Etiquetas: Chris Welsby

Contenido etiquetado

Scratch Projection: Expanded Nature

By Marcos Ortega on Vie, 15/04/2022 - 14:04

Screening presented by Elio Della Noce & discussion moderated by Vincent Deville
Fechas:
Martes, Mayo 10, 2022 - 20:00
Local:
Luminor Hôtel de Ville - Paris, Francia
SCREENING LAV #08

By LAV on Mar, 01/02/2022 - 07:28

"(...) En general, la idea de utilizar una cámara para reproducir nuestra manera de ver el mundo - que es el modo de uso regular de una cámara- es una pérdida de tiempo. ¿Por qué no usamos la cámara para mostrar cosas que no podemos ver? O usarla para mostrar cosas de una manera que no podemos imaginar?."

Fechas:
Sábado, Febrero 5, 2022 - 20:00
Local:
Círculo de Bellas Artes - Madrid, España
Film Talks: 15 Conversations on Experimental Cinema
Film Talks is an edited collection of unique conversations on experimental cinema from a range of eminent and emerging film and video makers. The book represents a contemporary snapshot on the ways in which experimental cinema is perceived by its practitioners, often in relation to other art forms, moving image culture at large and wider social issues. It is an invaluable guide for those keen to immerse themselves in the insights and perspectives that only artists can offer.

Table of Contents
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Promedio: 3 (2 votos)
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Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

By Marcos Ortega on Lun, 11/03/2019 - 07:27

The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture. In contrast to similar co-operative endeavours, the LFMC's activity was not limited to distribution – within a few years it was also running a regular program in its own cinema and, most notably, it democratized the means of production by establishing a film workshop that enabled filmmakers to control every stage of the creative process.
Fechas:
De Jueves, Marzo 14, 2019 (Todo el día) hasta Domingo, Marzo 17, 2019 (Todo el día)
Local:
Austrian Film Museum - Vienna, Austria
Cineinfinito #69: Chris Welsby

By Marcos Ortega on Mar, 16/10/2018 - 06:57

Chris Welsby lleva desde 1969 creando y exhibiendo sus películas e instalaciones de cine y vídeo por todo el mundo, en grandes galerías como la Tate y Hayward de Londres, el Museo del Louvre y el Centro Georges Pompidou de París, el MoMA de Nueva York, el Carnegie Institute de Pittsburgh y la Art Gallery of Ontario de Toronto.
Fechas:
De Viernes, Octubre 19, 2018 - 17:00 hasta Sábado, Octubre 20, 2018 - 16:55
Local:
Filmoteca de Cantabria - Santander, España
Contact: Pairs - Amy Dickson / Jamie Jenkinson

By Anonymous on Lun, 03/07/2017 - 10:45

Amy Dickson and Jamie Jenkinson have both made substantial series of video works with mobile phones, usually with single takes that suggest an intuitive and spontaneous approach to shooting - a mode which they consider intrinsic to their medium. They resist reshooting and post-production. Hence their work foregrounds and promotes the act of looking, embracing a certain amount of wandering and the potential for 'errors'.

Fechas:
Lunes, Julio 10, 2017 - 19:30
Local:
The Depot - London, Reino Unido
Resonancias Fílmicas. El sonido en el cine estructural (1960-1981)
Explorar los intersticios estéticos e ideológicos de la dimensión sonora en el cine experimental es el motivo principal de esta investigación. En estas páginas se estudia el sonido desde una posición analítica que enfatiza la idiosincrasia de los procesos de creación acústicos de los cineastas, las rupturas sónicas que formulan sus películas y los desafíos auditivos que suscitan a la audiencia.

Valoración:

Promedio: 3.7 (13 votos)
Categoría:
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Shangrila Textos Aparte
MuMaBoX #52: Cinematographic Mechanics

By Marcos Ortega on Mié, 11/01/2017 - 11:50

Mechanics are at the heart of the cinematographic system, and also a motif dear to experimental filmmakers.

Programme:
- Kipho (Guido Seeber, 1925, 6’)
- Footprints (Bill Morrison, 1992, 6’)
- La Marche des machines (Eugène Deslaw, 1928, 9’)
- Oil Wells: Sturgeon road & 97th street (Christina Battle, 2002, 3’)
- Windmill 2 (Chris Welsby, 1972, 8’)
- Rode molen (Esther Urlus, 2013, 5’)
- Couleurs mécaniques (Rose Lowder, 1979, 16’)

Fechas:
De Miércoles, Enero 18, 2017 - 18:00 hasta Jueves, Enero 19, 2017 - 17:55
Local:
Musée d'art moderne André Malraux - Le Havre, Francia
Landscapes of Resistance, Time and Ecology

By Marcos Ortega on Mar, 18/10/2016 - 15:47

MARETIOPA & HICCUP present the film program Landscapes of Resistance, Time and Ecology, focusing on phenomenon occurring through changes of perspective and animated camera movements as a way to redefine a place and its geography. The method is a frame-by-frame-camera 'animation' where the films works with displacements of time, space and focal points, sometimes with many disparate motifs, or the same places filmed during different times of a day in order to visualize weather and light changes, addressing a political/ecological environment to agenda. The result is an interaction between the predictable mechanistic nature of technology and the unpredictable qualities of the natural world.

Fechas:
De Sábado, Octubre 22, 2016 - 18:00 hasta Domingo, Octubre 23, 2016 - 17:55
Local:
Gröndals Båtklubb - Stockholm, Suecia
Experimental Film and Video: An Anthology

Poole S, Evans G, Littman S, Weinbren G, Gidal P, Welsby C, Hamlyn N, Parker J, Gawthrop R, McCall A et al.. 2006. Experimental Film and Video: An Anthology. :302pp.
Contents

Foreword by Sean Cubitt
Foreword by A.L. Rees
Introduction, by Jackie Hatfield

SECTION I Philosophies and Critical Histories of Avant-Garde Film and Current Practice

Páginas