Etiquetas: LUX

Contenido etiquetado

  • Movement and Handling: Selected Works from the LUX Collection

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    Slides by Annabel Nicolson and Girish Shambu’s manifesto For a New Cinephilia are used as starting points from which to construct Movement and Handling, Selected Works from the LUX Collection. Nicolson’s fascination with fragments of older films and the transience of construction suggests a link with Shambu’s new cinephilia – a transient place between online and real-life.

    Fechas: 

    Martes, Noviembre 12, 2019 - 18:00

    Local: 

    Close-Up Cinema - London, Reino Unido

  • Evidentiary Bodies: Celebrating Barbara Hammer & Carolee Schneemann

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    Barbara Hammer and Carolee Schneemann at the 2018 EAI Benefit. Photograph by Conrad Ventur. Courtesy of Conrad Ventur and Electronic Arts Intermix (EAI), New York.

    LUX & Club des Femmes present
    Evidentiary Bodies: Celebrating Barbara Hammer & Carolee Schneemann

    Join LUX & Club des Femmes for a weekend of films, introductions, memories, a zine and an exhibition of ephemera and texts to celebrate the lives and work of feminist experimental artists Barbara Hammer and Carolee Schneemann.

    Fechas: 

    De Sábado, Julio 13, 2019 (Todo el día) hasta Domingo, Julio 14, 2019 (Todo el día)

    Local: 

    LUX - London, Reino Unido

  • Ambivalent Militant: Lionel Soukaz & the LUX Archive

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    IXE (Lionel Soukaz, 1980)

    Writer Paul Clinton selects films from the LUX archive that reflect the ambivalence in Lionel Soukaz’s works towards sexual liberation movements and their internal norms. The programme examines how differently these ideas are articulated in a British and American context.

    Fechas: 

    Jueves, Junio 27, 2019 - 19:00

    Local: 

    LUX - London, Reino Unido

  • Programación de la 10ª (S8) Mostra Internacional de Cinema Periférico

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    El (S8) Mostra Internacional de Cinema Periférico presenta hoy la programación de su décima edición, que se desarrollará desde el 31 de mayo hasta el 9 de junio en A Coruña. La imagen escogida para celebrar estos diez años tiene como protagonistas a cuatro elementos vistos con rayos X inspirados en las primeras radiografías llevadas a cabo por Josef Maria Eder en 1896 para ver qué había dentro de ellos.

    Fechas: 

    De Viernes, Mayo 31, 2019 (Todo el día) hasta Domingo, Junio 9, 2019 (Todo el día)

  • THIS IS NOW: Cine y Video después del Punk

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    Siete programas de la colección LUX y el British Film Institute (BFI)

    El Museo Tamayo y LUX presentan THIS IS NOW: Cine y video después del Punk, un proyecto internacional itinerante sobre cine y video de artistas de la era postpunk (1978–85), que comprende siete programas seleccionados entre la distribuidora LUX y el Archivo Nacional del British Film Institute (BFI).

    Fechas: 

    De Viernes, Abril 27, 2018 (Todo el día) hasta Domingo, Abril 29, 2018 (Todo el día)

    Local: 

    Museo Tamayo - México, México

  • The Oberhausen Seminar 2018

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    Call for entries Oberhausen 2018

    From 3 to 7 May, in conjunction with LUX (London) and the Robert Flaherty Film Seminar (New York), the Oberhausen Film Festival will hold the Oberhausen Seminar for the fifth time during the 64th festival edition.

    Fecha límite: 

    Jueves, Febrero 1, 2018 (Todo el día)

  • Shoot Shoot Shoot: Mare’s Tail

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    Mare's tail (David Larcher, 1969)

    "From one flick of the mare’s tail came an unending stream of images out of which was crystallised the milky way." – David Larcher

    In collaboration with LUX we’re thrilled to present a rare 16mm screening of David Larcher’s Mare’s Tail to mark the publication of Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative 1966-76 – a compendium of texts, interviews, images and documents from the era. Mark Webber will introduce the film and copies of the book will be available to purchase before the screening.

    Fechas: 

    Domingo, Enero 15, 2017 - 19:00

    Local: 

    Close-Up Cinema - London, Reino Unido

  • Soft Floor, Hard Film: Celebrating 50 Years of the London Film-Makers’ Co-op

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    Frieze Video and LUX present Soft Floor, Hard Film: 50 Years of the London Film-Makers’ Co-op.

    Formed on October 13th 1968, the London Film-Makers’ Co-operative (LFMC) grew out of a series of screenings in the basement of counter-culture book store, Better Books, on Charing Cross road to become a pioneering organisation incorporating a film workshop, cinema space and distribution office. Radical in its early ideals, the Co-op played a crucial role in establishing moving image as an art form in the UK and internationally.

    Fechas: 

    Jueves, Octubre 13, 2016 - 19:00

    Local: 

    Institute of Contemporary Arts - London, Reino Unido

  • Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative 1966-76

    Shoot Shoot Shoot book cover

    The 1960s and 1970s were a defining period for artists’ film and video, and the London Film-Makers’ Co-operative (LFMC) was one of the major international centres. Shoot Shoot Shoot documents the first decade of an artist-led organisation that pioneered the moving image as an art form in the UK, tracing its development from within London’s counterculture towards establishing its own identity within premises that uniquely incorporated a distribution office, cinema space and film workshop.

    Valoración: 

    Promedio: 5 (3 votos)

    Categoría: 

    Editor: 

  • LVA 40

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    2016 marks both the 50th anniversary of the London Film-Makers’ Co-operative (LFMC) and the 40th anniversary of London Video Arts (LVA) – two predecessor organisations of LUX. To celebrate 50 years of artists’ moving image practice in the UK, LUX has organised a year-long, multi-venue programme of screenings, talks, workshops, publications and other events.

    LUX also invited the first-year students of MRes Art: Moving Image, Central Saint Martins, London to contribute to this programme by curating and designing an online exhibition in response to the joint LFMC and LVA anniversary year.  While many of the anniversary events have revisited the historical activity and legacy of the LFMC, the students decided to use this opportunity to focus on LVA, acting as a "small yet enthusiastic counterpoint to the core programme by drawing from the wealth of LVA tapes in LUX’s video archive."

    Categoría: 

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LFMC Guy Sherwin Vivienne Dick DVD Malcolm Le Grice John Latham Lis Rhodes Mark Webber

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