Etiquetas: Warren Sonbert

Contenido etiquetado

Profundidad de Campo. Ar, Fogo, Terra, Água: Carta Blanca a Ana Vaz

By Marcos Ortega on Lun, 08/07/2019 - 03:46

Como extensión de su exposición en Nave 0 de Matadero, Cineteca acoge AR, FOGO, TERRA, ÁGUA, una carta blanca en la que la artista brasileña Ana Vaz (Brasilia, 1986) pone en diálogo su propio trabajo con una personal historia del cine en la que reivindica una poética-física de la impureza. De Bruce Baillie a Toshio Matsumoto, pasando por los nuevos cines latinoamericanos y la vanguardia norteamericana, Vaz nos invita a un viaje elemental -aire, fuego, tierra, agua- por un cine personal y político, artístico y etnográfico.
Fechas:
Viernes, Julio 12, 2019 (Todo el día)
Domingo, Julio 14, 2019 (Todo el día)
Miércoles, Julio 17, 2019 (Todo el día)
Domingo, Julio 28, 2019 (Todo el día)
Local:
Cineteca Madrid - Madrid, España
Xcèntric: Viajes y canciones

By Marcos Ortega on Mar, 20/03/2018 - 13:02

La carta filmada puede adoptar la forma de la dedicatoria, la canción, la ofrenda, la celebración, la postal. «Correspondencias: películas como cartas», el ciclo de Punto de Vista 2018, parte de la idea de que, en el cine, el intercambio epistolar no tiene por qué ser enviado, sino que, además, admite que el material de la película-carta se filme sin un destinatario en mente.
Fechas:
Jueves, Marzo 22, 2018 - 19:30
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Ad Hoc #3: Beautiful Rage

By Marcos Ortega on Lun, 17/07/2017 - 10:40

Three milestones of avant-garde filmmaking. Wieland, Brakhage and Sonbert transcend, at least in part, their despair and rage against imperialism, war, violence, and homophobia, through art.

“I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.” (Frankenstein, Mary Shelley)

"Imagination is the only weapon in the war against realty." (Lewis Carroll
Fechas:
De Jueves, Agosto 10, 2017 - 19:00 hasta Viernes, Agosto 11, 2017 - 18:55
Local:
Innis College - Toronto, Canadá
Elegy to Ecstasy with Edith Kramer

By Anonymous on Vie, 05/05/2017 - 04:35

Canyon Cinema travels to Berkeley this week for a special screening of pivotal works from its collection. As a part of Canyon Cinema 50, its celebration of half a century in continuous operation, and together with the Berkeley Art Museum and Pacific Film Archive’s ongoing series Hippie Modernism: Cinema and the Counterculture, 1964-1974, the distributor will co-present Elegy To Ecstasy, an evening of films made by some of the most influential figures in the history of avant-garde cinema.

Fechas:
De Jueves, Mayo 11, 2017 - 19:00 hasta Viernes, Mayo 12, 2017 - 18:55
Local:
Berkeley Art Museum and Pacific Film Archive - Berkeley , Estados Unidos
Experimental Cinema: The Film Reader

Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al.. 2002. Experimental Cinema: The Film Reader. :356pp.
Contents:

Introduction: Toward a new history of the experimental cinema

Part one. Origins of the American avant-garde cinema, 1920-1959.
- The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
- Notes on the new American cinema / Jonas Mekas
- The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
- Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
Eye on a Director: Canyon Cinema

By Marcos Ortega on Mié, 06/07/2016 - 15:22

For the second installment of Eye on a Director, MAD highlights the collection of the legendary film distributor and archive Canyon Cinema. In the late 1950s, Canyon Cinema brought together independent film artists whose work reflected a remarkable diversity in style and content. Variously called avant-garde, underground and experimental, these artists shared a vision of filmmaking as a form of personal expression, free from the demands and constraints of commercial conventions.
Fechas:
De Jueves, Julio 7, 2016 - 19:00 hasta Viernes, Julio 8, 2016 - 18:55
De Jueves, Julio 14, 2016 - 19:00 hasta Viernes, Julio 15, 2016 - 18:55
De Jueves, Julio 21, 2016 - 19:00 hasta Viernes, Julio 22, 2016 - 18:55
De Jueves, Julio 28, 2016 - 19:00 hasta Viernes, Julio 29, 2016 - 18:55
De Jueves, Agosto 4, 2016 - 19:00 hasta Viernes, Agosto 5, 2016 - 18:55
De Jueves, Agosto 11, 2016 - 19:00 hasta Viernes, Agosto 12, 2016 - 18:55
De Jueves, Agosto 18, 2016 - 19:00 hasta Viernes, Agosto 19, 2016 - 18:55
Local:
Museum of Arts and Design - ,
Framework 56.1 – Warren Sonbert: Selected Writings
Framework: The Journal of Cinema and Media vol.56 issue 1 is devoted entirely to the writings of avant-garde artist Warren Sonbert. The journal features reproductions of Sonbert's original typed, handwritten and published documents. The issue is guest edited by Jon Gartenberg and is organized into sections related to Sonbert's interests in art, music, poetry, travel and film.

Contents:
Drake Stutesman
Editorial
Acknowledgments and Accreditations

Ascension Serrano
Preface
Valoración:

Promedio: 5 (1 voto)
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Libros
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Other
L’Âge d’Or 2015

By Marcos Ortega on Lun, 21/09/2015 - 10:18

Belgian experimental film festival L’Âge d’Or comes back next October 3-10 with the second edition of its new run. 2015 celebrates the 50th anniversary of Super 8 and so for its second edition, the Âge d’Or festival has chosen to pay homage to the work of the fiercest advocates of this format, too often denigrated and considered ‘amateur’. A format however that has been, and sometimes still is, the terrain of innovative cinematic experiments, full of the constraints that only it can create.
Fechas:
De Sábado, Octubre 3, 2015 (Todo el día) hasta Sábado, Octubre 10, 2015 (Todo el día)
Local:
Cinematek - Brussels, Bélgica
Experimental Film Club: Of Ruins and Light

By Marcos Ortega on Dom, 16/09/2012 - 15:18
Experimental Film Club: Of Ruins and Light
Friday September 21st 2012, 21h
Coal Quay carpark Culture Night, Cork.

This programme of 16mm experimental film works is curated by Esperanza Collado and Aoife Desmond of the Experimental Film Club, Dublin. Their chosen films present expanded representations of time and space; from the earthly to the celestial, from the transience of man's structures on earth, to the vastness of the universe.

- Scotch Tape (Jack Smith, USA, 1959-1962, 3 minutes, B&W, Sound (optical), 16mm)
- The End (Patrick Keiller, 18 min, 16mm, B&W, sound (optical), 1986)
- Stellar (Stan Brakhage, 3 min, Colour, Silent, 16mm, 1993)
- Origin Of Species (Ben Rivers, 16 minutes, Colour, Sound (Optical), 16mm, UK, 2008)
- Redshift (Emily Richardson, 4 min, 16mm, colour, sound, 2001)
- The Cup And The Lip (Warren Sonbert, 20 mins., 16mm, colour, sound, 1986)
- Observando El Cielo (Jeanne Liotta, 19 mins, 16mm, colour, sound, 2007)
- Transit Of Venus (Nicky Hamlyn, 2 Min, 16Mm, B&W, Silent, 2005)
Categoría:
Eventos
Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.
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Sin votos (todavía)
Categoría:
Libros
Editor:
Oxford University Press

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