Etiquetas: Bette Gordon

Contenido etiquetado

  • Selected Experimental and Animated Works from the Women’s Film Preservation Fund

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    Since 1996 the Women’s Film Preservation Fund has preserved a number of significant experimental and animated works by American women, many of which reflect pioneering approaches and unique voices.  These include works by Storm de Hirsch, Barbara Hammer, Peggy Ahwesh, Bette Gordon, and Helen Hill among others. 

    Fechas: 

    De Viernes, Junio 21, 2019 (Todo el día) hasta Sábado, Junio 22, 2019 (Todo el día)

    Local: 

    Anthology Film Archives - Nueva York, Estados Unidos

  • A Mirror Avant-Garde: Non-Canonical Canonicals By Women Filmmakers

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    Baby Doll (Tessa Hughes-Freeland, 1982)

    "If you’ve seen more than three of the films in this program, I’d be surprised. Yet every single one of these films by women filmmakers, chosen from the collection of the Filmmaker’s Co-op, deserves to be written about, taught in classes, and be part of the canon of avant-garde film. In a program of striking artistic voices from filmmakers with large bodies of work, you’ll see resonances with the films of Jack Smith, Carolee Schneeman, Stan Brakhage, Len Lye, Owen Land, Hollis Frampton, Barbara Rubin, Malcolm LeGrice, and many others."

    Fechas: 

    De Miércoles, Julio 1, 2015 - 19:00 hasta Jueves, Julio 2, 2015 - 18:55

    Local: 

    Filmmakers Co-op - Nueva York, Estados Unidos

  • Out of the past: Film restoration today

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    The United States of America (Bette Gordon & James Benning, 1975)Out of the past: Film restoration today
    Print Generation
    Monday November 26, 2012, 19:30h
    James Bridges Theater, Melnitz Hall, UCLA campus
    Recent Work From Anthology Film Archives
    Monday December 3, 2012, 19:30h
    Billy Wilder Theater, Hammer Museum, Westwood Village

    Film restoration and preservation are at the core of UCLA Film & Television Archive activities and essential to conserving our motion picture heritage. Restorations also play an increasingly vital role in making old films accessible to modern audiences, whether through public screenings, home video distribution or online delivery. But what constitutes restoration? What do moving image preservationists do? The present series proposes to answer these questions, while discussing ethical issues, such as the status of the original and how digitality might change our perception of historic material. Each evening will be a behind-the-scenes look into contemporary restoration techniques and concerns, featuring newly restored prints and introductions by leading film preservationists.

    Categoría: 

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