Etiquetas: Matthias Müller

Matthias Müller

Matthias Müller (también escrito como Matthias Mueller) (nacido en 1961) es un cineasta experimental y comisario alemán, que trabaja principalmente con metraje encontrado. De 1994 a 1997 trabajó como profesor invitado en la universidad Johann Wolfgang Goethe de Frankfurt am Main (Alemania), y de 1998 a 1999 en la Dortmund Fachhochschule. Desde 2003 es Profesor de Cine Experimental en la Academia of Artes Mediáticas (KHM) de Colonia, Alemania.

Nacionalidad:

Alemania

Contenido etiquetado

OFFoff Cinema: Night of Experimental Film 2018

By Art Cinema OFFoff on Lun, 09/04/2018 - 07:21

During the fifth Night of Experimental Film Art Cinema OFFoff again combines avant-garde (silent) film with innovative experimental music based on an overarching theme. This year the night flirts shamelessly with romanticism. The great feelings like Weltschmerz and Sehnsucht, individualism, and the longing for the unknown are back in contemporary alliances between musical impulses and cinematic desires.

Fechas:
Viernes, Abril 20, 2018 - 19:30
Local:
Vooruit - Ghent, Bélgica
Balagan presents... Formal Subversions: Films from Cologne, Germany

By Anonymous on Dom, 04/09/2016 - 15:17

Buoyed in part by the Academy of Media Arts (Kunsthochschule für Medien, or KHM), Cologne has become an epicenter of experimental film and video within Germany. This program, organized in collaboration with Cologne-based filmmakers Lina Sieckmann and Miriam Gossing, presents nine works from the Cologne/Bonn region viewed through the lens of “formal subversion”. All included works somehow undermine basic elements of their form, structure, or the medium itself to reveal unforeseen creative potentials .
Fechas:
Martes, Septiembre 6, 2016 - 19:00
Local:
Coolidge Corner Theatre - Brookline, Estados Unidos
Between Film, Video, and the Digital. Hybrid Moving Images in the Post-Media Age
Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.
Valoración:

Promedio: 3.6 (5 votos)
Categoría:
Libros
Editor:
Bloomsbury
MuMaBoX #45: Mirror images

By Marcos Ortega on Jue, 18/02/2016 - 03:44

In an experimental approach to film, the mirror as a reflective device is used more in its concrete dimension that in the metaphorical: the mirror surface denounces the cinematographic transparency, the famous "window to the world" dear to André Bazin and manifests its power of illusion, infinitely poetic.

This programme will give rise to various speculations about the self-portrait, memory, landscape, but also on the presence of mirrors in Hollywood movies that reveals a double or the narcissistic staging full of doubts and anguish.
Fechas:
Miércoles, Febrero 24, 2016 - 18:00
Local:
Musée d'art moderne André Malraux - Le Havre, Francia
yb150213

By Marcos Ortega on Jue, 13/11/2014 - 16:21

B3 is presenting an exhibition about yann beauvais's 40 years of activist, within experimental cinema and video art, since 1974. The show is curated by Jean-Michel Bouhours (Curator from Modern Art National Museum Historical Dept- Centre Georges Pompidou, Paris) and will be on display for 3 months from November 22nd 2104 to February 22nd 2015. For yann beauvais: Making experimental cinema is taking into account both an undervalued story, but also examine how non-narrative, are breaking with historical patterns of narration from a linear support: the movie.
Fechas:
Jueves, Noviembre 13, 2014 - 22:15
Local:
B Cúbico - Recife, Brasil
L’Âge d’or 2014

By Marcos Ortega on Vie, 03/10/2014 - 04:29

El festival belga de cine experimental L’Âge d’or 'regresa' a Bruselas los próximos días 8 a 14 de octubre. 'Reviviendo el espíritu' del festival EXPRMNTL, este presentaría un total de veintitré filmes en competición, así como programas dedicados a, y con la presencia de Birgit Hein (presidenta del jurado), Gustav Deutsch (quién además realizará una masterclass), Friedl vom Gröller, Matthias Müller y Christoph Girardet, Robert Todd y John Smith. Mark Webber, editor de la recientemente publicada antología de escritos de Gregory Markopoulos presentará dos programas de sus obras con nuevas copias. El festival también rendirá homenaje a Stephen Dwoskin y Adolfas Mekas, y presentará secciones dedicadas a la Vanguardia Italiana y una doble selección de “poemas etnográficos”, con obras de Raymonde Carasco y Robert Gardner.

El catálogo del festival, incluyendo su programa completo, puede descargarse aquí.

Fechas:
Miércoles, Octubre 8, 2014 (Todo el día)
Jueves, Octubre 9, 2014 (Todo el día)
Viernes, Octubre 10, 2014 (Todo el día)
Sábado, Octubre 11, 2014 (Todo el día)
Domingo, Octubre 12, 2014 (Todo el día)
Lunes, Octubre 13, 2014 (Todo el día)
Martes, Octubre 14, 2014 (Todo el día)
Local:
Bozar Cinema (Centre For Fine Arts) - Bruxelles, Bélgica
Christoph Girardet & Matthias Müller - Tell Me What You See
The work of these two German artists, Christoph Girardet (* 1966) and Matthias Müller (* 1961), is of outstanding importance for filmic and video art. The publication offers, for the first time, in-depth insights into the joint filmic and photographic oeuvre of these two artists. Girardet and Müller have been working in continuous collaboration for more than 14 years now, primarily on the basis of filmic material already in existence (found footage), from which they produce associative/narrative compositions.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Verlag für moderne Kunst
AVANT 2014: Found and Excavated

By Marcos Ortega on Lun, 25/08/2014 - 11:57

The theme of the 11th edition of AVANT is Found and Excavated. Films, videos and live performances based on re-edited found footage, or films that have been going through processes of decay and destruction, film that is in constant transformation, aesthetically or politically.

Friday evening begins with a selection of films by the German collective Schmelzdahin and continues with a live performance of the film Materia Obscura, made by the film alchemist and former Schmelzdahin member Jürgen Reble and with live music by the multimedia artist Thomas Köner.

Saturday opens with four films by Matthias Müller and Christoph Girardet who have excavated new stories from well-known movies by re-editing and assembling them anew. After this follows a complete retrospective of the films by Schmelzdahin and a screening of Wolfgang Lehmann’s one hour long intense flickering journey into the fantastic world of nature documentaries. Saturday concludes with two programmes: The Spanish artist Maria Cañas’ political collages and a unique program with Soviet and Russian found footage film, curated by Masha Godovannaya.

Fechas:
Viernes, Septiembre 26, 2014 (Todo el día)
Sábado, Septiembre 27, 2014 (Todo el día)
Xcèntric: Antoni Pinent - Esbozos experimentales

By Marcos Ortega on Sáb, 28/12/2013 - 18:43

Enmarcadas en el terreno del cine experimental, las películas de Antoni Pinent son una forma de reflexión sobre el medio cinematográfico, donde los aspectos materiales de las imágenes en movimiento configuran su contenido. A lo largo de los años ha desarrollado un cine sin cámara muy particular, trabajando directamente sobre el soporte y fragmentando su unidad mínima, el fotograma. Una técnica que él mismo ha designado como polyframe y a partir de la cual ha realizado sus últimas películas. Esta labor de décollage con la materialidad fílmica, además de presentar la película como algo concreto que se puede trabajar con las manos, remite al cine de atracciones, a esa experiencia visual tan impactante, llena de golpes, choques y humor, de las primeras proyecciones. Esta sesión presentará algunos de sus trabajos en diálogo con otros de Volker Schreiner, Christoph Girardet y Matthias Müller, Morgan Fisher, David Matarasso y Peter Tscherkassky; unos han sido una influencia importante, otros aportan conceptos para pensar su obra.

Fechas:
Jueves, Enero 9, 2014 - 20:00
Local:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Christoph Girardet & Matthias Müller - Tell Me What You See

By Marcos Ortega on Dom, 03/11/2013 - 10:23

Christoph Girardet and Matthias Müller predominately make use of found footage in their films which they combine to produce new works. Their dealings with the media of film come together in intense combinations of images and film collages that unfold new layers of meaning.

Locomotive from 2008, a fast-moving video triptych comprising scene showing railway trains taken from hundreds of movies, came about in this manner. Departure and arrival, endings and new beginnings, exoticism and the thrill of adventure interlock are condensed into an exciting new narrative.

Meteor from 2011 is a filmic metaphor for childhood desire and imagination. Assembled from movies, uprooted fragments from fairy tales and old science fiction material, Meteor stages the imaginary world of the child at the threshold of self-discovery and disentanglement. Black and white excerpts of aggressive, fearful or languorous boys from films by Jean Vigo, Ingmar Bergman or François Truffaut merge with glowingly colorful images of rockets speeding through outer space or cosmic objects from the genre of science fiction.

Fechas:
Viernes, Enero 10, 2014 - 20:00
Local:
Kunstverein Hannover - Hannover, Alemania