Etiquetas: HASENHERZ

Contenido etiquetado

HASENHERZ: Miloš Tomic

By Marcos Ortega on Mié, 22/01/2014 - 10:08

Miloš Tomic is a multimedia artist whose projects span film, photography, collages, and sculpture. Tomic studied directing and then animation—experiences that continue to influence his practice. His subjects are either comprised of or preoccupied with disposable or disposed objects. In fact, his doctoral thesis was titled “Preciousness of discarded objects, i.e. trash as the material for film, photography…” His object-based works are modified quotidian objects, like shoes sewn shut or brushes with thorns instead of bristles. Tomic also has a category of sculpture called “Pearls” which, as he describes, are “to be understood as things that are precious, wrongly forgotten or lost somewhere, but now found.” Together with Vladimir Peric Miloš Tomic represented Serbia at the Venice Biennial 2013.

Fechas:
De Sábado, Enero 25, 2014 - 11:00 hasta Domingo, Enero 26, 2014 - 10:55
Local:
Kulturzentrum bei den Minoriten - ,
HASENHERZ N°13: Basim Magdy

By Marcos Ortega on Mié, 09/10/2013 - 07:16

The work of Egyptian artist Basim Magdy uses film, painting, slide projection and installation. To him super8 is not a nostalgic medium. In his examinations of war, information systems, scientific theories and the visual vocabulary of mass media marked by paradox and shifts between demolition and renewal, ruins and reconstruction his humor shines through. As if in his "Six Memos for the Next Millennium" Italo Calvino had forgotten to add humor.

Fechas:
De Sábado, Octubre 12, 2013 - 11:00 hasta Domingo, Octubre 13, 2013 - 10:55
Local:
Kulturzentrum bei den Minoriten - ,
HASENHERZ N° 10: Rose Lowder

By Marcos Ortega on Mar, 09/04/2013 - 14:06
HASENHERZ N° 10: Rose Lowder
Saturday, April 13 2013, 11h
Kulturzentrum bei den Minoriten
Mariahilferplatz 3, 8020 Graz, Austria

Born in 1941, french experimental filmmaker Rose Lowder is considered as one of the most influential European figures in experimental film. Starting as a painter and sculptor, studies took her to Lima and London. After many years of work as an editor at the BBC she intensely turned towards experimental filmmaking in 1976. In 1987 she presented some of her work as her thesis The experimental film as an instrument towards visual research. Along these lines she investigates her environment and its perception with a scientific view, using cinematographic tools.

In 2012 artists Ruth Anderwald + Leonhard Grond start their series HASENHERZ. Imagine the format the following way: International artists are being shown. Duration: Approximately one hour. In the style of Schönberg's Association for private musical performance (founded in 1918) the concept of wanting to understand the new, is now transferred to the medium of experimental film and lyricism:The movies on display are being repeated and in between screenings they are discussed.The same form of presentation applies to readings. As it was the goal of the format`s model “to provide artists and art lovers with a real and profound knowledge of modern music“, similiar should be achieved for the experimental film/video and lyricism. If the artists whose work is being shown, are not present, they can be cut into the discussion via skype or telephone.
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