Eventos

  • Witness: Palestine

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    Witness: PalestineWitness: Palestine, a film performance by Barbara Hammer
    Sunday, December 16, approximately mid-afternoon
    Performance Tent, Courtyard PS1 MoMA
    22-25 Jackson Ave., Long Island City, New York 11101

    In her most recent project Witness: Palestine the established artist and filmmaker Barbara Hammer integrates film practices into social spaces sharing the voices of men and women she met on the first LGBTQ Solidarity Tour of Palestine in January, 2012. How could she allow others a similar experience?  This is one of the most important questions the artist raises with this work. Upon seeing Intellettuale, 1975, by Fabio Mauri who projected the Pasolini film (The Gospel According to Saint Matthew, 1964) on Pasolini himself, she found her clue. By inviting the reader/audience into the work to produce it, instead of enforcing a predetermined reading, Hammer privileges the intelligence and integrity of the participant.

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  • Projektionen: [Chrono]Skopie

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    Hus (Inger Lise Hansen, 1998)Projektionen: [Chrono]Skopie
    Thursday, December 13 2012, 19:30h
    kunstraum t27/Kunstverein Neukölln
    Thomasstrasse 27, 12053 Berlin

    Curated by D. Phillips, A. Dornieden & J. D. González Monroy

    The Kunstverein Neukölln hosts a new show in the series PROJEKTIONEN, with rarely seen films, slides, and other forms of projected performance art.

    Can Time be rendered perceptible, such as through a microscope, telescope, endoscope or even  a scopescope?

    - Open system (Audiovisual performance) (Jutojo, Overhead projector, 15 min, 2012)
    An experiment in visual chemistry, which is exacerbated by an overhead projector.

    - Rallye (Romeo Grünfelder, 16mm, 4 min, 2004)
    An accident will occur, occurs, has occured; but just as well it happens at the same time that it will take place, already took place and is just about to have taken place it will not have taken place, so that it, before it takes place, did not take place, and as soon as it takes place, it never will have taken place.

    - Hus (Inger Lise Hansen, 16mm, 7 Min, 1998)
    Hus is a film which attempts to reveal the private and hidden layers of our habitation. It is a live animation film shot on location which incorporates both pixilation (stop motion) and time-lapse photography.

    - Sternenschleife – Stars on a Stripe (Dagie Brundert, Super8, 1 Min, 2012)
    A short film loop - a homemade Sternoskop - Glitter stars directly onto the film strip!

    - Quelques minutes de soleil apres minuit (Audiovisual Performance) (Xavier Quérel, 16mm, 20 Min)
    A few minutes after midnight sun.

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  • Red Over the Right Eye: A Performance with Found Footage and Flicker Film

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    Crater CollectiveRed Over the Right Eye: A Performance with Found Footage and Flicker Film
    Thursday, December 13, 20h
    Millennium Film Workshop, 66 E 4th Street, Basement, New York, NY

    Crater (Luis Macías and Adriana Vila) with Optipus

    - Red Over the Right Eye (Performance) – Didactically informing about the origins of 3D with a super 8 and 16 mm intervention of different abstract yet simple forms, executing space in a twiddling and anxious doubt of retina’s capacities. Other dimensions are invoked…

    - completely out of their elements (Peformance) – Optipus, a New York film/music/performance will join Crater

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  • Directors Lounge: Guillaume Cailleau

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    Directors Lounge: Guillaume CailleauDirectors Lounge Screening
    Guillaume Cailleau: Bolex, Loves and Other Measures
    16mm and Live Super-8 Performance
    Thursday, November 29th 2012, 21h
    Z-Bar, Bergstraße 2, 10115 Berlin-Mitte

    Guillaume Cailleau bridges conceptual working methods with playful references to the avant-garde. This playful mix of forms, expanded cinema, experiments with human perception, and poetic compositions makes the viewing experience very enjoyable for its richness. His sincerity, combined with a joyful wink of the artist's eye add to this impression. Explorations - or games - with color separation, the basics of color photography, are as much part his artistic arsenal as the lyric beauty of rich black and white contrast of high-con film combined associatively on an optical printer.

    The artist will perform live, and will be available for Q&A.

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  • 971 Horses and 4 Zebras: Artists Apply Animation

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    Nasty Piece of Stuff (Jordan Baseman, 2009)971 Horses and 4 Zebras: Artists Apply Animation
    Thursday November 29th 2012, 18:30h
    Tate Modern, Starr Auditorium, Bankside, London SE1 9TG

    Contemporary artists increasingly are using animation techniques in a wide variety of approach and style. This international and eclectic programme celebrates the unpredictable processes of experimental animation, with a focus on how animation as a labour intensive process and form is being applied in the creation of conceptual artworks. It includes films by Geraint Evans, David Theobald, Inger Lise Hansen, James Lowne, Nathaniel Mellors, Emily Richardson, and Chris Shepherd, and the title is taken from a work by Yu Araki in which images of horses, appropriated from the internet, reference the pre-cinema animation of Eadweard Muybridge.

    The screening is followed by a panel discussion on the ways in which contemporary artists approach, appropriate and apply animation techniques in their work.

    971 Horses and 4 Zebras is co-curated by artist Jordan Baseman and Gary Thomas (Animate Projects). An exhibition runs at Wimbledon Space, Wimbledon College of Art, from 2 November – 9 December 2012 and tours to CAST (Contemporary Art Spaces Tasmania), Monash University Museum of Art, Melbourne, Australia, and The British School at Rome, in 2013.

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