Eventos

  • Projektion - Situative Systeme

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    14x14 (Albert Alcoz & Alberto Cabrera Bernal, 2012)Projektion - Situative Systeme
    Sunday October 18, 2012, 20h
    kunstraum t27
    Thomasstr. 27, 12053 Berlin
    Curated by Anja Dornieden & Juan David González Monroy

    - Feuerfaust (Thorsten Fleisch, Super 8, 1 Min, 1999)
    - DIAGRAM II (Jeanne Liotta, 16mm, 4 Min. 2012)

    Melting Intermission I (Anja Oornleden & Juan David González Monroy)

    - Silber (Jan Korthaeuer, 16mm, 8 Min, 2002)
    - 14x14 (Albert Alcoz & Alberto Cabrera Bernal, 16mm, 3 Min, 2012)
    - Her Mona (Klaus Telscher, 16mm, 1 Min, 1992)

    Melting Intermission II (Anja Oornleden & Juan David González Monroy)

    - Ritournelle (Christopher Becks & Peter Miller, 16mm, 4 Min, 2012)
    - Flexcam (Thorsten Fleisch, Super 8, 2 Min, 1998)

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  • Bozar: Hangjun Lee / Benjamin Altermatt

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    Benjamin Altermatt, Indias IndiosBozar: Hangjun Lee / Benjamin Altermatt
    Friday October 26, 20h
    Palais des Beaux-Arts
    Rue Ravenstein 23, 1000 Bruxelles

    Two playful performances redefine the audiovisual medium in an unexpected and refreshing way. Filmmaker Hangjun Lee (South Korea) - who performed at Bozar in 2011 together with Jérôme Noetinger - is back with a piece that examines the sculptural qualities of four 16 mm projectors used as musical instruments, amplified by four guitar amps... without projecting any image. Multidisciplinary artist Benjamin Altermatt (Chile/Italy/Germany) invents an intimate and hypnotic journey built around VHS footage he shot during a trip to China, which is mixed on the spot and combined with sound recorded on audio cassettes. A monitor is the sole visual and sound source of his performance.

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  • Filmaktion Performance: Malcolm LeGrice & Keith Rowe

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    Malcolm LeGrice and Keith Rowe, After Leonardo 1973Filmaktion Performance: Malcolm LeGrice & Keith Rowe
    Saturday 20 October 2012, 19:30h
    Part of the series The Tanks: Art in Action
    Tate Modern

    Filmaktion is the name used by a group of filmmakers who performed together during an intense period of activity in the early 1970s. The core members – Malcolm Le Grice (b.1940), William Raban (b.1948), Gill Eatherley (b.1950) and Annabel Nicolson (b.1946) – are major figures in the development of experimental film in the UK.

    In conjunction with the Filmaktion installation in the Tanks at Tate Modern, this special live performance in The Tanks on Saturday 20 October  opens with a series of screenings by Malcolm Le Grice. With sound track provided by a live performance from AMM co-founder Keith Rowe, screenings will include Le Grice’s  After Leonardo (1973), Horror Film 1 (1971) and Threshold (1972). This event will be followed by live screenings by William Raban and Gill Eatherley.

    This event is related to the exhibition Filmaktion

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  • Think:Film – International Experimental Cinema Congress 2012

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    Think:Film
    International Experimental Cinema Congress 2012
    10.-14. October 2012
    Akademie der Künste am Hanseatenweg, Berlin

    Following a period of diversification of experimental forms of artistic production, it has become necessary to come up with new ways to think about film and the types of thought created by it and within it.

    Fechas: 

    De Miércoles, Octubre 10, 2012 (Todo el día) hasta Domingo, Octubre 14, 2012 (Todo el día)
  • Aldo Tambellini: Retracing Black

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    Black Zero, Electromedia Performance at Intermedia 68, Brooklyn Academy of Music 1968Aldo Tambellini: Retracing Black
    curated by Pia Bolognesi and Giulio Bursi with Stuart Comer
    9–14 October 2012 at The Tanks, Tate Modern
    Screening: Starr Auditorium, Saturday 13 October 18h
    Performance: Saturday 13 October 21h

    With Retracing Black, after almost fifty years, Aldo Tambellini goes back to the roots of New York’s darkest underground scene, creating a multimedia installation that originates from his experiences with the pictorial manipulation of the image and results in a reflection on the transition from video to experimental performance. In this new work, the abstract expressionism and sculptural materiality explored by the artist merge into a synaesthetic triptych, which portrays the internal collapse of the dogmas and icons of the American consumer society.

    Going back to the traditional canons of expanded cinema and multimedia environment, Retracing Black reflects on the sensory mutation of the cinematic and videographic element, subverting found footage and TV-collage practices to provide the figurative element with an absolute, definite identity.

    In addition to the Tanks installation, a screening of Tambellini's films will take place on 13 October at 18h, followed by two key performances, Black Zero (1965) and Moondial (1966), which will be re-staged on Saturday 13 October at 21h. These early examples of multimedia performance will transform the Tanks into a hypnotic and mystical environment incorporating projections, dance, live music and sound.

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  • Black Sun Cinema: Lithuanian Experimental Film

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    Earth of the Blind (Audrius Stonys, 1992)Black Sun Cinema presents
    A Programme of Lithuanian Experimental Film
    in association with Tinklai International Short Film Festival, Lithuania, and Solus Film Collective, Dublin
    Saturday 20 October 2012, 20:45h
    Triskel Christchurch Cinema, Tobin St., Cork

    Black Sun Cinema, in partnership with Triskel Christchurch, is proud to present a retrospective programme of Lithuanian experimental shorts from the ‘90s. These films, very rarely screened in Ireland, provide an eye-opening snapshot of a distinctive independent film culture in the process of defining itself.

    Much of the programme highlights a tendency towards personal, poetic and formally adventurous approaches to documentary reality. The wordless, powerfully bleak yet pictorially exquisite rural worlds evoked in The Window (Julius Ziz, 1989) and Earth of the Blind (Audrius Stonys, 1992) will appeal to admirers of Bela Tarr, while Ten Minutes Before the Flight of Icarus (Arunas Matelis, 1991) offers a charmingly quirky glimpse of an urban neighbourhood in upheaval. The Black Box (Algimantas Maceina, 1994) confronts personal and national history more directly, albeit in a visually radical fashion.

    Contrasting with the rest of the programme, the selection of hand-painted, hand-scratched films by artist August Varkalis plunges into visual abstraction: ecstatic, fast-paced cascades of pure cinema that make for intoxicating viewing.

    Black Sun is delighted to announce that renowned Lithuanian filmmaker Julius Ziz will be present to introduce the screening.

    - The Window (Julius Ziz, 1989)
    - The Black Box (Algimantas Maceina, 1994)
    - Ten Minutes Before the Flight of Icarus (Arunas Matelis, 1991)
    - Earth of the Blind (Audrius Stonys, 1992)
    - Abstract films by August Varkalis (1995-2002)

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  • Oporto apresenta #29: Voyage to the Center of the Phone Lines

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    Oporto apresenta #29: Voyage to the Center of the Phone LinesOporto apresenta #29: Voyage to the Center of the Phone Lines
    Friday, October 4th 2012, 22:30h
    Oporto, Salvador Correia de Sá, 42, 2 frente, 1200-399 Lisboa

    "Voyage to the Center of the Phone Lines" by Michel Auder
    Analog video, color, sound, 53', 1993

    Voyage to the Centre of the Phone Lines borrows its title from Jules Verne’s science-fiction novel Voyage au centre de la terre from 1864, in which a German professor explores volcanic tubes that lead him to the earth’s core and to an 1860s understanding of our planet’s geological development. ‘Voyage’ usually denotes faraway travel by sea, and Auder uses ‘holiday’ images of beaches, sunsets and verandas, already stamped with that vintage VHS look, to illustrate a sound track entirely consisting of excerpts from cordless and wireless telephone conversations between unnamed, unknown people. We all know eavesdropping is supposed to be bad, but even if we put up some resistance at first we cannot help being sucked into this maelstrom (another word that Jules Verne liked) of religious and financial speculation, parental despair, gleeful psychobabble and frank erotic revelation. Auder is usually right about what captures our attention and what constitutes unadulterated human interest.

    "floating words in an echo world" - Alexandre Estrela

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  • Directors Lounge: Phlipp Hartmann | f.k.flumen

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    Directors Lounge: Phlipp Hartmann | f.k.flumenDirectors Lounge: Phlipp Hartmann | f.k.flumen
    Von der Notwendigkeit dessen (Whereby according to necessity)
    Thursday, 27 September 2012, 21h
    Z-Bar, Bergstraße 2, 10115 Berlin-Mitte
    With guest Jan Eichberg

    Philipp Hartmann, whose short film comedies about Karlsruhe called "Der Anner" ("the other, there" in Southern Dialect) have been audience favorites on festivals, also works in very different styles with film, preferably with Super-8, and with much more subtle humor. Tracking the traces of Alexander Humboldt or his grandfather in Latin America, reflecting on the physical-poetical conditions of condensation trails in the sky, or recording the last remnants of an old lady who passed away, he always combines documentary with fictional approaches in such subversive, subtle ways that the viewer at the same time may be following the "movies of his own mind" or his own associations while watching these films. In addition, Philipp Hartmann will present Jan Eichberg as guest artist in the program, who creates short narratives in similar aesthetic ways. Both artists with be present and available for Q&A.

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