With performances occurring 1-3 times per year, no two Jerusalem In My Heart events have ever been the same: configurations have ranged from 2 to 24 participants, with varying degrees of theatrical stage action alongside a film/video component. Jerusalem In My Heart currently exists around the core of Radwan Ghazi Moumneh carrying musical duties and Montreal filmmaker Charles-André Coderre projecting hand-made visuals using analog 16mm film & 35mm slides on multiple site-specific screen installations. Moumneh's vocals and purposefully blown-out sonic sensibility have been the consistent thread, but the music of JIMH has never repeated itself either – one of the reasons Moumneh has resisted any official documentation or definitive recording of the project over the past eight years. At long last, in 2012 Moumneh cleared time and mental space to record a song cycle that cements the foundations of JIMH as an intensely vocal-driven musical project. 

Entanglements is a projection performance conceived as an open invitation for sound artists to process the optical soundtracks from an array of handcrafted 16mm film loops. The artist is completely free to interpret the soundtracks in any way they see fit. Previous performances have included the following sound artists, musicians, and composers: Ben Owen, Adam Sonderberg, Caleb Smith, and Claudio Rocchetti. 

Artists in attendance!

ENTANGLEMENTS (2009-2014), by Sandra Gibson & Luis RecoderMultiple 16mm projection performance; black & white, mixed media; optical soundtrack processed live by local guest artist, Max Eilbacher; approx. 60 minutes

“To review all of Iimura’s work is an important occasion for all who are concerned with the development and pleasures of cinema as an art” (Jonas Mekas)

The most influential figure in Japanese experimental cinema, Takahiko Iimura is a pioneer of expanded cinema, video art and film installations in his native country. Living “in & out” of Japan since the 1960s, Iimura has shown an impressive breadth in his artistic practice that spans decades and various continents. His focus, nevertheless, has remained distinctly material, engaged with the physicality of the media with which he works to bring out the key components of darkness and light that he considers the essence of cinema. Returning to Amsterdam for the first time since his screening at the Nederlands Filmmuseum on his six-month European tour in 1969, our unique program comprise of three distinct sections that highlight his career: the first, a focus on his early Dada-inspired work; the second, a presentation of structuralist film experiments; and the third, an expanded cinema performance. Takahiko Iimura will be present for a Q&A moderated by Julian Ross.