Etiquetas: Matthias Müller

Matthias Müller

Matthias Müller (también escrito como Matthias Mueller) (nacido en 1961) es un cineasta experimental y comisario alemán, que trabaja principalmente con metraje encontrado. De 1994 a 1997 trabajó como profesor invitado en la universidad Johann Wolfgang Goethe de Frankfurt am Main (Alemania), y de 1998 a 1999 en la Dortmund Fachhochschule. Desde 2003 es Profesor de Cine Experimental en la Academia of Artes Mediáticas (KHM) de Colonia, Alemania.

Nacionalidad:

Alemania

Contenido etiquetado

An Other Cinema: Apparatus and Histories

By Marcos Ortega on Lun, 06/09/2021 - 03:40

From appropriation of dominant cinematic archives, to critical scrutiny of film techniques, the 12 modern and contemporary artists' works presented in this program exemplify an alternative and highly self-reflective form of cinema. Following Erika Balsom’s understanding of contemporary art as a potential “laboratory for film, a place in which its social, technological and aesthetic history can be picked over and recycled,” they reconsider what cinema is (or was) and what it can do. With an emphasis on the ideology behind the operation of filmic apparatus and the technological externalization of memory and time, the works in this program expose critical and aesthetic potentials of “an other cinema,” oscillating between white cube and black box.

Fechas:
De Lunes, Septiembre 6, 2021 (Todo el día) hasta Lunes, Septiembre 20, 2021 (Todo el día)
DREAM-DELIRIUM-APPARITION: A program of found footage films

By Marcos Ortega on Mar, 27/04/2021 - 07:36

On Friday, May the 7th, 19:00 (CET), FRACTO is glad to present a special streaming program of found footage films by Joseph Cornell, Matthias Müller, Cécile Fontaine, Naomi Uman and Martin Arnold: ‘DREAM-DELIRIUM-APPARITION’.
Fechas:
Viernes, Mayo 7, 2021 - 19:00
Found Footage Magazine issue #7

By Marcos Ortega on Mar, 13/04/2021 - 10:00
Found Footage Magazine issue #7: Special on Christoph Girardet & Matthias Müller

Their approaches to found footage, at once likeminded and singular, have served Christoph Girardet and Matthias Müller well since 1999, during which time the two of them have collaborated on nearly thirty films and photographic works. Varied metaphors and modes of inquiry have been used to analyze their oeuvre: to some, Girardet and Müller provide a “suggestive continuum,” exposing the patterns of light and darkness, absence and presence, by which cinema operates; to others, the filmmakers dissect the body of film history and of the cinematic apparatus, suggesting the moving image as a corporeal grouping of skin, guts, brains, and bones to pick apart.
Categoría:
Lanzamientos
OFFoff Cinema: Night of Experimental Film 2018

By Art Cinema OFFoff on Lun, 09/04/2018 - 07:21

During the fifth Night of Experimental Film Art Cinema OFFoff again combines avant-garde (silent) film with innovative experimental music based on an overarching theme. This year the night flirts shamelessly with romanticism. The great feelings like Weltschmerz and Sehnsucht, individualism, and the longing for the unknown are back in contemporary alliances between musical impulses and cinematic desires.

Fechas:
Viernes, Abril 20, 2018 - 19:30
Local:
Vooruit - Ghent, Bélgica
Balagan presents... Formal Subversions: Films from Cologne, Germany

By Anonymous on Dom, 04/09/2016 - 15:17

Buoyed in part by the Academy of Media Arts (Kunsthochschule für Medien, or KHM), Cologne has become an epicenter of experimental film and video within Germany. This program, organized in collaboration with Cologne-based filmmakers Lina Sieckmann and Miriam Gossing, presents nine works from the Cologne/Bonn region viewed through the lens of “formal subversion”. All included works somehow undermine basic elements of their form, structure, or the medium itself to reveal unforeseen creative potentials .
Fechas:
De Martes, Septiembre 6, 2016 - 19:00 hasta Miércoles, Septiembre 7, 2016 - 18:55
Local:
Coolidge Corner Theatre - Brookline, Estados Unidos
Between Film, Video, and the Digital. Hybrid Moving Images in the Post-Media Age
Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.
Valoración:

Promedio: 3.6 (5 votos)
Categoría:
Libros
Editor:
Bloomsbury
MuMaBoX #45: Mirror images

By Marcos Ortega on Jue, 18/02/2016 - 03:44

In an experimental approach to film, the mirror as a reflective device is used more in its concrete dimension that in the metaphorical: the mirror surface denounces the cinematographic transparency, the famous "window to the world" dear to André Bazin and manifests its power of illusion, infinitely poetic.

This programme will give rise to various speculations about the self-portrait, memory, landscape, but also on the presence of mirrors in Hollywood movies that reveals a double or the narcissistic staging full of doubts and anguish.
Fechas:
De Miércoles, Febrero 24, 2016 - 18:00 hasta Jueves, Febrero 25, 2016 - 17:55
Local:
Musée d'art moderne André Malraux - Le Havre, Francia
yb150213

By Marcos Ortega on Jue, 13/11/2014 - 16:21

B3 is presenting an exhibition about yann beauvais's 40 years of activist, within experimental cinema and video art, since 1974. The show is curated by Jean-Michel Bouhours (Curator from Modern Art National Museum Historical Dept- Centre Georges Pompidou, Paris) and will be on display for 3 months from November 22nd 2104 to February 22nd 2015. For yann beauvais: Making experimental cinema is taking into account both an undervalued story, but also examine how non-narrative, are breaking with historical patterns of narration from a linear support: the movie.
Fechas:
Jueves, Noviembre 13, 2014 - 22:15
Local:
B Cúbico - Recife, Brasil
L’Âge d’or 2014

By Marcos Ortega on Vie, 03/10/2014 - 04:29

El festival belga de cine experimental L’Âge d’or 'regresa' a Bruselas los próximos días 8 a 14 de octubre. 'Reviviendo el espíritu' del festival EXPRMNTL, este presentaría un total de veintitré filmes en competición, así como programas dedicados a, y con la presencia de Birgit Hein (presidenta del jurado), Gustav Deutsch (quién además realizará una masterclass), Friedl vom Gröller, Matthias Müller y Christoph Girardet, Robert Todd y John Smith. Mark Webber, editor de la recientemente publicada antología de escritos de Gregory Markopoulos presentará dos programas de sus obras con nuevas copias. El festival también rendirá homenaje a Stephen Dwoskin y Adolfas Mekas, y presentará secciones dedicadas a la Vanguardia Italiana y una doble selección de “poemas etnográficos”, con obras de Raymonde Carasco y Robert Gardner.

El catálogo del festival, incluyendo su programa completo, puede descargarse aquí.

Fechas:
Miércoles, Octubre 8, 2014 (Todo el día)
Jueves, Octubre 9, 2014 (Todo el día)
Viernes, Octubre 10, 2014 (Todo el día)
Sábado, Octubre 11, 2014 (Todo el día)
Domingo, Octubre 12, 2014 (Todo el día)
Lunes, Octubre 13, 2014 (Todo el día)
Martes, Octubre 14, 2014 (Todo el día)
Local:
Bozar Cinema (Centre For Fine Arts) - Bruxelles, Bélgica
Christoph Girardet & Matthias Müller - Tell Me What You See
The work of these two German artists, Christoph Girardet (* 1966) and Matthias Müller (* 1961), is of outstanding importance for filmic and video art. The publication offers, for the first time, in-depth insights into the joint filmic and photographic oeuvre of these two artists. Girardet and Müller have been working in continuous collaboration for more than 14 years now, primarily on the basis of filmic material already in existence (found footage), from which they produce associative/narrative compositions.
Valoración:

Sin votos (todavía)
Categoría:
Libros
Editor:
Verlag für moderne Kunst