Etiquetas: Germaine Dulac

Contenido etiquetado

Germaine Dulac: Writings On Cinema (1919-1937)
The present publication in e-book format is an english translation from the original 1994 edition, now out-of-print, with a new preface by PROSPER HILLAIRET that puts DULAC’s importance and current relevance into perspective, and a foreword by TAMI M. WILLIAMS, president of Domitor – the International Society for the Study of Early Cinema and author of Germaine Dulac: A Cinema of Sensations.

English translation by Scott Hammen
Foreword by Tami M. Williams
New preface by Prosper Hillairet
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Promedio: 5 (1 voto)
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Libros
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Paris Expérimental
Germaine Dulac - Écrits sur le cinéma (1919-1937)
Pionnière du cinéma, Germaine Dulac (1882-1942) est une des grandes figures de l'Avant-Garde française des Années 20. Personnalité importante, elle initiera et sera à la tête de nombreuses organisations et, parallèlement, mènera une activité inlassable pour la défense des droits des femmes.

Dans ses réalisations, Dulac expérimente les nouvelles possibilités d'expression du cinéma. Elle réalisera une vingtaine de films à partir de 1916. La Souriante Mme Beudet (1923) et La Coquille et le clergyman (1927), d'après Antonin Artaud, sont parmi ses films marquants.
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Sin votos (todavía)
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Libros
Editor:
Paris Expérimental
Club des Femmes: Her Image Fades as Her Voice Rises

By Marcos Ortega on Mié, 23/11/2016 - 07:06

Join us for a dynamic and timely re-staging of Circles’ inaugural film programme ‘Her Image Fades as her Voice Rises’ (1982), with films selected by Lis Rhodes and Felicity Sparrow. A selection of four films by four filmmakers made across time and different generations of women filmmakers placed in dialogue with each other.

Circles, founded in 1979, was the first feminist film and video distribution organisation in the UK that emerged out of a heightened moment in the 1970s narrative of London’s feminist film history, politics and collective activism in which the Women’s Liberation Movement played an influential part. Cirlces provided an essential role in the promotion and distribution of exclusively women filmmakers, supporting filmmaking that varied from political and social documentary to more experimental practice.

Fechas:
Martes, Noviembre 29, 2016 - 18:30
Local:
The Photographers’ Gallery - London, Reino Unido
Experiment in the Film

Brunius JB, Jacobs L, Roshal G, Karmen R, Iros E, Richter H, Anstey E, Maddison J. 1949. Experiment in the Film. :312pp.
Contents:
Experimental Cinema: The Film Reader

Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al.. 2002. Experimental Cinema: The Film Reader. :356pp.
Contents:

Introduction: Toward a new history of the experimental cinema

Part one. Origins of the American avant-garde cinema, 1920-1959.
- The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
- Notes on the new American cinema / Jonas Mekas
- The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
- Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
7a (S8) Mostra de Cinema Periférico: Los Nuevos Impresionistas

By Marcos Ortega on Lun, 23/05/2016 - 09:41

(S8) Mostra de Cinema Periférico celebra su séptima edición del 1 al 5 de junio en A Coruña, reuniendo un año más a destacados nombres del cine experimental y de vanguardia. En esta ocasión el festival celebrará una edición especial bajo el nombre “Los nuevos impresionistas”. En torno a este tema central, se podrán ver los trabajos en 16mm del canadiense Stephen Broomer, en los que recurre a rápidos barridos, colisiones y movimientos que retan al ojo, y que hacen imaginar al cineasta manejando la cámara como si ejecutara un cuadro de luz con las maneras del action painting.

Fechas:
De Miércoles, Junio 1, 2016 (Todo el día) hasta Domingo, Junio 5, 2016 (Todo el día)
Feux d'artifices: 30 años de Paris Expérimental

By Marcos Ortega on Lun, 23/11/2015 - 03:59

La editorial Paris Expérimental—creada en 1985— se ha convertido en un peculiar lugar de encuentro entre el cine experimental y su historia. Esta casa editorial, con unas cincuenta publicaciones y eventos de referencia, ha contribuido en Francia al conocimiento y reconocimiento de formas cinematográficas experimentales, a menudo marginalizadas.
Fechas:
Miércoles, Noviembre 25, 2015 - De 14:00 hasta 21:00
Local:
Centre Pompidou - Paris, Francia
Avant-garde: Experimental Cinema of the 1920s and 30s
In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. Programming diverse films at the Coronet Theatre in Los Angeles, and making the films in his personal archive available for commercial distribution, he helped preserve and promote avant-garde cinema.

This two-DVD collection assembles some of the most influential and eclectic short films in the Rohauer Collection, including works by Man Ray, Hans Richter, Marcel Duchamp, Watson & Webber, Fernand Léger, Joris Ivens, Dimitri Kirsanoff, Jean Epstein, and Orson Welles.

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Promedio: 5 (1 voto)
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DVD
Editor:
Kino Video
Germaine Dulac - La coquille et le clergyman
Directed in 1927 by Germaine DULAC and scripted by Antonin Artaud, The Seashell and the Clergyman is generally considered to be the first Surrealist film: a key element of French cultural heritage. This box set is all the more welcome for the fact that th

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Promedio: 4 (2 votos)
Categoría:
DVD
Editor:
Olivia Boudreau