21 January 2020, 8.15pm Pere Portabella Short Films
We’re pleased to present a selection of Pere Portabella’s short films, including four collaborations with Spanish painter, sculptor, and ceramicist Joan Miró.
Three upcoming screenings of systematic experimental cinema by Simon Payne with Nicky Hamlyn, Neil Henderson and Jennifer Nightingale at Close-Up (London), BEEF/Cube Cinema (Bristol) and Light Cone/Scratch Projections (Paris).
Close-Up is thrilled to present the first European solo screening for the US artist Kelly Gallagher, comprising ten years of her moving image work across animation, live action and avant-garde collage. These two programmes offer an overview of a brilliant young artist who has demonstrated a mastery of technique, matched with a strong historical and political consciousness. Hers is a radical critique of the canon and the conservative patriarchy that structures and sustains it. Her stance is feminist, anti-imperialist and anti-racist.
Deborah Stratman is a Chicago-based artist and filmmaker interested in landscapes and systems. Much of her work points to the relationships between physical environments and human struggles for power and control that play out on the land. Recent projects have addressed freedom, expansionism, surveillance, sonic warfare, public speech, ghosts, sinkholes, levitation, propagation, orthoptera, raptors, comets and faith.
In 1967, Larry Gottheim started the Cinema Department at Binghamton University which was the first regular undergraduate program that dealt with cinema as a personal art. Considering the theme of nature in art and functions of racial, cultural and personal identity, Gottheim’s practice explores the ways in which time, movement, and becoming are bound up in a complex relation between formal cinematic patterns and pro-filmic subjects.
Fechas:
De Jueves, Marzo 14, 2019 (Todo el día) hasta Sábado, Marzo 16, 2019 (Todo el día)
Edge of Frame and Close-Up are proud to present a two-part programme of films by highly acclaimed experimental animator Jodie Mack. Part one gathers a selection of shorts, illuminating formal and cursory elements shared between fine-art abstraction and mass-produced graphic design; whilst part two presents the UK premiere of her highly anticipated debut feature The Grand Bizarre. We’re thrilled that Jodie will be present throughout and will be in conversation following both screenings.
Claes Söderquist is a prominent figure of Swedish experimental film whose visually appealing and personal films revolve around slow cinematic reflections on architecture, landscape, strata, time and space. With influences from and interests in Land-Art, minimalist music (like Charlemagne Palestine) and structural film processes, Söderquist's dystopian and desolate scenery is sometimes reminiscent of the films by Michael Snow and Larry Gottheim.
Edwin Rostron and Supreme Vagabond Craftsman present Phased Return, a new audiovisual performance incorporating animation, video, electronic music and long-form prose poetry.
Berlin-based Deborah Phillips works with a range of analogue media, including print, painting, collage and film: she is about to publish a catalogue covering thirty years’ work. Phillips has been researching the colours red, blue and green for over ten years: here she presents some of the results, in film and performance, including the world premiere of her “green” film, Im Grünen Bereich. Closing the evening, and in contrast to Phillips’ films, Karel Doing premieres his black and white work-in-progress Symbiogenesis.
