Eventos

  • Essential Experiments: Anne Charlotte Robertson, Selections from the Five Year Diary

    By on

    Begun in the early 1980s and running to over thirty eight hours of Super 8 film, Anne Charlotte Robertson’s Five Year Diary stands as one of the major works of diary film-making. The films are an intimate and exhaustively narrated chronicle of her daily life in Framingham, Massachusetts and her battles with depression, paranoia, and borderline schizophrenia.

    Fechas: 

    Miércoles, Junio 11, 2014 - 20:30

    Local: 

    BFI Southbank - London, Reino Unido
  • Jodie Mack - Let Your Light Shine: Screening & Performance

    By on

    Jodie Mack is an American animator/performance artist whose work questions the regimes of looking and the stability of human perception in a post-psychedelic world. Under Mack’s direction, merch tables meet museum gift stores, the sublime meets Sublime the band, and stoner shop tie-dyes and dollar-store trinkets collude to create pulsing, ebullient spectacles. This stroboscopic collection of animated films and performances shines a light on the incessant stream of abstract imagery that permeates our everyday lives - unleashing a kinetic energy that resides in wasted and overlooked consumer objects. Through exquisite layering and Mack’s trademark cut ’n’ paste flash frame animation techniques, complex patterns of movement ensue which she calls ‘anti-sequences’.

    Fechas: 

    De Miércoles, Junio 11, 2014 - 20:00 hasta Jueves, Junio 12, 2014 - 19:55

    Local: 

    Apiary Studios - London, Reino Unido
  • Unconscious Archives #13

    By on

    An international line up of live audiovisual improvisations producing tangible sound and visceral vision, corporeal signals and audience interference.

    Philip Jeck (Uk) / Michaela Grill (Austria) / Karl Lemieux (Canada)

    Austrian video artist Michaela Grill (laptop) together with Canadian filmmaker Karl Lemieux (16mm film projectors) and British turntablist Philip Jeck (turntables), will present a unique and improvised audio-visual performance in which image and sound, analog and digital elements are synergistically interwoven.

    An atmospherically dense articulation of the aural and visual/visceral, the Jeck-Grill-Lemiuex trio electrify the subliminal and the material in an outpouring which blends together the key components of their individual artistic oeuvre.

    Fechas: 

    Jueves, Junio 26, 2014 - 19:30

    Local: 

    Apiary Studios - London, Reino Unido
  • AXWFF: Garden of DeLight

    By on

    Curated by Lili White

    Featuring never before screened works from Another Experiment By Women Film Festival (AXWFF)

    - The D-Blok Snag (Joey Huertas (AKA Jane Public), 16mm Bolex in-camera editing, 5.10 min)
    - Black Rectangle (Rhayne Vermette, 16MM to digi, 1.30 min)
    - Full Of Fire (Rhayne Vermette, 16MM to digi, 2.15 min)
    - She learns to lunge (Katya Yakubov, 6.40 min)
    - Constellation (Muriel Montini, France, 5.00 min)
    - Sweetmeats (Denise Iris, digi, 4.40 min)
    - I Snake-Foot (Lili White, digi, 5.18 min)
    - Turquoise Beads (Lili White, Sound: BUSHMEAT aka Thomas Stanley, 38.14 min)

    Fechas: 

    Viernes, Junio 20, 2014 - 19:30

    Local: 

    Le Petit Versailles Garden - Nueva York, Estados Unidos
  • Dyketactics and other 70s films

    By on

    An evening with seminal queer and feminist filmmaker Barbara Hammer! With an introduction and Q&A with Hammer. Works include: Dyketactics (1974), Superdyke (1975), Menses (1976), Women I Love (1976), Multiple Orgasm (1976), Double Strength (1978).

    Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. Hammer calls the film her ‘lesbian commercial.’ She went on to become one of the brightest and most significant lesbian avant-garde filmmaking voices of the past 40 years.

    Fechas: 

    De Sábado, Junio 21, 2014 - 20:00 hasta Domingo, Junio 22, 2014 - 19:55

    Local: 

    Basilica Hudson - Nueva York, Estados Unidos
  • Sight Unseen hosts H.E.F.F. on 95

    By on

    Sight Unseen is pleased to host H.E.F.F. on 95, a curatorial venture down Interstate 95 showcasing the winning films of the 2014 Haverhill Experimental Film Festival. This endeavor gives the opportunity for filmmakers to screen their artwork in multiple venues hitting major stops that include Manhattan, Brooklyn, Philadelphia, Baltimore, Richmond, and ending in Durham, North Carolina.

    The roughly 1.5 hour program will feature contemporary work in avant-garde cinema at a national and international level. It will highlight various films from abstract home VHS distortion flicks to 16mm direct animation works to experimental documentaries.

    This tour and festival itself hope to extinguish the Hollywood standard of the moving image by showing major cities an idea of what this art form can accomplish: a true, purer method of capturing reality.

    Fechas: 

    Lunes, Junio 9, 2014 - 19:30

    Local: 

    The Crown - Baltimore, Estados Unidos
  • Walter Ungerer: All the Days of the Year

    By on

    This video installation by Walter Ungerer is a record of one year as seen from Mount Battie, Maine. Every day for a year, 13 digital video clips were recorded from a single location on a rock on a hill overlooking the ocean. The camera would record for ten seconds then pivot a few degrees counterclockwise and record for another ten seconds. This process was repeated until the camera returned to its original position, having recorded 13 ten-second clips describing a 360-degree view. The process was repeated from the same location day after day — sometimes at sunrise, sometimes midday, sometimes at sunset, sometimes at night.

    The resulting film is a record of the seasons; the changing light, from dawn to evening and night; the changing weather, from bright sun to fog to rain and snow. It is a record of the visitors that make a pilgrimage to the vista that overlooks a small harbor, the Atlantic coastal islands, and the Atlantic Ocean. It is not a story — there is no script, no actors, and no dialogue — yet it conveys a story: humanity in peaceful revelry of a place on earth.

    Fechas: 

    De Viernes, Mayo 9, 2014 (Todo el día) hasta Domingo, Junio 22, 2014 (Todo el día)

    Local: 

    Brattleboro Museum & Art Center - Brattleboro, Estados Unidos
  • Directors Lounge: Johanna Domke with Marouan Omara

    By on

    Crop is an astounding video piece about a state-owned newspaper building in the center of Kairo. Filmed in 2012 shortly after the Arabic revolution in Egypt, the video represents an interesting, historic moment in time, and it is at the same time a reflection on image making and image representation in times of political changes regardless of local bounds or temporality.

    Set at the press house of Al Ahram (the Pyramids), a conservative newspaper that has been the national official press organ since President Nasser, the viewer is guided to explore the rooms of the house from the top down, following its hierarchy of places, literally from the representative offices down to the cellars with printing machines and packaging of newspaper bundles. While the camera unfolds step by step the complexities of a building, a photo-journalist talks about the beginnings of photo reportage in Egypt. He tells us he missed the revolution staying at the hospital. He speaks about the restrictions photo journalism has had to face from its beginning both from a conservative islamic society, and a regime controlling every publication. At first the journalist seem to be one person, but that is a fiction. His narration actually is a composition of 19 statements of different interviewed journalists, whose opinions differ in complex ways. The sound track of the film is comprised of two separate layers: the ambient sound that goes along with the passage of places that we follow inside the building, and on the other side the voice-over of the interviewed journalist. This voice-over creates a real contrapuntal montage in the sense of Eisenstein's statement on sound film, whereas the ambient sound creates a poetic flow of images, a narrative of space.

    Fechas: 

    De Jueves, Mayo 29, 2014 - 21:00 hasta Viernes, Mayo 30, 2014 - 20:55

    Local: 

    Z-Bar, Berlin - Berlin, Alemania
  • (S8) 5a Mostra de Cinema Periférico

    By on

    La próxima edición de la (S8) Mostra de Cinema Periférico (4 al 8 de junio en A Coruña) tendrá como protagonista fundamental al cine experimental japonés. El renombrado artista y cineasta Takahiko Iimura será su representante más destacado, con un programa dedicado a su obra, una performance en directo y la video-instalación As I See You See Me. El programa también inclute proyecciones del cineasta superochista Teruo Koike y de los miebros del colectivo [+] Makino TakashiShinkan Tamaki y Rei Hayama. 'Through a Rearview Mirror: Japanese Experimental Films Revisited' es el título de la retrospectiva comisariada por el fundador del Doble Negative Collective Daïchi Saïto, quien además presentará un programa de sus películas.

    El festival Media City será invitado especial este año, y sus directores y prgoramadores Jeremy Rigsby y Oona Mosna presentarán una selección de películas que cubren los veinte años de vida de este veterano festival. Además, la creciente sección de cine expandido se completará con performances de Esperanza Collado, Makino Takashi y el Colectivo Cráter.

    Fechas: 

    De Miércoles, Junio 4, 2014 (Todo el día) hasta Domingo, Junio 8, 2014 (Todo el día)
  • Ausencias Vislumbradas

    By on

    Programa presentación de Angular, como parte de la cuarta edición del Festival de Cine Lima Independiente (29 de mayo al 7 de junio)

    Filmar la ausencia, representar lo incorpóreo e imaginar lo espiritual son algunos de los puntos en común de una selección de películas que reflejan la necesidad por invocar lo invisible. Mediante acercamientos estéticos de implicaciones tecnológicas, las piezas agrupadas en esta sesión se acercan a lo intangible revelando un tono onírico, serenamente hipnótico. Desfragmentando un registro factual –unas estaciones de ferrocarril convertidas en espejismos cuadriculares–; presenciando comuniones espectrales en entornos solitarios –unos paisajes evocadores visualizados en celuloide químicamente alterado–; reflexionando sobre la mutabilidad de los acontecimientos en una región dañada por movimientos sísmicos –junto a los razonamientos verbales de los habitantes de la zona–; interrumpiendo el curso temporal de los acontecimientos bajo un patrón estructural –una filmación continua en el interior de un autobús, sistemáticamente editada– y evidenciando la fragilidad del cuerpo ante la inmensidad de la naturaleza –tres acciones performáticas en lugares inhóspitos, actuadas y sufridas por la propia realizadora–, son las estrategias de unos trabajos donde lo que se insinúa adquiere tanta relevancia como lo que se visualiza.

    Fechas: 

    De Domingo, Junio 1, 2014 - 16:00 hasta Lunes, Junio 2, 2014 - 15:55

    Local: 

Páginas