Etiquetas: Germaine Dulac

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Germaine Dulac - Writings on Cinema
Edited by Prosper Hillairet, this new English translation brings together the principal texts, interviews, and speeches by the pioneering filmmaker and feminist Germaine Dulac (1882 1942), a major figure in the history of experimental film

Links are provided to many of the key films mentioned by Dulac.

Writings on Cinema is available

for Kindle here
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Eyewash Books - New ebook collection

By Marcos Ortega on Lun, 02/03/2020 - 05:32
Paris Expérimental is pleased to announce the release of a new collection of ebooks, edited by Scott Hammen, which make available important texts in the theory and history of experimental film enriched by simultaneous viewing of the works discussed. When a film mentioned in an Eyewash Book is publicly available on-line, direct links to the film are provided in the text.

Price: $ 10.00 each
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Lanzamientos
Germaine Dulac: Writings On Cinema (1919-1937)
The present publication in e-book format is an english translation from the original 1994 edition, now out-of-print, with a new preface by PROSPER HILLAIRET that puts DULAC’s importance and current relevance into perspective, and a foreword by TAMI M. WILLIAMS, president of Domitor – the International Society for the Study of Early Cinema and author of Germaine Dulac: A Cinema of Sensations.

English translation by Scott Hammen
Foreword by Tami M. Williams
New preface by Prosper Hillairet
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Germaine Dulac - Écrits sur le cinéma (1919-1937)
Pionnière du cinéma, Germaine Dulac (1882-1942) est une des grandes figures de l'Avant-Garde française des Années 20. Personnalité importante, elle initiera et sera à la tête de nombreuses organisations et, parallèlement, mènera une activité inlassable pour la défense des droits des femmes.

Dans ses réalisations, Dulac expérimente les nouvelles possibilités d'expression du cinéma. Elle réalisera une vingtaine de films à partir de 1916. La Souriante Mme Beudet (1923) et La Coquille et le clergyman (1927), d'après Antonin Artaud, sont parmi ses films marquants.
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Club des Femmes: Her Image Fades as Her Voice Rises

By Marcos Ortega on Mié, 23/11/2016 - 07:06

Join us for a dynamic and timely re-staging of Circles’ inaugural film programme ‘Her Image Fades as her Voice Rises’ (1982), with films selected by Lis Rhodes and Felicity Sparrow. A selection of four films by four filmmakers made across time and different generations of women filmmakers placed in dialogue with each other.

Circles, founded in 1979, was the first feminist film and video distribution organisation in the UK that emerged out of a heightened moment in the 1970s narrative of London’s feminist film history, politics and collective activism in which the Women’s Liberation Movement played an influential part. Cirlces provided an essential role in the promotion and distribution of exclusively women filmmakers, supporting filmmaking that varied from political and social documentary to more experimental practice.

Fechas:
Martes, Noviembre 29, 2016 - 18:30
Local:
The Photographers’ Gallery - London, Reino Unido
Experiment in the Film

Brunius JB, Jacobs L, Roshal G, Karmen R, Iros E, Richter H, Anstey E, Maddison J. 1949. Experiment in the Film. :312pp.
Contents:
Experimental Cinema: The Film Reader

Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al.. 2002. Experimental Cinema: The Film Reader. :356pp.
Contents:

Introduction: Toward a new history of the experimental cinema

Part one. Origins of the American avant-garde cinema, 1920-1959.
- The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
- Notes on the new American cinema / Jonas Mekas
- The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
- Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
7a (S8) Mostra de Cinema Periférico: Los Nuevos Impresionistas

By Marcos Ortega on Lun, 23/05/2016 - 09:41

(S8) Mostra de Cinema Periférico celebra su séptima edición del 1 al 5 de junio en A Coruña, reuniendo un año más a destacados nombres del cine experimental y de vanguardia. En esta ocasión el festival celebrará una edición especial bajo el nombre “Los nuevos impresionistas”. En torno a este tema central, se podrán ver los trabajos en 16mm del canadiense Stephen Broomer, en los que recurre a rápidos barridos, colisiones y movimientos que retan al ojo, y que hacen imaginar al cineasta manejando la cámara como si ejecutara un cuadro de luz con las maneras del action painting.

Fechas:
De Miércoles, Junio 1, 2016 (Todo el día) hasta Domingo, Junio 5, 2016 (Todo el día)
Feux d'artifices: 30 años de Paris Expérimental

By Marcos Ortega on Lun, 23/11/2015 - 03:59

La editorial Paris Expérimental—creada en 1985— se ha convertido en un peculiar lugar de encuentro entre el cine experimental y su historia. Esta casa editorial, con unas cincuenta publicaciones y eventos de referencia, ha contribuido en Francia al conocimiento y reconocimiento de formas cinematográficas experimentales, a menudo marginalizadas.
Fechas:
Miércoles, Noviembre 25, 2015 - De 14:00 hasta 21:00
Local:
Centre Pompidou - Paris, Francia

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