In equestrian culture, Groundwork is comprised of exercises that mature a horse’s response to its rider’s cues and the environment. This program of landscape films from the 1960s through 1980s similarly demonstrates structural and formal methods used by artists to finely tune their perception of natural phenomena. In The Sky on Location, French cinematographer Babette Mangolte focuses her camera on seasonal light and its variegation of the American West’s colour palette.

"VARIETY, EXCHANGE, CRAZY ZEAL, ENERGY, NONSTOP ENTHUSIASM, and a COMMITMENT TO EXPERIMENTATION IN ART, LIFE, AND THE SOCIAL MEDIA," reads Barbara Hammer’s formula for a radical cinema of love against the American Dream. Hammer (*1939) is one of the most important representatives of American independent cinema. Her experimental documentary works present the most extensive avant-garde body of work on lesbian love, relationships and the expressive power of sexuality.

The Museum of Modern Art will present The Women’s Film Preservation Fund: Four Experimental Films January 22nd at 7:15pm in its annual festival, To Save and Project. The films by Peggy Ahwesh, Barbara Hammer, Victoria Hochberg, and Sheila Paige were all recently preserved by The Women’s Film Preservation Fund of New York Women in Film & Television.

Barbara Hammer: Evidentiary Bodies is a multifaceted exhibition-project that delves into the life’s work and resonating impact of lesbian feminist artist and filmmaker Barbara Hammer. Revolving around a retrospective at Leslie Lohman Museum for Gay & Lesbian Art, Evidentiary Bodies as a project encompasses exhibitions, a publication, performances, readings, and an extensive film program at various locations across New York City.