Etiquetas: Simon Payne

Contenido etiquetado

Fields of View - Film, Art and Spectatorship
Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
British Film Institute
Systems Cinema (in Company)

By Marcos Ortega on Lun, 18/11/2019 - 14:24

Three upcoming screenings of systematic experimental cinema by Simon Payne with Nicky Hamlyn, Neil Henderson and Jennifer Nightingale at Close-Up (London), BEEF/Cube Cinema (Bristol) and Light Cone/Scratch Projections (Paris).

Fechas:
Martes, Noviembre 26, 2019 (Todo el día)
Viernes, Noviembre 29, 2019 (Todo el día)
Martes, Diciembre 3, 2019 (Todo el día)
BLITZ y Cineinfinito presentan: Simon Payne

By Marcos Ortega on Mar, 28/05/2019 - 14:33

Simon Payne estudió en el Kent Institute of Art and Design, Maidstone; en el Duncan of Jordanstone College of Art and Design, Dundee; y en el Royal College of Art, London. Como estudiante se identificó rápidamente con los enfoques y tradiciones formales del cine experimental. Pero evitó el cine, prefiriendo la inmediatez del video, especialmente cuando se convirtió en un medio digital que le permitía lidiar fácilmente con el tiempo.
Fechas:
De Martes, Junio 4, 2019 - 19:00 hasta Miércoles, Junio 5, 2019 - 18:55
De Jueves, Junio 6, 2019 - 19:00 hasta Viernes, Junio 7, 2019 - 18:55
Local:
Zumzeig Cinema - Barcelona, España
Analogue Ensemble: Divisions of the Screen

By Cathy Rogers on Lun, 21/05/2018 - 07:07

Nicky Hamlyn and Simon Payne present a programme of single-screen and expanded films and videos that explore colour field abstraction, grids, lines, shadows, holes and frames-within-frames that are often underpinned by repetitive, almost musical structuring. Payne's digital video works involve elementary transitions and alternating graphic forms that create spatial depths within the screen but also bounce back to affect the environment in which they're shown.
Fechas:
Jueves, Mayo 24, 2018 - De 19:30 hasta 21:30
Local:
Studio 3 Gallery, Jarman Building, School of Arts, University of Kent - Canterbury, Reino Unido
Contact: Pairs - Jennifer Nightingale and Simon Payne

By Marcos Ortega on Lun, 12/06/2017 - 12:23

Jennifer Nightingale’s films broadly fall into two categories of ‘pinhole films’ and ‘knitting films’. The pinhole films that she has selected to show here include a new two-screen configuration of West Window, East Window. Other films include pieces from her Cornish Knitting Pattern series, which document the coastal locations where the knitting patterns derive from. The patterns themselves dictate editing decisions.

Fechas:
Lunes, Junio 19, 2017 - 19:30
Local:
The Depot - London, Reino Unido
VIDEO – (Im)materialists

By Marcos Ortega on Mar, 04/10/2016 - 09:52

Presented by Evelyn Yard, VIDEO is a screening event highlighting the specific use of video by contemporary artists. The programme focuses less on the polished "moving-image" production, and more on experimentation and the use of more accessible popular video technologies. The screenings will highlight areas where video has been used for its specific characteristics, opening up the rising debate of medium specificity in and around ideas of post-media hybridisation.
Fechas:
Viernes, Octubre 7, 2016 - 20:30
Local:
Close-Up Cinema - London, Reino Unido
Kurt Kren: Structural Films - Screening and Book Launch

By Marcos Ortega on Mar, 10/05/2016 - 12:31

Kurt Kren was a vital figure in Austrian avant-garde cinema of the post-war period. His structural films, often shot frame-by-frame following elaborately pre-scored charts and diagrams, have influenced filmmakers for decades, even as Kren himself has remained a nomadic and obscure public figure. Kurt Kren: Structural Films, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic out-of-print essays alongside the reflections of contemporary academics and filmmakers, to add much-needed critical discussion of Kren’s legacy. Taken together, the collection challenges the canonical view of Kren that ignores his underground lineage and powerful, lyrical imagery.

Fechas:
De Lunes, Mayo 30, 2016 - 19:00 hasta Martes, Mayo 31, 2016 - 18:55
Local:
Close-Up Cinema - London, Reino Unido
Kurt Kren: Structural Films
Kurt Kren was a vital figure in Austrian avant-garde cinema of the post-war period. His structural films, often shot frame-by-frame following elaborately pre-scored charts and diagrams, have influenced filmmakers for decades, even as Kren himself has remained a nomadic and obscure public figure. Kurt Kren, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic, out-of-print essays, alongside the reflections of contemporary academics and filmmakers, to add much-needed critical discussion of Kren’s legacy.
Valoración:

Promedio: 3.9 (10 votos)
Categoría:
Libros
Editor:
Intellect Books
Negative Light: Recent Experimental Film and Video from the UK

By Anonymous on Jue, 22/10/2015 - 07:11

Microscope is very pleased to welcome London-based artist and curator Simon Payne to the gallery for the first time with a program of moving image works from the United Kingdom by Maria Anastassiou, Nick Collins, Nicky Hamlyn, Neil Henderson, Jamie Jenkinson, Jennifer Nightingale, Simon Payne, Karolina Raczynski, and Guy Sherwin, most of which are screening in New
Fechas:
Lunes, Octubre 26, 2015 - 19:30
Local:
Microscope Gallery - Brooklyn, Estados Unidos
The Bleeping Light: Explorative Sensoriums In Experimental Film & Video

By Marcos Ortega on Dom, 21/09/2014 - 16:08

The Bleeping Light features artists who delve into cracked phenomena and psychological perceptions, synaesthetic slippage and hacked technologies to produce works which inhabit a space between waveform and frame. Included are audiovisual works by sound artists who explore the role of a ‘seeing ear’, and sonic explorations by filmmakers who by the act of performance and intervention derive a sonorous space. Appropriated for single channel presentation many of these works exist in an environment which challenges the flat confines of the screen, and have their origins and inspirations in sound art and performance – this is cinema which speaks directly to the viewer’s synapses. Curated for Off The Page by Sally Golding (OtherFilm, Unconscious Archives).

Feature works by an array of contemporary film, video and sound artists, including Karel Doing, Spatial, Simon Payne, Sculpture, Lynn Loo, Sally Golding, Makino Takashi, Vicky Smith, Ben Gwilliam, Stephen Cornford, Botborg, Anja Dornieden & Juan Gonzales, Hangjun Lee & Chulki Hong, and Joel Stern & Pia Borg.

Fechas:
Sábado, Septiembre 27, 2014 (Todo el día)
Domingo, Septiembre 28, 2014 (Todo el día)
Local:
Arnolfini - Bristol, Reino Unido