Etiquetas: John Smith

Contenido etiquetado

  • Film Talks: 15 Conversations on Experimental Cinema

    Film Talks is an edited collection of unique conversations on experimental cinema from a range of eminent and emerging film and video makers. The book represents a contemporary snapshot on the ways in which experimental cinema is perceived by its practitioners, often in relation to other art forms, moving image culture at large and wider social issues. It is an invaluable guide for those keen to immerse themselves in the insights and perspectives that only artists can offer.

    Table of Contents

    Valoración: 

    Sin votos (todavía)

    Categoría: 

    Editor: 

  • Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

    By on
    Mare's Tail (David Larcher, 1969)

    The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture. In contrast to similar co-operative endeavours, the LFMC's activity was not limited to distribution – within a few years it was also running a regular program in its own cinema and, most notably, it democratized the means of production by establishing a film workshop that enabled filmmakers to control every stage of the creative process.

    Fechas: 

    De Jueves, Marzo 14, 2019 (Todo el día) hasta Domingo, Marzo 17, 2019 (Todo el día)

    Local: 

    Austrian Film Museum - Vienna, Austria

  • VisualcontainerTV: One Minute

    By on
    How The Air Feels to The Birds' by Nick Jordan

    VisualcontainerTV is proud to present the result of 9 years of research in the contemporary videoart field by the artist and curator Kerry Baldry. A variety of languages and visions collected in a kaleidoscopic selection about 39 videos.

    Fechas: 

    De Miércoles, Julio 26, 2017 (Todo el día) hasta Viernes, Septiembre 1, 2017 (Todo el día)

  • Scratch: Embodied Fires - The Fire Within

    By on
    Syntagma (VALIE EXPORT, 1983)

    Carte blanche to Ana Vaz, in her presence.

    Light Cone offers a carte blanche to Brazilian filmmaker and artist Ana Vaz whose films, installations and performances elaborate relationships between myth and history, ethnography and speculation, through a cosmology of references and perspectives.

    Fechas: 

    Martes, Mayo 30, 2017 - 20:30

    Local: 

    Studio des Ursulines - Paris, Francia

  • OFFoff Cinema: Memories of Nightmares

    By on

    Many of the earliest film experiments were later assigned to the horror genre. Horror nails the viewer to his seat, first by the temptation to look and then the relief that it was all fiction. No genre is so inherently parasitic as in the way it physically adheres to the viewer and inevitably makes him break into cold sweat. Not to mention the many parasites that powers the horror genre, from vampires to aliens to zombies. In this program, we look at how experimental filmmakers operate the horror genre, disassembling it to tinker again as if a new Frankenstein.

    Fechas: 

    De Lunes, Noviembre 7, 2016 - 19:00 hasta Martes, Noviembre 8, 2016 - 18:55

    Local: 

    OFFoff Cinema - Ghent, Bélgica

  • Brand New Blinkers - BIG and SMALL

    By on

    Join Us for an evening of odd and experimental short films loosely based around the theme of BIG and SMALL. 

    Do come along to the third installment of our campaign to bring indelible images to the screen in a straightforward way, at DIY Space For London, off Old Kent Road.

    Including (amongst other things): clones, bananas, a reptile, High Budget Movies, and David Byrne.

    Including films by Max Hattler, John Smith, Peter Millard, John Wilson, Chuck Workman, The Situationists, and many more...

    Fechas: 

    Jueves, Noviembre 17, 2016 - 19:30

    Local: 

    DIY Space for London - London, Reino Unido

  • VIDEO – (Im)materialists

    By on
    Steve hates fish (John Smith, 2016)

    Presented by Evelyn Yard, VIDEO is a screening event highlighting the specific use of video by contemporary artists. The programme focuses less on the polished "moving-image" production, and more on experimentation and the use of more accessible popular video technologies. The screenings will highlight areas where video has been used for its specific characteristics, opening up the rising debate of medium specificity in and around ideas of post-media hybridisation.

    Fechas: 

    Viernes, Octubre 7, 2016 - 20:30

    Local: 

    Close-Up Cinema - London, Reino Unido

  • SHOOT SHOOT SHOOT: Film Screenings celebrating the London Film-Makers’ Co-operative

    By on
    At The Academy (Guy Sherwin, 1974)

    An afternoon of screenings celebrating the first decade of LUX’s predecessor, the London Film-Makers’ Co-operative (1966–76). The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process.

    Fechas: 

    De Domingo, Abril 10, 2016 - 15:00 hasta Lunes, Abril 11, 2016 - 14:55

    Local: 

    Borlase-Smart Studio - St Ives, Reino Unido

Páginas

Etiquetas relacionadas

Mark Webber

Tag cloud

LAV festival Pablo Mazzolo experimental film call for entries Blitz Sessions Punto de Vista DVD Xcèntric performance releases Albert Alcoz Stan Brakhage interview (S8) Mostra de Cine Periférico Cineinfinito Phil Solomon Kenneth Anger Nathaniel Dorsky videoart Crater Lab Jonas Mekas Robert Beavers CCCB screening
Más

Al azar