Etiquetas: Peggy Ahwesh

Contenido etiquetado

  • Profundidad de Campo. Ar, Fogo, Terra, Água: Carta Blanca a Ana Vaz

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    Mass for the Dakota Sioux (Bruce Baillie, 1964)

    Como extensión de su exposición en Nave 0 de Matadero, Cineteca acoge AR, FOGO, TERRA, ÁGUA, una carta blanca en la que la artista brasileña Ana Vaz (Brasilia, 1986) pone en diálogo su propio trabajo con una personal historia del cine en la que reivindica una poética-física de la impureza. De Bruce Baillie a Toshio Matsumoto, pasando por los nuevos cines latinoamericanos y la vanguardia norteamericana, Vaz nos invita a un viaje elemental -aire, fuego, tierra, agua- por un cine personal y político, artístico y etnográfico.

    Fechas: 

    Viernes, Julio 12, 2019 (Todo el día)
    Domingo, Julio 14, 2019 (Todo el día)
    Miércoles, Julio 17, 2019 (Todo el día)
    Domingo, Julio 28, 2019 (Todo el día)

    Local: 

    Cineteca Madrid - Madrid, España

  • Selected Experimental and Animated Works from the Women’s Film Preservation Fund

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    Since 1996 the Women’s Film Preservation Fund has preserved a number of significant experimental and animated works by American women, many of which reflect pioneering approaches and unique voices.  These include works by Storm de Hirsch, Barbara Hammer, Peggy Ahwesh, Bette Gordon, and Helen Hill among others. 

    Fechas: 

    De Viernes, Junio 21, 2019 (Todo el día) hasta Sábado, Junio 22, 2019 (Todo el día)

    Local: 

    Anthology Film Archives - Nueva York, Estados Unidos

  • e-flux: Peggy Ahwesh in conversation with Michele Pierson

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    Alluvium (Peggy Ahwesh, 2015)

    Join us on Saturday, September 29 at 6pm for a special evening with filmmaker Peggy Ahwesh, organized in parallel to e-flux journal's current double issue on feminism(s). The evening features a screening of Ahwesh's films The Star Eaters (2003), Alluvium (2015), The Blackest Sea (2017), and The Falling Sky (2017), followed by a discussion between Ahwesh and film scholar Michele Pierson.

    Fechas: 

    Sábado, Septiembre 29, 2018 - 18:00

    Local: 

    e-flux - Nueva York, Estados Unidos

  • New Beginnings: Works by Peggy Ahwesh, Sadie Benning, Nina Fonoroff

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    Martina’s Playhouse (Peggy Ahwesh, 1989)

    New Beginnings for the New Year features a selection of Sadie Benning’s proto-riot grrl PXLvision cine-confessions, Peggy Ahwesh’s documentary-styled verité melodrama Martina’s Playhouse (1989) and Nina Fonoroff’s The Accursed Mazurka (1994), an epic collage consideration of spiraling mental illness, recovery and identity.

    Fechas: 

    Jueves, Enero 25, 2018 - 19:30

    Local: 

    Artists' Television Access - San Francisco, Estados Unidos

  • BLITZ #8: Burn

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    Un programa comisariado por Alison Nguyen

    “Burn” es un ciclo de piezas de cineastas y video-artistas que emplean en sus obras formas de apropiación, desmaterialización y manipulación de señales electrónicas. Estas piezas subvierten los códigos visuales de los mass media, reposicionando materiales como comerciales, pornografía y películas de Hollywood. Al “quemar” archivos contemporáneos, estos artistas crean nuevos textos que desafían nuestra forma de ver las construcciones sociales dominantes.

    Fechas: 

    Sábado, Enero 20, 2018 - 19:00

    Local: 

    Zumzeig Cinema - Barcelona, España

  • The Women’s Film Preservation Fund: Four Experimental Films

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    DOPPELGANGER, Peggy Ahwesh,

    The Museum of Modern Art will present The Women’s Film Preservation Fund: Four Experimental Films January 22nd at 7:15pm in its annual festival, To Save and Project. The films by Peggy Ahwesh, Barbara Hammer, Victoria Hochberg, and Sheila Paige were all recently preserved by The Women’s Film Preservation Fund of New York Women in Film & Television.

    Fechas: 

    Lunes, Enero 22, 2018 - 19:15

    Local: 

    MoMA New York - , Estados Unidos

  • IFI & AEMI Projections: Films By Peggy Ahwesh and Julie Murray

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    AEMI and IFI present the film and video work of Peggy Ahwesh and Julie Murray. The programme examines the distinct and overlapping interests of two significant filmmakers, both of whom will be in attendance for the screening.

    Over several decades of practice Peggy Ahwesh has created one of the more heterogeneous bodies of work in the pantheon of experimental cinema. From early films shot on Super8 to recent forays into digital animation, Ahwesh’s work powerfully addresses questions of feminism, cultural identity and performance.

    Fechas: 

    Sábado, Junio 17, 2017 - 13:00

    Local: 

    Irish Film Institute - Dublin, Irlanda

  • Processed: To Each Their Own Image

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    Teen Dream (Katherine Bauer, 2015)

    At a time when images are increasingly subject to digital processing through a multiplicity of technologies and formats, artists are confronted by a plethora of visual and expressive possibilities. The 16mm films and videos by New York artists assembled for this programme present personal ways of chemically or digitally manipulating moving images.

    Works by Peggy Ahwesh, Katherine Bauer, Lisa Gwilliam & Ray Sweeten (DataSpaceTime), Sarah Halpern, Josh Lewis, Zach Nader, Keith Sanborn, Leslie Thornton, Matt Town

    Fechas: 

    Miércoles, Diciembre 7, 2016 - 19:00

    Local: 

    Centre Pompidou - Paris, Francia

  • OFFoff Cinema: Computer Games

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    There was a moment, now passed, when the capabilities of the internet and the dreams and ambitions of its users perfectly aligned, before the virtual had been unmasked as another instrument of capitalism and control. At this moment - June 23, 2003, to be precise -Second Life began. The sci-fi promise of a virtual world where people could live out some alternate existence had been fulfilled, rising from the aftermath of the dot-com crash.

    Fechas: 

    Lunes, Noviembre 14, 2016 - 20:00

    Local: 

    OFFoff Cinema - Ghent, Bélgica

  • Dreamland: An Evening with Peggy Ahwesh and Julie Murray

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    The Blackest Sea (Peggy Ahwesh, 2016)

    Peggy Ahwesh presents a selection of works including the premiere of her new video "The Blackest Sea” in a program with Julie Murray and Bruce Conner taking place at the Museum of Modern Art (MoMA) in connection with the exhibition "Bruce Conner: It's All True" currently on view at the museum.

    "Known in part for their distinct approaches to found-footage cinema, which have straddled analogue and digital technologies, filmmakers Peggy Ahwesh and Julie Murray will share some of their own films alongside a pair of melancholic Conner films from the late 1970s: TAKE THE 5:10 TO DREAMLAND (1977) and VALSE TRISTE (1978)." — MoMA, Program Notes

    Fechas: 

    Miércoles, Septiembre 28, 2016 - 19:00

    Local: 

    MoMA New York - , Estados Unidos

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