Etiquetas: Atelier Impopulaire

Contenido etiquetado

  • Aldo Tambellini - The Black TV Project (1969-2019)

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    On the occasion of the 50th anniversary of Aldo Tambellini’s legendary Black TV, the multimedia pioneer presents a new installation realized by re-editing hundreds of hours of his experimental mixed-media works in a site-specific Electromedia environment. Born of a complex, stratified experience, in which the images became a further subject in the critical investigation of the American social and political reality, Black TV is a monumental operation of aesthetic synthesis of the Intermedia era.

    Fechas: 

    De Miércoles, Septiembre 11, 2019 (Todo el día) hasta Domingo, Septiembre 15, 2019 (Todo el día)

    Local: 

    ACUD Berlin - Berlin , Alemania

  • VariaVision: Klaus Lutz, The Beauty of my Island

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    This performative extension of the exhibition off this play (Atelier Impopulaire, Volksbühne Pavilion) is conceived as a happening to celebrate the life and work of the Swiss artist Klaus Lutz.

    Fechas: 

    De Martes, Octubre 16, 2018 - 20:00 hasta Miércoles, Octubre 17, 2018 - 19:55

    Local: 

    Volksbühne Berlin - Berlin, Alemania

  • Aldo Tambellini: Black Matters

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    Aldo Tambellini: Black Matters - ZKM

    »Black Matters« is the first full solo exhibition of American artist, Aldo Tambellini, who is one of the pioneers of intermedia art of the 1960s and 1970s. Aldo Tambellini (born 1930 in Syracuse, NY, USA) lives and works in Cambridge. Together with Otto Piene, he founded the »Black Gate Theatre« in 1967, which was the first »Electro-Media« theatre of New York.

    Fechas: 

    De Sábado, Marzo 11, 2017 (Todo el día) hasta Domingo, Agosto 6, 2017 (Todo el día)

    Local: 

    ZKM Center for Art and Media - Karlsruhe, Alemania

  • AI Split Editions #1: Hollis Frampton, A Lecture/Bruce Mcclure, Know Thy Instrument

    Atelier Impopulaire Split #1 consists of an original text by Bruce McClure, an architect and performer based in New York. It is titled Know Thy Instrument, and based on a lecture given by Hollis Frampton on 30 October 1968, then published as A Lecture. Both with his text and projection performance, McClure aims at reflecting upon the body/technology dynamics, the relation with the whole projection apparatus, and the implications deriving from the removal of some of its parts. This all results in a modification of its mechanical structure, thus provoking a systemic abstraction of the obscurity/light duality in the guise of sound patterns.

    Valoración: 

    Promedio: 4.5 (2 votos)

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    Editor: 

  • Atelier Impopulaire: Sandra Gibson + Luis Recoder with Claudio Rocchetti

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    Threadbare, by Luís Recoder and Sandra Gibson

    Entanglements is a multiple projection performance by Luís Recoder and Sandra Gibson that invites sound artists to process the optical film tracks from up to four 16mm projectors. The scratched opaque footage is not what interests us per se but the effect it has in dispersing or scattering the projected audio-visual event itself.

    - Entanglements for (up to) Four Projectors (2009 – 2014) Multiple 16mm projectors, black & white film loops, mixed media, live optical sound processed by Claudio Rocchetti, 60 minutes

    The following day, Saturday May 10, Sandra Gibson and Luis Recoder will install a special version of Threadbare.

    - Threadbare (16mm projector, film, reels) “Sandra Gibson and Luis Recoder look back at the history of film technology. Their richly imaginative installations and sculptures treat celluloid and the projector in ways that are surprising and evocative. Their artworks are poetic and beautiful, offering profound insights into the nature of the medium. Threadbare (2013) is a film projector wrapped in 16mm film footage whose silhouette calls to mind Mickey Mouse.” - John G. Hanhardt, Senior Curator, Smithsonian American Art Museum

    Fechas: 

    Viernes, Mayo 9, 2014 - 20:30

    Local: 

    Careof DOCVA / Viafarini - Milan, Italia

  • Atelier Impopulaire #3: Double Negative

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    Perceptual Subjectivity (Philippe Léonard, 2009)Atelier Impopulaire #3: Double Negative
    New canadian experimental cinema: works from the Double Negative Collective
    Friday, May 18 2012, 20.30h
    O’ via pastrengo 12, milano isola

    For its third installment, Atelier Impopulaire presents a selection of the works by the collective of canadian filmmakers and visual artists Double Negative Collective, presented by Philippe Léonard. Since its inception in 2004, the Double Negative Collective has become a major presence in today’s experimental cinema scene in Montreal, Canada. Its inique existence has had an undeniable impact on the shifting landscape of moving-image art in the local community. Self-financed, the Double Negative Collective has succeeded for over eight years to maintain its own studio with a variety of analogue filmmaking equipment, as well as organize experimental film screenings, performances and artist talks that continue to inspire the artistic communities both at home and abroad.

    Curated by Pia Bolognesi and Giulio Bursi

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  • Atelier Impopulaire #2: Morgan Fisher

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    Morgan FisherAtelier Impopulaire #2: Morgan Fisher
    Morgan Fisher: Screening
    Saturday March 31 2012, 20.30h
    O’ via pastrengo 12, milano isola
    Morgan Fisher: Lectio Magistralis Abstraction in Film
    MA Film & New Media NABA | Monday April 2 2012, h.16.00-18.00
    PhD School in Communiccation & New Technologies IULM | Tuesday April 3 2012, h. 11.00-13.00

    For its second installment, Atelier Impopulaire presents a selection of the work by filmmaker and visual artist Morgan Fisher , followed by a series of lectures on the theme Cinema/Abstraction. Curated by Pia Bolognesi and Giulio Bursi.

    Programme:
    - Documentary Footage, 1968, 11’
    - Production Stills, 1970, 11’
    - Picture and Sound Rushes, 1973, 11’
    - The Wilkinson Household Fire Alarm, 1973, 1’30’’
    - Cue Rolls, 1974, 5’30’’
    - Projection Instructions, 1976, 4’
    - Standard Gauge, 1984, 35’
    - Turning Over, 1975, 15’
    - Protective Coloration, 1979, 13’
    - ( ), 2003, 21’

    Atelier Impopulaire is a contamination of research practices, editorial and site-specific curatorship that arises from direct collaboration with the artists. In its first phase, Atelier Impopulaire will focus on the study and reinterpretation of Structural Cinema, Avant-garde, Performative and Expanded, to address cross-cultural path on the film device in its experimental forms, through a program that includes performances and screenings of artists and filmmakers of different generations: Bruce McClure, Morgan Fisher and Ben Russell.

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  • Atelier Impopulaire #1: Bruce McClure

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    Bruce McClureAtelier Impopulaire #1: Bruce McClure
    Bruce McClure: The 16 mm Lecture for Film & New Media
    Thursday March 1st 2012, 10-13h & 14-17h
    NABA (Nuova Accademia di Belle Arti), Milan
    Bruce McClure: Performance  
    Friday March 2nd 2012, 20.30h
    O’ via pastrengo 12, Milano Isola

    O' and Die Schachtel inaugurate Atelier Impopulaire, a new cycle of events starting from March, curated by Pia Bolognesi and Giulio Bursi.
     
    Atelier Impopulaire is a contamination of research practices, editorial and site-specific curatorship that arises from direct collaboration with the artists. In its first phase, Atelier Impopulaire will focus on the study and reinterpretation of Structural Cinema, Avant-garde, Performative and Expanded, to address cross-cultural path on the film device in its experimental forms, through a program that includes performances and screenings of artists and filmmakers of different generations: Bruce McClure, Morgan Fisher and Ben Russell.

    Atelier Impopulaire starts next March 1 with a seminar by Bruce McLure 'The 16 mm for Film & New Media Lecture' at the Department of Film and New Media NABA, Milan, and a performance by the artist on Friday, March 2 at 20:30 in the O' space.

    Investigator of the cinematic apparatus, architect and 'performer of light and darkness', among the most prominent names in American Expanded Cinema, host of the most famous festivals in the world (Rotterdam, Toronto, New York) Bruce McClure (NY, 1959) presents a performance projection for the O' space and the cycle Atelier Impopulaire. "Its events immerse the viewer in the complete darkness of the room, lit by flicker shots(the pulsing image of the projector light): sound beats and visual loops synaesthetically drag the viewer into a space dominated mostly by the sound and the force of the flashing and flickering lights of the image. Darkness and light are palpated, you can taste and see: a battery of 16mm projectors, modificated by him" -for the performance of Milan he will use two simultaneously-projected film loops generating cones of light which are then synchronized with sounds and noises (...). Mixer and electronic pedals help him to create a sound / optical universe with high-impact and fully immersive. His live performances are very close to the expanded cinema, a film that dominates the space beyond the screen, not the fictional diegesis of the film, but the universe palpable and effective, though virtual, a room made from darkness and light, a shared space between the projectionist and the viewer, between those who create and those who receive the light " (by Massimiliano Fierro).

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