Screening at Telematic, this coming Thursday, September 19th Co-presented by San Francisco Cinematheque
Telematic is pleased to present Love, Cruelty, and Self-Destruction, a screening of video/performance works by Monet Clark, Cliff Hengst, Dale Hoyt, The Patchchords (w/ Fred Rinne), and Beth Stephens & Annie Sprinkle, presented – in collaboration with San Francisco Cinematheque – as part of our current, on-going exhibition Farm and Friends – in 3D!
Exploring new definitions of experimental film, writing, and dance during 10 days of screenings and other performances from September 20 to September 29, 2019, Counterpath is excited to present year 3 of The Unseen Festival, invoking notions of the resistant, the excluded, and the unacknowledged.
De Viernes, Septiembre 20, 2019 (Todo el día) hasta Domingo, Septiembre 29, 2019 (Todo el día)
Undoing The Whole Thing, the kick-off event of The Futurism is Ours, is about breaking down and building back up again. Featuring short work by Barbara Hammer, Miatta Kawinzi, and Joey Carducci, the program reflects on the filmmakers’ experiences working within and against cinematic lineages through their exploration of selfhood, queerness, and alternative social realities.
On the occasion of the 50th anniversary of Aldo Tambellini’s legendary Black TV, the multimedia pioneer presents a new installation realized by re-editing hundreds of hours of his experimental mixed-media works in a site-specific Electromedia environment. Born of a complex, stratified experience, in which the images became a further subject in the critical investigation of the American social and political reality, Black TV is a monumental operation of aesthetic synthesis of the Intermedia era.
De Miércoles, Septiembre 11, 2019 (Todo el día) hasta Domingo, Septiembre 15, 2019 (Todo el día)
Desde sus inicios el cine se anuncia como una promesa lumínica de un cuerpo en movimiento. En la pantalla el cuerpo danza, el cuerpo goza, desafía a veces los cánones de representación y nos invita a reflexionar sobre cuestiones de identidad y género. Esta edición del Aula Xcèntric propone un acercamiento a la historia del cine experimental a través de la fascinación de los y las cineastas de vanguardia por la figuración del cuerpo y por las posibilidades que ofrece la materia fílmica y el cine digital para representarlo.
Marking the launch of her long-awaited collected writings Telling Invents Told, (The Visible Press), artist and film-maker Lis Rhodes will be in conversation with MarÍa Palacios Cruz, the book’s editor and Deputy Director of LUX, following a screening of Dissonance and Disturbance and Running Light and readings from the book.
filmkoop wien is more than happy to welcome Guillaume Vallée and Charlotte Clermont from Montreal, Canada this September. Join us for this special screening of experimental films and videos and meet the artists.
Rainer Kohlberger uses digital-projection technology in a radical way. Through impulses and waves of pure light, the intentional overload of the human perception apparatus leads to visual impressions that appear exclusively in the literal »eye of the beholder«. Layers of noise, drones and stroboscopic lights unfold a sense of the infinite as well as the very now. Image surface and image space meld into one (consciousness-)state, in which categories such as being and non-being, material and immaterial appear obsolete.