The first part of this evening will atempt to bring into light his essential federative role as a programmer and creator. The screening will start with Focalises (1980) and will carry on with works by filmakers that were close to Marcel Mazé and went along with him as“travelling companions”.  We are borrowing this image from Raphaël Bassan who is the co-founder of the CJC and with whom this special screening is organised.

    Laurence Rebouillon & Gabrielle Reiner

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  • VIDEOvoiddeck

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    Unconsciousness/Consciousness by Lavender ChangVIDEOvoiddeck
    Sunday April, 8th, 10-18h
    The Random Room at The Substation, 45 Armenian Street, Singapore 179936

    As part of the minimART2.0 exhibition there will be a very strong and fresh line-up of video art works and experimental films. VIDEOvoiddeck, curated by Wesley Leon Aroozoo, is a 100 minute-long programme of videos by over 20 artists including new works from inspiring and coming up artists. The program is also strengthened with works from seasoned artists. The audience will also get to experience different perspectives from international works from our friends in Europe.

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  • Courtisane Festival 2012

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    Courtisane logo

    A little more than two weeks left until the beginning of the 2012 Courtisane Festival (March 21-25, Ghent, Belgium). Now in its eleventh year, the festival keeps a solid programme as ever with their 'Artists in focus' section, with expanded projectionists Sandra Gibson & Luis Recoder (who will perform their new work ‘Aberration Of Light: Dark Chamber Disclosure’ with Olivia Block on the opening night)Ben Russell & Ben Rivers;and Philippe Grandrieux. Each artist will be the protagonist of a series of different events including performances, installations, masterclasses and, of course, screenings. The 'Profiles' section presents monographic programmes dedicated to filmmakers Gabriel Abrantes, Sung-A Yoon, Naomi Uman's Ukrainian Time Machine and the recently deceased George Kuchar's Weather diaries. And last, but not least, the competitive section includes films and videos by Ute Aurand, Bonnie Begusch, Sirah Foighel Brutmann & Eitan Efrat, Mati Diop, Fabian Euresti, Janie Geiser, Beatrice Gibson, Kwon Hayoun, Robert-Jan Lacombe, Laida Lertxundi, Rose Lowder, Gary Mairs, Valérie Massadian, Pavel Medvedev, Nicolás Pereda, Charlotte Pryce, Alina Rudnitskaya, Jani Ruscica and Isabelle Tollenaere. Details on the full programme will be published soon.

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  • Millennium Film Workshop: Tejido conectivo

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    Tejido conectivoMillennium Film Workshop: Tejido conectivo
    Luís Macías and Adriana Vila
    Friday March 9, 2012 20h
    Millennium Film Workshop 66E 4th Street, New York

    Luís Macías and Adriana Vila present a night of expanded cinema focusing on three converging threads; found footage performances, light environments created through film loops, and movie-less projection. The project is conceived in the form of changeable installations and / or film performances made of found home movies. Projected as simultaneous overlapping stories, Tejido Conectivo focuses on the creative recycling of unknown memories, and celebrates the materiality of cinema making visible the hole process of projection and manual intervention, creating the appearance of visual and audio atmospheres live.

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  • Scratch Projection: Steven Woloshen - Scratchatopia!

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    Editorial (Steven Woloshen, 2009)Scratch Projection: Steven Woloshen - Scratchatopia!
    Tuesday 13 March 2012, 20h
    Cinéma Action Christine
    4, rue Christine, 75006 Paris, France

    Born in Montreal in 1960, Steven Woloshen began to make animated films without a camera while still a student, first in Super 8 and then 16mm. The early films of Woloshen seem to owe nothing to McLaren. Son of Dada was developed rather in reference to Kurt Schwitters, while Didre Novo, perhaps because of the Maasai rhythm of its soundtrack is more reminiscent of Len Lye's Free Radicals. He returns to filmmaking in 1996, after a hiatus of nearly 12 years. Woloshen is the origin of a work which, while evolving, remains a consistent, particularly because it denotes an attractiveness unchanged for a cinema that is both festive and formally demanding.

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  • Joshua Bonnetta’s American Colour

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    American Colour (Joshua Bonnetta, 2011)WNDX & Cinematheque co-present
    Joshua Bonnetta’s American Colour
    WNDX & Senufo Editions LP / DVD release and screening
    Friday March 9, 2012, 21:15h
    Winnipeg Cinematheque, 100 Arthur Street, Winnipeg, MB R3B 1H3, Canada

    Acclaimed Canadian filmmaker Joshua Bonnetta will present a selection of film and video works including his most recent American Colour. This film is a unique experiment exploring the various values, cultural and visual, of Kodak’s legendary, and recently discontinued, Kodachrome film stock. This beautiful and meticulously constructed film combines Kodachrome colour fields with footage Bonnetta shot while travelling across the American Midwest from Rochester (Kodachrome’s birthplace and the home of Kodak), to Dwayne’s Photo in Parsons, Kansas, the only laboratory in the world to still process Kodachrome at the time of his journey. American Colour was processed in the very last batch of Kodachrome ever to be processed. Live composed sound featuring field recordings taken on the trip will be performed by Bonnetta. This event also serves as a launch for the WNDX / Senufo Editions dvd/lp release of American Colour with monograph text by Irene Bindi.

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  • David Hall - End Piece...

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    TV Interruptions, for Scottish Television (David Hall, 1971)David Hall - End Piece...
    16 March - 22 April 2012
    Private View Thursday 15th March 6:30-8:30
    Wednesday-Friday 11-19h, Satyrdays & Sundays, 12-18h
    Ambika P3 Gallery, 35 Marylebone Road, London NW1 5LS

    The contemporary reworking of one of David Hall’s early major works ‘101 TV sets’ will form the centrepiece of the exhibition. '1001 TV Sets (End Piece)' features 1,001 cathode ray tube TV sets, of all ages and conditions, which will fill the massive Ambika P3 subterranean space. The TVs will be tuned to different analogue stations playing randomly in a cacophony of electronic signals, gradually reducing between April 4 and April 18, as the final analogue signals are broadcast from London’s Crystal Palace. When transmission is turned off, the multiple sets will emit only terminal audio hiss and a visual sea of white noise.

    David Hall’s first works for television appeared unannounced on Scottish TV in 1971. The transmissions were a surprise, a mystery, and have been acknowledged as the first artist interventions seen on British television. An installation version of these early ‘TV Interruptions’ will be exhibited in Ambika P3 alongside ‘Progressive Recession’ a multi-screen interactive work utilising 9 cameras and 9 monitors as complex analogical mirrors.

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  • Atelier Impopulaire #1: Bruce McClure

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    Bruce McClureAtelier Impopulaire #1: Bruce McClure
    Bruce McClure: The 16 mm Lecture for Film & New Media
    Thursday March 1st 2012, 10-13h & 14-17h
    NABA (Nuova Accademia di Belle Arti), Milan
    Bruce McClure: Performance  
    Friday March 2nd 2012, 20.30h
    O’ via pastrengo 12, Milano Isola

    O' and Die Schachtel inaugurate Atelier Impopulaire, a new cycle of events starting from March, curated by Pia Bolognesi and Giulio Bursi.
     
    Atelier Impopulaire is a contamination of research practices, editorial and site-specific curatorship that arises from direct collaboration with the artists. In its first phase, Atelier Impopulaire will focus on the study and reinterpretation of Structural Cinema, Avant-garde, Performative and Expanded, to address cross-cultural path on the film device in its experimental forms, through a program that includes performances and screenings of artists and filmmakers of different generations: Bruce McClure, Morgan Fisher and Ben Russell.

    Atelier Impopulaire starts next March 1 with a seminar by Bruce McLure 'The 16 mm for Film & New Media Lecture' at the Department of Film and New Media NABA, Milan, and a performance by the artist on Friday, March 2 at 20:30 in the O' space.

    Investigator of the cinematic apparatus, architect and 'performer of light and darkness', among the most prominent names in American Expanded Cinema, host of the most famous festivals in the world (Rotterdam, Toronto, New York) Bruce McClure (NY, 1959) presents a performance projection for the O' space and the cycle Atelier Impopulaire. "Its events immerse the viewer in the complete darkness of the room, lit by flicker shots(the pulsing image of the projector light): sound beats and visual loops synaesthetically drag the viewer into a space dominated mostly by the sound and the force of the flashing and flickering lights of the image. Darkness and light are palpated, you can taste and see: a battery of 16mm projectors, modificated by him" -for the performance of Milan he will use two simultaneously-projected film loops generating cones of light which are then synchronized with sounds and noises (...). Mixer and electronic pedals help him to create a sound / optical universe with high-impact and fully immersive. His live performances are very close to the expanded cinema, a film that dominates the space beyond the screen, not the fictional diegesis of the film, but the universe palpable and effective, though virtual, a room made from darkness and light, a shared space between the projectionist and the viewer, between those who create and those who receive the light " (by Massimiliano Fierro).

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